2019年6月7日金曜日

音楽 : F.P. & The Doubling Riders ‎– Doublings & Silences Volume I


F.P. & The Doubling Riders ‎– Doublings & Silences Volume I

Auf Dem Nil ‎– DMM 001R
Vinyl, LP
Italy
1985
Electronic
Modern Classical, Experimental

収録曲
A1
Doublings & Silences
Cello – Leone Soprani
Composed By – E. Soprani, F. Paladino
Voice, Synthesizer [Casiotone MT 40, Yamaha], Effects – Pierluigi Andreoni
3:07
A2
Nights
Acoustic Guitar – Franco Fornasari
Composed By – F. Fornasari
Synthesizer [Casiotone MT 40] – Pierluigi Andreoni
Synthesizer [Yamaha] – Alberto Andreoni
3:04
A3
Doubled By The Sun
Composed By – A. Andreoni, F. Paladino, P. L. Andreoni
Piano – Alberto Andreoni
Synthesizer [Yamaha DX7, Roland JX3P] – Gianni Defelici
Voice, Synthesizer [Yamaha DX7] – Pierluigi Andreoni
4:00
A4
Neoplastie Part III
Composed By – Vox Populi!
Flute, Voice – Mithra
Percussion [Percussions] – Arash
Tape [Sinthesized Tapes], Effects – Gnouf Tap
2:20
A5
The Warm Current
Composed By – A. Andreoni, F. Paladino, M. Benvisi, P. L. Andreoni
Piano – Alberto Andreoni
3:04
A6
The Last Emperor Of The Snakes
Composed By – Francesco Paladino, Pier Luigi Andreoni
0:45
A7
H F A1
Composed By – A. Neffe
Saxophone [Saxophones], Vocoder – Alain Neffe
1:45
A8
Chinese Rain
Composed By – P. L. Andreoni
Electronics [Sequencer] – Pierluigi Andreoni
1:45
B1
Effie Briest
Composed By – G. Defelici
Synthesizer [Yamaha DX7] – Gianni Defelici
1:08
B2
Voila Les Tropiquês
Composed By – A. Neffe
Electric Guitar, Saxophone [Saxophones], Vocoder, Performer [String Ensamble], Bulbul Tarang [Tarang] – Alain Neffe
Synthesizer [Yamaha DX7] – Gianni Defelici
5:53
B3
Smell Into A Dream
Composed By – F. Paladino, G. Sturmann
Electric Guitar, Drum Machine, Drum [Toy Drum], Voice, Piano, Guitar [Toy Guitar], Glockenspiel – Giovanni Sturmann
3:42
B4
Schläft Ein Lied In Allen Dingen
Composed By – M. Benvisi, P. L. Andreoni
Electronic Drums [El. Percussion] – Pierluigi Andreoni
Piano – Marino Benvisi
2:22
B5
Blind Bodies
Composed By – F. Paladino, P. L. Andreoni
Electric Guitar, Baby Grand Piano – Marino Benvisi
Voice, Effects – Pierluigi Andreoni
Words By, Voice – Francesco Paladino
1:09
B6
Possession And Treasures
Composed By – A. Neffe
Electric Guitar – Alain Neffe
Synthesizer [Yamaha DX7] – Gianni Defelici, Pierluigi Andreoni
Voice – Craig Burke, Nadine Bal
2:47
B7
In A Bed Of Trees
Composed By – F. Paladino, M. Benvisi, P. L. Andreoni
Electric Guitar – Marino Benvisi
Voice, Effects – Pierluigi Andreoni
1:35
B8
Penguins (In A Cup Of Coffee)
Bass Clarinet – Francis Marbais
Composed By – A. Neffe, F. Paladino
Flute [Flutes], Organ [Toy Organ] – Alain Neffe
Voice – Pierluigi Andreoni
1:00

会社名など
Recorded At – Tuxedo Studio
Recorded At – Sturmann Studios Production
Recorded At – Insane Studio
Recorded At – Vox Populi Studio
Mixed At – Audiar Studios

クレジット
Art Direction [Art Producer] – Francesco Paladino
Coordinator [Production Co-ordinated] – Pier Luigi Andreoni
Painting [Cover Painting] – Armodio
Photography By [Cover Photograph] – Photogramma 2

ノート
Comes with lyric sheet printed by dot matrix printer.
Side A ends in a locked groove.

The Doubling Riders were born out of various new-wave and experimental folk outfits active in Italy during the early 1980's. It largely started as the mail-art project of Francesco Paladino, with multi-instrumentalist Pier Luigi Andreoni under the guise F.P & The Doubling Riders, and a record that involved a lot of international talent.
With further records, now featuring Riccardo Sinigaglia and a more stable band, The Doubling Riders became a totally unclassifiable, genre hopping outfit, at the forefront of Italian new-music.

ニューウェイヴとミニマリズム、そしてFOURTH WORLD AMBIENを繋ぐ、伊エクスペリメンタル・グループ.

イタリア全土のNEW WAVEを発掘しまくっているSPITTLE RECORDSがOFFICINE FONOGRAFICHE ITALIANEダブル・ネームで伊エクスペリメンタル集団DOUBLING RIDERSの決定的6CD BOXをリリース。その短い活動期間の間にPASCAL COMELADE、IRA STEIN、VOX POPULIらともコラボレーションをし、他の伊産ニューウェイヴ / エクスペリメンタル・バンドとは一線を画す存在の全容が遂に明らかに。

ミニマル・ミュージックや、電子音楽をメインに、民族音楽、アンビエント、ニューウェイヴのエッセンスを昇華した独創的なエクスペリメンタル・サウンドは、MUSIC FROM MEMORYや、SOAVE、SEANCE CENTRE、BLACK SWEATら先鋭レーベル諸作品に通ずる魅力に満ちています。昨今のニューエイジ / アンビエント再発事情を鑑みるに必然と言えるリリース。1985年から1991年にかけての4作品 (初CD化含む) に加え、未発表曲、レア・トラックを収録した決定的BOXセット。

THE DOUBLING RIDERS...
A.T.R.O.X.解散後のFRANCESCO PALADINOが、盟友PIER LUIGI ANDREONI (SOAVE、AGUIRREから主要作品がリイシュー)、そしてBLACK SWEATからの一連のリイシューでお馴染み、FUTURO ANTICOをはじめ、ジャンルを超越した様々なプロジェクトへの参加ソロとしても独創性豊かな作品を残すイタリアン・エクスペリメンタル最深層音楽家RICCARDO SINIGAGLIAが集結した伊エクスペリメンタル豪華プロジェクト。(Disk-Union)

音楽 : Takehisa Kosugi, Riri Shimada ‎– Perspective


Takehisa Kosugi, Riri Shimada ‎– Perspective


Flowerdogs Record ‎– FDR-001
Vinyl, LP, Album, Limited Edition, Numbered
Japan
Electronic
Experimental

収録曲
A
Perspective

B
Perspective

会社名など
Manufactured By – Kojima Recordings, Inc.

クレジット
Piano – Riri Shimada
Violin, Voice – Takehisa Kosugi

ノート
Recorded on December 21, 1980 at Strange Fruit

音楽 : Ora-Time Out Of Mind


Album:
Time Out Of Mind
Artist:
Ora
Label:
La Scie Dorée
Format:
LP
Year:
2019
Edition:
Ltd.400
Detail:
Featuring Andrew Chalk, Darren Tate, Colin Potter and Daisuke Suzuki
“Time Out of Mind” represents a most important chapter in the recordings of Ora, during the years 1986-1994 and here almost all entirely unheard before. They represent unreleased studio pieces, field recordings and sketches, significantly made to portable recorder. This working method would become the basis of future and more elaborate studio pieces and in itself clarifies an important formative stage of the work of Ora, of often using outdoor performances and location sound in an entirely spontaneous way

音楽 : 小杉武久-New York, August 14, 1991


Takehisa Kosugi - New York, August 14, 1991

Artist:
Takehisa Kosugi
Label:
Slowscan
Format:
LP
Year:
2019
Edition:
Ltd.300
Detail:
Reissue from an audiocassette published in 1993 in Fluxus wooden box with 8 tapes, sound slighltly modified by Kosugi a year later. Recorded live in Kosugi's former apartment in New York City. To be played loud!
Condition:
SEALED

Edition of 300 copies, historical recordings from 1991, as the composer wrote "the music was performed by myself, solo. Recorded live at my former apartment in New York". Composer, per former, conceptualist, improvisor, installation artist and violinist Takehisa Kosugi has been an important, though shadowy presence in the world of avant garde music since the beginning of the 1960s. This is one of the few authorized 'live' recordings - Kosugi has long been ambivalent about the value of audio documentation. Consequently, many of his most important and representative recordings have remained stubbornly out of print, much whispered about but unavailable save to those blessed with inordinate luck or very deep pockets. Albums like Catch Wave (1975), or those by his peripatetic multimedia improvisation group The Taj Mahal Travellers assumed the status of legend among collectors of rock esoterica.
Slipping between genre, media and continents, raising and transcending borders and boundaries has been one of Kosugi’s raisons d’être. His music, for example in the longform and distinctly psychedelic improvisations of The Taj Mahal Travellers collective, blurs the lines of demarcation between composition and per formance, aural and the visual, acoustic and electric, between academic conceptualisation and physical experience. Kosugi’s work has always been driven by an unchanging desire to realign and revitalise human sensibility, to jolt the mind out of its ruts through the operations of chance and spontaneity. The strategies he has devised to achieve his ends are core to the experience of the 20th century avant garde – chance, multiplicity, improvisation, indeterminacy, mixed media, the importance of environment and place.
The live prerformance documented here is made using pre-recorded environmental sounds (birds) recorded in the city of Ferrara, in Italy, various noises [live broadcasting sound on WCbs Radio, New York], sounds from the actual performance [a plastic bottle in which a small microphone is installed for pick up voice & other sounds], Electronics [Audio Generator], effects [Time-delay Machine, Pitch Shifter]

Slowscanから1993年に出版されたフルクサス作家を集めた超入手困難&幻の8枚組の木箱製カセット・コンピレーションである「Fluxus Anthology 30th Anniversary 1962-1992 Sound Events」に収録されていた、グループ音楽、タージマハル旅行団等の活動でも知られる日本が誇るサウンドアート巨匠、小杉武久(1938-2018)の1991年激レア音源が初再発ヴァイナル化.
オリジナルは一生に一度出逢えるか分からないほどの超鬼レア音源であり、小杉本人が公式に認めた数少ないライブレコーディングの一つです。本作に収録の音源は、ニューヨークの小杉のアパートでライブ録音された30分越えの大曲。テープ処理された鳥の声やタイム・ディレイ・マシーン、ピッチ・シフターなどを様々な仕掛けと素材を駆使し、まるで虚無の森へと迷い込むような不可思議な響きを顕現させる、驚異的な音の彫刻へと練り上げています。限定300枚。(引用)

SlowscanがFluxus 30周年(1992年)に制作したカセット8本組木箱入りという豪華エディションの内の一つで、1991年の演奏を収録。内容についての許諾が当時すでに得られているから再発も話が早いわけだが、それなら存命中に復刻させればよかったのに。80年代に頻繁にやっていた、即興系の人たちとのセッションから離れ、テーブル上でのエレクトロニクス演奏にシフトした時期。Play Loudとの注記がある割には爆音ではなく、David Tudorの演奏に近い。ラジオが使われるのも珍しい。限定300。(引用)

2019年6月6日木曜日

音楽 : Etron Fou Le Loublan ‎– Batelages


Etron Fou Le Loublan ‎– Batelages


Gratte-Ciel ‎– CIEL 2001
Vinyl, LP, Album
France
1976
Jazz, Rock
Avantgarde

収録曲
A1
L'Amulette Et Le Petit Rabbin
Vocals – Eulalie Ruynat
18:01
A2
Sololo Brigida
3:12
A3
Yvett' Blouse
0:22
B1
Madame Richard / Larika
9:22
B2
Histoire De Graine
Vocals – Ferdinand Richard
11:10

会社名など
Printed By – A.R.E.A.C.E.M.
Pressed By – A.R.E.A.C.E.M.

クレジット
Brass [Cuivres] – Chris Chanet
Composed By, Arranged By – E.F.L. Graphics – A. Postel, J.-P. Tran
Lyrics By – C. Chanet* (tracks: A1 to A3), F. Richard* (tracks: B1, B2)
Percussion, Chorus – Guigou "Samba Scout" Chenevier*
Photography By [Photo] – J.-P. Bos*
Recorded By – Fabien Ferreux, Thierry Magal
Strings [Cordes] – Ferdinand Richard

ノート
Recorded November 1976 at "2-03-21" on TEAC 4-track.

Etron Fou Leloublan, La Peyre - 07160 Le Cheylard
Gratte-Ciel, 12 rue Devrès - 75014 Paris

バーコードとその他の識別子
Matrix / Runout (Side A runout): ETRON FOU 291176 A 2001 A
Matrix / Runout (Side A runout): ETRON FOU 291176 B 2001 B
Rights Society: SACEM SACD SDRM SGDL
Price Code: Ⓤ

2019年6月4日火曜日

書籍 : 生田耕作の豆本

音楽 : Aqsak Maboul ‎– Un Peu De L'Âme Des Bandits


Aqsak Maboul ‎– Un Peu De L'Âme Des Bandits

Atem ‎– Atem/Crammed 002, Crammed Discs ‎– Atem/Crammed 002, Recommended Records ‎– Atem/Crammed 002
Vinyl, LP, Album
Belgium
Jan 1980
Electronic, Jazz, Rock
Avantgarde, Experimental, Prog Rock

収録曲
A1
Modern Lesson
Bassoon, Oboe, Choir – Michel Berckmans
Cello [Violoncellos] – Denis Van Hecke
Drums [Part I], Performer [Flipper], Recorder, Choir – Frank Wuyts
Drums [Part II] – Chris Cutler
Electric Guitar, Acoustic Guitar, Violin [Violins], Viola, Bass – Fred Frith
Organ, Piano, Clarinet [Bb], Bass Clarinet, Saxophone [Sax] – Marc Hollander
Voice, Performer [Flipper] – Catherine Jauniaux
Written-By – Hollander
4:58
A2
Palmiers En Pots
Alto Saxophone – Hollander
Bassoon – Berckmans
Cello – Van Hecke
Drums – Cutler
Piano – Wuyts
Violin – Frith
Written-By – Wuyts, Hollander
Written-By [Trio] – André Verchuren
3:24
A3
Geistige Nacht
Bass – Frith
Bassoon, Oboe – Berckmans
Cello – Van Hecke
Drums – Cutler
Piano, Synthesizer [Oberheim] – Wuyts
Soprano Saxophone – Hollander
Written-By – Frith
5:18
A4
I Viaggi Formano La Gioventù
Cello [Acoustic & Electric Cellos] – Van Hecke
Goblet Drum [Dumbeg], Soprano Saxophone, Organ, Tape [Tapes] – Hollander
Guitar [Guitars] – Frith
Oboe – Berckmans
Synthesizer [Oberheim], Piano – Wuyts
Written-By – Traditional
5:09
A5
Inoculating Rabies
Bass Clarinet – Hollander
Bass, Lead Guitar – Frith
Bassoon – Berckmans
Drums – Cutler
Rhythm Guitar [Rythm Guitar], Cello [Electric Cello], Voice – Van Hecke
Written-By – Van Hecke*, Wuyts
1:47

Cinema
(22:45)
Ba
Ce Qu' On Peut Voir Avec Un Bon Microscope
Bass, Guitar, Guitar [Prepared] – Frith
Cello [Acoustic & Electric Cellos], Voice – Van Hecke
Composed By – Wuyts, Hollander
Composed By [Part Of] – Jauniaux, Cutler, Van Hecke, Frith, Berckmans
Drums, Percussion, Performer [Radio] – Cutler
Oboe, Bassoon – Berckmans
Organ, Alto Saxophone, Bass Clarinet, Xylophone, Piano [On Intro] – Hollander
Piano, Synthesizer [Óberheim], Percussion [Percussions] – Wuyts
Voice – Jauniaux*
7:25
Bb
Alluvions
Bass, Guitar, Guitar [Prepared] – Frith
Cello [Acoustic & Electric Cellos], Voice – Van Hecke
Composed By – Frank Wuyts, Hollander
Drums, Percussion, Performer [Radio] – Cutler
Oboe, Bassoon – Berckmans
Organ, Alto Saxophone, Bass Clarinet, Xylophone, Percussion [All Percussions] – Hollander
Piano, Synthesizer [Óberheim] – Wuyts
Voice – Jauniaux
5:27
Bc
Azinou Crapules
Bass, Guitar, Guitar [Prepared] – Frith
Cello [Acoustic & Electric Cellos], Voice – Van Hecke
Composed By – Wuyts, Hollander
Drums, Percussion, Performer [Radio] – Cutler
Oboe, Bassoon – Berckmans
Organ, Alto Saxophone, Bass Clarinet, Xylophone – Hollander
Piano, Synthesizer [Óberheim], Percussion [Percussions] – Wuyts
Voice – Jauniaux
7:05
Bd
Age Route Brra! (Radio Sofia)
Bass, Guitar, Guitar [Prepared] – Frith
Cello [Acoustic & Electric Cellos], Voice – Van Hecke
Composed By – Jauniaux*, Cutler, Van Hecke, Wuyts, Frith, Hollander, Berckmans
Drums, Percussion, Performer [Radio] – Cutler
Oboe, Bassoon – Berckmans
Organ, Alto Saxophone, Bass Clarinet, Xylophone – Hollander
Piano, Synthesizer [Óberheim], Percussion [Percussions] – Wuyts
Voice – Jauniaux
2:48

会社名など
Recorded At – Sunrise Studios

クレジット
Arranged By – Jauniaux (tracks: A1), Cutler* (tracks: A2, A4 to Bd), Van Hecke (tracks: A2, A4 to Bd), Wuyts (tracks: A2, A4 to Bd), Frith, Hollander (tracks: A1, A2, A4 to Bd), Berckmans (tracks: A2, A4 to Bd), Vincent Kenis (tracks: A4, Bb)
Cover [Back Cover], Layout – M.M.C. Octave
Cover [Front Cover] – Pat Andrea
Mixed By – Aksak Maboul, Etienne Conod, Fred Frith
Recorded By – Etienne Conod

ノート
Recorded february & august 79 at Sunrise Studio.
'Palmiers' composed with a hat, scissors & glue.
Order of "solos" in 'Cinema': 6 strings bass, violoncello, electric cello, oberheim.
English ist die international langwidj.
Track A2 incl. 'Trio' from "Nuits D'Argentine"
Merci encore Etienne & Eva Sunrise, Brigitte Dooms, Olivia Bruynhooghe, Jean Debefve, Véronique Vincent, Eric Faes, Tina Swanson, Pierre Narcisse, Titi Smolderen.

Tracklisting on Side A label:
A1 Bo Diddley
A2 Trio / Tango
A3 Rondo
A4 Truc Turc
A5 Pogo
B Knokke

Catalog number on sleeve rear & spine "Atem/Crammed 002", on label Side A label "ATEM-CRAMMED 002"

バーコードとその他の識別子
Rights Society: SABAM
Matrix / Runout: CR 002 - A1
Matrix / Runout: CR 002 - B1

2019年6月3日月曜日

音楽 : The Red Crayola With Art & Language ‎– Freud


The Red Crayola With Art & Language ‎– Freud


Konkurrenz ‎– KON 12, Konkurrenz ‎– 6005 184
Vinyl, 7", 45 RPM
Germany
1981
Rock
Art Rock

収録曲
A
Rattenmensch / Gewichtswächter
2:45
B
Zukunftsflieger
4:24

会社名など
Phonographic Copyright (p) – Rough Trade
Record Company – Phonogram GmbH
Published By – Rough Trade
Published By – R.G.S. Musik
Lacquer Cut At – PRS Hannover
Pressed By – PRS Hannov

クレジット
Producer – Adam Kidron, Red Krayola
Translated By – M. MyLing
Written-By – Art & Language, M. Thompson

ノート
A Rough Trade Records Production Herausgeber: Phonogram GmbH
Rough Trade/R.G.S. Musik

バーコードとその他の識別子
Rights Society: GEMA
Label Code: LC 7281
Matrix / Runout (Runout A stamped): 6005 184 {Xed out S} 1 W 320 1 E
Matrix / Runout (Runout B stamped): 6005 184 2 W 320 1 G
Recommendations

音楽 : T.A.G.C.(THE ANTI GROUP COMMUNICATION) - Broadcast Test


T.A.G.C.(THE ANTI GROUP COMMUNICATION) - Broadcast Test

ドイツ盤 BIG SEX 002

実はヒューマン・リーグと同じルーツを持つ英シェフィールドの老舗エレクトロニック・グループ「クロックDVA」の別プロジェクトで、よりコンセプチャルな思考性を打ち出す「ジ・アンチ・グループ・コミュニケイション:T.A.G.C.」1989年12"シングル。
独トレゾアの布石となったハウス~初期テクノ・レーベル「ビッグ・セックス」からのリリース。実はこのレーベル名はT.A.G.C.の曲に由来します。

A  Broadcast Test Transmission 1 5:40
B  Broadcast Test Transmission 2 5:40区

音楽 : T.A.G.C. - Meontological Research Recording Record 2Teste Tones

ga

T.A.G.C. - Meontological Research Recording Record 2Teste Tones

UK SIDE EFFECT SER 12

実はヒューマン・リーグと同じルーツを持つ英シェフィールドの老舗エレクトロニック・グループ「クロックDVA」の別プロジェクトで、よりコンセプチャルな思考性を打ち出す「ジ・アンチ・グループ・コミュニケイション:T.A.G.C.
グレアム・レヴェル(SPK)が立ち上げ、ブライアン・ウィリアムス(ルストモード)が後を継いだ「サイド・エフェクツ」からの1988年アルバム。
A-1ではブライアン・ウィリアムスが変名で参加。

Test 3
A1 Test Tone 40 Hz  Featuring Isol B. Rubin   5:59
A2 Teste Tones   5:53
A3 E.P.M.D. (ErotoPsycho Motor Disturbances)   10:02
A4 A.A.A. (Audio Alpha Activity)   0:06

Test 4
B1 Magnesia   5:04
B2 Magnetic Pharmacology1   7:41

音楽 : B.C.GILBERT & G.LEWIS - 3R4

B.C.GILBERT & G.LEWIS - 3R4

UK 4AD CAD 16

「ドーム」「キューポル」の名でも活動したワイヤーのブルース・ギルバートとグラハム・ルイスによる1980年4ADからのデュオ名義アルバム。
エンジニアはジョン・フライヤーとエリック・ラドクリフ。美術作家のラッセル・ミルズがパーカッションで参加。抽象性かつ有機的なアンビエント音響。

Bass - Davyd Boyd
Engineer - Eric Radcliffe
Engineer [Assistant] - John Fryer (tracks: A1, A2)
Guitar, Bass, Producer - B. C. Gilbert(tracks: B1, B2)
Guitar, Percussion, Synthesizer, Tape - Graham Lewis (tracks: A1, A2)
Percussion - B. C. Gilbert(tracks: A1, A2), G. Lewis, Russell Mills
Tape - John Fryer (tracks: B1, B2)
Voice - Davyd Boyd (tracks: B1, B2)

(side A)
1Barge Calm (1:11)
23. 4... (17:03)
(side B)
1Barge Calm (1:08)
2R (20:03)

音楽 : PHILIPS GLASS - Music In Similar Motion / Music In Fifths


PHILIPS GLASS - Music In Similar Motion / Music In Fifths

US CHATHAM SQUARE PRODUCTIONS LP 1003

アメリカン・ミニマル・ミュージックの代表的作家の1人フィリップ・グラス。1971年にグラス本人が設立した自主レーベル「チャタム・スクエア・プロダクション」から1973年に発表したセカンド・アルバム。ジャケットは二種類存在し、こちらは後で出た方。
後の流麗な響きに比べると荒々しいとすら言えるミニマル・フレーズの渦に聴く者を巻き込みます。

Music In Similar Motion (1969) was recorded in June, 1971 at Martinson Hall of the Public Theatre, NYC using Butterfly Productions' 16 track mobile unit.

Music In Fifths (1969) was recorded in June 1973 at Butterfly Productions' New York studio.

Organ [Electric], Producer Philip Glass
Soprano Saxophone Jon Gibson, Richard Landry

(side A)   Music In Similar Motion
      Engineer [Recording] Robert FriesFlute Robert PradoOrgan [Electric] Art Murphy, Steve Chambers
(side B)   Music In Fifths

2019年6月2日日曜日

音楽 : Velvet Underground The Velvet Underground & Nico


Velvet Underground The Velvet Underground & Nico

Tracklisting
1. Sunday Morning
2. I'm Waiting for the Man
3. Femme Fatale
4. Venus in Furs
5. Run Run Run
6. All Tomorrow's Parties
7. Heroin
8. There She Goes Again
9. I'll Be Your Mirror
10. Black Angel's Death Song
11. European Son

1967 - 52 years old
Record Label:
Verve
Catalogue No:
V6-5008
Country of Origin:
USA