2017年11月16日木曜日

書籍 : 瀧口修造の詩による版画集 スフィンクス


瀧口修造の詩による版画集 スフィンクス

昭和29年(1954)  
利根山光人:妖精の距離は欠 AP版 奥付に瀧口修造・北川民次・久保貞次郎のペン署名 表紙装:山城隆一 29.5×24.5cm  
全6枚(北川民次:地球創造説/瑛九:5月のスフィンクス/泉茂:睡魔/加藤正:岩石は笑った/青原俊子:魚の欲望) 

2017年11月13日月曜日

美術 : 野中ユリ私刊-星は人の指ほどの


『星は人の指ほどの』昭和40年 野中ユリ私刊 限定250部No.182 未綴12ページ

野中ユリ挿画四葉入 野中ユリ直筆サイン・エディション入 カバー付完本 122×115mm

2017年11月11日土曜日

音楽 : Elodie ‎– Balayes De La Main Du Hasard


Elodie ‎– Balayes De La Main Du Hasard

レーベル:Faraway Press ‎– FARAWAY PRESS 030
フォーマット:Vinyl, LP, Album
国・地域:UK
リリース済み:Jun 2017
ジャンル:Classical, Folk, World, & Country
スタイル:Minimal, Ambient


収録曲
A1
La Solitude Derrière Soi
A2
Dans L'Air Assombri
Guitar [Guitare] – Tom James Scott
A3
Tombé Du Nuage D'or
B1
Les Ombres Parmi Les Arbres
B2
Une Ronde
Marimba [Korogi] – Daisuke Suzuki
B3
Le Voile Des Années

クレジット
Music By [Musique De] – Andrew Chalk, Timo van Luijk

ノート
Edition of 400 copies.

バーコードとその他の識別子
Matrix / Runout (Side A): FP 030 A RAND
Matrix / Runout (Side B): FP 030 B RAND

音楽 : Elodie ‎– Vieux Silence


Elodie ‎– Vieux Silence

ジャンル:Electronic
スタイル:Ambient, Modern Classical
年:2017

収録曲
La Vallée Du Sommeil
2:55
Corridor
1:05
Vieux Silence
7:05
La Nuit Voilée
9:54
Au Point Du Jour
8:53
Le Temps D'Antan
4:26
Entre Deux Mondes
1:12
La Saison Blanche
5:17

Vieux Silence ‎(CD, Album)
Ideologic Organ
SOMA027
Austria
2017

Vieux Silence ‎(LP, Album)
Ideologic Organ
SOMA 027
Austria
2017

書籍 : 加藤郁乎-エトセトラ


沖積舎刊行。識語署名(エトセトラ・加藤郁乎)・総革装・夫婦函

音楽 : Ed Askew ‎– These Nights + Days


Ed Askew ‎– These Nights + Days

レーベル:Not On Label (Ed Askew Self-released) ‎– none
フォーマット:Cassette, Album
国・地域:US
リリース済み:1999
ジャンル:Rock, Folk, World, & Country
スタイル:Experimental, Folk


収録曲
A1
Sunday Morning

A2
Peaceful Bay

A3
Daniel Don't Sigh

A4
Concordia

A5
Sea Shells

B1
Green Song

B2
The Beacon

B3
Bumping Cars

B4
The Cathedral

B5
An Occasional Car

B6
Be Seen

クレジット
Performer, Written-By – Ed Askew

ノート
Homemade cassette release on a Maxell XLII 60 tape with hand-written/colored labels and hand-made J-card.

Ed refers to it as a "privet collection" in the description of a video for track A4 that he posted on youtube, and says it was recorded to 4-track.

Recorded late winter, spring, and summer 1999. Track B1 recorded 1969 and 1999.

NR off.

2017年11月4日土曜日

音楽 : Eliane Radigue "Occam Ocean Vol. 1"


Eliane Radigue "Occam Ocean Vol. 1" [2CD]

Label: Shiiin - shiiin eer1

Includes a 40 page booklet.

“occam river I” for birbyné and alto, 2012
carol robinson, birbyné julia eckhardt, alto
“occam I” for harp, 2011
rhodri davies, harp
“occam III” for birbyné, 2012
carol robinson, birbyné
“occam IV” for alto, 2012
julia eckhardt, alto
“occam delta II” for bass clarinet, alto and harp, 2012
carol robinson, bass clarinet, julia eckhardt, alto, rhodri davies, harp

美術 :

音楽 : Steve Lacy / Alvin Curran / Frederic Rzewski ‎– Threads


Steve Lacy / Alvin Curran / Frederic Rzewski ‎– Threads

レーベル:Horo Records ‎– HZ 05
フォーマット:Vinyl, LP, Album
国・地域:Italy
リリース済み:1977
ジャンル:Jazz
スタイル:Free Jazz, Leftfield, Abstract

収録曲
A1
Skirts
11:47
A2
Threads
10:40
B1
Rabbit
4:55
B2
Broils
7:27
B3
Shambles
6:55

会社名など
Recorded At – Studio Mama Dog

クレジット
Art Direction – Antonio Ortolan
Composed By, Soprano Saxophone – Steve Lacy
Design [Cover] – Maria Teresa Tannozzini
Engineer – Raimondo Caruana
Flugelhorn, Synthesizer, Percussion [Small] – Alvin Curran
Liner Notes – Marco Crisostomi
Photography By [Cover] – Paolo Buggiani
Piano [Acoustic] – Frederic Rzewski
Producer – Aldo Sinesio
Producer [Assistant] – Gianni Gualberto

ノート
Recorded May 19, 1977, MAMA DOG Studion in Rome

2017年10月11日水曜日

音楽 : Steve Lacy ‎– Saxophone Special


Steve Lacy ‎– Saxophone Special

レーベル:Emanem ‎– 3310
フォーマット:Vinyl, LP, Album
国・地域:US
リリース済み:1975
ジャンル:Jazz
スタイル:Free Jazz


収録曲
A1
Staples
9:40
A2
Dreams
Performer [Gramophone, Right Channel] – Steve Lacy
11:20
B1
Swishes
Baritone Saxophone – Evan Parker
5:45
B2
Sops
Composed By – Parker*, Lacy*, Potts*, Watts*
Soprano Saxophone – Evan Parker, Steve Potts
Soprano Saxophone [Left Channel] – Trevor Watts
7:10
B3
Snaps
Soprano Saxophone – Steve Potts
9:20

会社名など
Recorded At – Wigmore Hall

クレジット
Alto Saxophone – Steve Potts (tracks: A1 to B1)
Alto Saxophone [Left Channel] – Trevor Watts (tracks: A1 to B1, B3)
Composed By – Steve Lacy (tracks: A1 to B1, B3)
Electric Guitar – Derek Bailey
Other [Concert Producer] – Mandy Davidson
Recorded By, Artwork By [Sleeve Design], Producer – Martin Davidson
Soprano Saxophone [Right Channel], Artwork By [Images] – Steve Lacy
Synthesizer – Michel Waisvisz (tracks: A1 to B1, B3)
Tenor Saxophone – Evan Parker (tracks: A1, A2, B3)

ノート
Recorded live in London at the Wigmore Hall on December 19, 1974.

2017年9月27日水曜日

音楽 : Talibam!-Endgame of the Anthropocene (ESP-Disk')


Talibam!-Endgame of the Anthropocene

ESP-5016

Endgame of the Anthropocene marks Talibam!’s return to ESP-Disk', a partnership begun in 2009 with the highly acclaimed Boogie in the Breeze Blocks album. Talibam! is a 14-year working unit based in New York City that can be described in various ways -- as a classic keyboards/drums expanded-jazz duo, as Dadaist provocateurs with an innate love for the history of music, as a Fluxus-informed theater troupe, as an electronic ensemble inspired by Stockhausen, or as a rhythm section at the cross hair of agility, speed, punctuation, and intention. Since their inception in 2003, Talibam!’s ultimate goal has been to wed disparate ideologies through proficiency, controversy, inquiry, and compassion. Every Talibam! album attacks from a different angle; Endgame continues this tradition of each new release sounding completely different from everything they've done before,  as does HARD VIBE (ESP5015), which will be released on the same day.
Talibam! has made a geopsychic prediction: after it expires in 2048, the Antarctic Treaty System will be rejected. As the rest of the planet will have been rendered uninhabitable due to wars rooted in overpopulation, global warming, and the relentless exploitation of diminishing resources, human interference and the failure to ratify will lead to international war over the sovereignty and control of Antarctica’s vast resources. Endgame of the Anthropocene is Talibam!’s first cinematic album of through-composed ecogothic geosonics. It is the soundtrack to 2048’s despotic nationalism and crumbling international infrastructure, underscoring an eco-mercantilistic tragedy and the desperate plundering of the last pristine landscape on Earth. This inevitable destruction of Antarctica’s purity marks the global-environmental endgame of the Anthropocene. Endgame of the Anthropocene is a dystopian sonic pronouncement of failed socio-environmental memes, and features Talibam!’s emergence into hyperkinetic rhythm-based instrumental/ electronic music. Syncopation via polyrhythmic electronic drum and synth pads create corporeal dance floor beats that would make a super computer perturbed. Kevin Shea is a master of cyber swing and ecowar rhythm — on this record, he keeps it android yet anthropoid, like Aphex Twin meeting a hologram Phil Collins. Keyboardist Matt Mottel anchors wide sweeps of analog synthesis — his sonic palette oscillating between the Silver Apples, Sun Ra, and Arca via an Arduino beta bass drop. This music is hallucinatory composition — electronic muzik via an ethnographic sonic landscape influenced by Parmegiani, Don Cherry, Front 242, Hailu Mergia, Vangelis, Suicide, Islam Chipsy, Stockhausen and DJ Shadow.

Personnel: Matthew Mottel: Mini Moog, Midi Synths, Yamaha CS1x, Roland Juno 1, Roland Lucina, Arp Solus ; Kevin Shea: drums, MIDI Marimba Lumina; Preston Spurlock: cover art

Track Listing:
01. "Antarctica shall be used for peaceful purposes only" (Article 1) 11:56
02. Human Interference and the Failure to Ratify   4:08
03. Reign of Primordial Tenure on the Ice Shelf    3:01
04. The Telegenic Annexation of Territorial Expanse in the West  2:03
05. Obsequious Resources Duly Exploited De Novo   5:05
06. Breach of Ecology on the Seabed (Biodiversity in Shambles)  1:51
07. Cost-Effective Drilling Enabled by Pioneering Technologies and Warmer Climates in the Southern Ocean   6:10
08. RISE OF THE DEFENDERS OF ANTARCTICA   4:03

Press Quotes: "Talibam! manage to cast themselves as a powerful rhythm section... It's pretty cool to hear the Manhattan abstracters create such a cool free jazz/free rock hybrid" - Byron Coley
"Co-conspirators Matthew Mottel and Kevin Shea have something in common with John Coxon and Ashley Wales of Spring Heel Jack in their application of multiple instruments, electronics and collaborators to create an eclectic musical milieu." - Derek Taylor
"This is wildly new music, fresh in its approach to the collision of melody, harmony and rhythm that makes for quite a soup for the songs to swim in." - Raul d'Gama Rose
"Amid the fun and exuberance a clever brain and a strong heart of integrity beats." - Lisa Thatcher

Musicians: Talibam!
PURCHASE OPTIONS
Digital download

Long Playing
180 gram colored vinyl limited edition of 700

音楽 : Talibam!-HARD VIBE (ESP-Disk')


Talibam!-HARD VIBE

ESP-5015

Talibam! delights in creating music that cannot be pinned down within the safe-spaces of existing genres. With each new album, Talibam! reinvents their methodological palette in order to bolster a fresh clarity of joyous auditory surprise, something their fans have come to depend on. Talibam! focuses on compositional clarity, with reverence for their diverse interest in genre. On this new album they push the pulse of Motorik rhythm through a Psychedelic Jazz filter. This time out, they have created a sonic edifice so radical, so intricate in its density, that additional hands were required to bring it to life; thus was born the Talibam! Hard Vibe Band with Matt Nelson (Battle Trance, tUnE-yArDs) and Ron Stabinsky (Mostly Other People Do the Killing, Peter Evans Quintet, Relâche) joining Mottel (CSC Funk Band, Alien Whale, Nymph,   Platinum Vision) and Village Voice "Best Drummer in New York" Shea (Mostly Other People Do the Killing, Rhys Chatham, People featuring Mary Halvorson).
The scientists in the Talibam! laboratory describe the results thusly: The HARD VIBE composition transforms aspects of rhythm changes into a disciplined sequence of minor key modulations to create a rigorous Hard Vibe obstacle course for the soloists over a tight melodic/rhythmic grid. Inspired by Herbie Hancock's '70s cosmic music, long-form repetitive works such as Miles Davis's On the Corner, Charlie Parker's "Salt Peanuts," Tenor Sax endurance soloists, Albert Ayler's New Grass, the legendary organ brutality of Larry Young, and the NYC Avant-Garde Rock Minimalism of Rhys Chatham and Glenn Branca, Hard Vibe maintains an infectious pulse with virtuosic structural jazz improvisation. The Jan Hammer/'80s soundtrack-inspired Keytar payoff (second half of side B) brings festival audiences to its feet in epic dance and ripping solo proportions. But those are inspirations more than ingredients. As we at ESP-Disk' are fond of saying, "You never heard such sounds in your life."
Personnel: Matthew Mottel: Fender Rhodes, synthesizer; Matt Nelson: tenor saxophone; Kevin Shea: drums; Ron Stabinsky: Hammond B3 organ; John Olson (Wolf Eyes): cover art

Track Listing:
01. Infinite Hard Vibe Pt. 1            19:44

02. Infinite Hard Vibe Pt. 2            19:21

Press Quotes: "Talibam! manage to cast themselves as a powerful rhythm section... It's pretty cool to hear the Manhattan abstracters create such a cool free jazz/free rock hybrid." - Byron Coley
"Co-conspirators Matthew Mottel and Kevin Shea have something in common with John Coxon and Ashley Wales of Spring Heel Jack in their application of multiple instruments, electronics and collaborators to create an eclectic musical milieu." - Derek Taylor
"This is wildly new music, fresh in its approach to the collision of melody, harmony and rhythm that makes for quite a soup for the songs to swim in." - Raul d'Gama Rose
"Amid the fun and exuberance a clever brain and a strong heart of integrity beats." - Lisa Thatcher

Musicians: Talibam!
PURCHASE OPTIONS
Digital download

Long Playing
180 gram colored vinyl limited edition of 600