2019年11月16日土曜日

音楽 : Atrax Morgue ‎– Autoerotic Death


Atrax Morgue ‎– Autoerotic Death

BloodLust! ‎– B!006
BloodLust! Cassette Series –
Cassette, Limited Edition, Numbered, C30
US
Feb 1996
Electronic
Power Electronics, Noise

収録曲
A1
A.D. Pt. 1

A2
A.D. Pt. 2

A3
A.D. Pt. 3

A4
A.D. Pt. 4

B1
A.D. Pt. 1

B2
A.D. Pt. 2

B3
A.D. Pt. 3

B4
A.D. Pt. 4

ノート
Packaged in an A5 sleeve with insert. Program repeats on side B. Limited to 50 numbered copies.


Atrax Morgue ‎– Extended Autoerotic Death

BloodLust! ‎– B!025
Cassette, Limited Edition, Numbered, Remastered, C60
US
1996
Electronic
Noise

収録曲
A1
A.D. Pt. 1

A2
A.D. Pt. 2

A3
A.D. Pt. 3

A4
A.D. Pt. 4

B1
A.D. Pt. 5

B2
A.D. Pt. 6

B3
A.D. Pt. 7

B4
A.D. Pt. 8

会社名など
Remixed At – New York Electrical Works

クレジット
Remix – Mark Solotroff (tracks: B1 to B4)

ノート
Limited to 100 hand-numebred copies. Housdd in a vinyl case.

Side A was originally released as the Autoerotic Death cassette. Remastered in October 1996.
Side B was remixed from the original master tape by Mark Solotroff at New York Electrical Works, Brooklyn, New York in October 1996.


Atrax Morgue ‎– Autoerotic Death

Urashima ‎– UMA 134
Vinyl, LP, Limited Edition, Reissue
Italy
13 Oct 2019
Electronic
Power Electronics, Noise

収録曲
A1
A.D. Pt. 1
6:11
A2
A.D. Pt. 2
5:15
B1
A.D. Pt. 3
8:25
B2
A.D. Pt. 4
5:28

ノート
140gr black vinyl with black label and black inner sleeve and comes in a deluxe black cardboard sleeve with logo in silver silk screen plus double side pictures fixed on front cover LP and a small insert. Limited edition of 199 copies.

Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The pleasure agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, he began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian Power Electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In search of death which will be followed by a series of amazing cassettes in the following years.

In 1996, with the only help of his analog synthesizer Sequential Circuits Six-Trak, Marco Corbelli recorded four tracks of pure improvisation for the legendary noise label BloodLust! run by Mark Solotroff. The tracks are released in cassette with the title of Autoerotic Death and limited to 50 copies. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire work. The psychopathological sound is white, painful and horrific. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth is often repeated loops, where each track has a compact structure, following the main theme (of autoerotic death).

The record has been pressed on 140gr black vinyl with black label and black inner sleeve and comes in a deluxe black cardboard sleeve with logo in silver silk screen plus double side pictures (from original tape cover art) fixed on front cover LP and a small insert. Limited edition of 199 copies.


Atrax Morgue ‎– Autoerotic Death

Urashima ‎– UMA 134
Vinyl, LP, Reissue
Cassette
Box Set, Limited Edition, wooden
Italy
13 Oct 2019
Electronic
Power Electronics, Noise

収録曲
A1
A.D. Pt. 1
6:11
A2
A.D. Pt. 2
5:15
B1
A.D. Pt. 3
8:25
B2
A.D. Pt. 4
5:28

Extended Autoerotic Death
A1
A.D. Part 5
Remix – Mark Solotroff
5:32
A2
A.D. Part 6
Remix – Mark Solotroff
8:35
B1
A.D. Part 7
Remix – Mark Solotroff
5:19
B2
A.D. Part 8
Remix – Mark Solotroff
6:14

ノート
This version comes in a LP size black wooden box with laser engraving plus cassette tape with remix of Autoerotic Death by Mark Solotroff, Atrax Morgue LP and insert with certificate numbered to 99 copies.

This version comes in astonishing black wooden box in LP size with laser engraving plus tape with remix of Autoerotic Death by Mark Solotroff, Atrax Morgue LP and insert with certificate numbered to 99 copies.

Marco Corbelli’s artistic journey began in the early 90’s. Under the pseudonym of Marco Rotula, he started to release a series of fanzines in A5 format. The first was The pleasure agony, followed by Sick and Murders. The aesthetics of these first fanzines were very sophisticated and the content deals with topics that will follow Marco Corbelli throughout his artistic career: sadism, schizophrenia, insanity, murder, psychosis, necrophilia, diseases, and most importantly death. In 1993, heavily influenced by his obsessions, he began his musical activities creating the Slaughter Productions label and the Atrax Morgue project. Greatly inspired by Italian Power Electronics act The Sodality, with their 1987 LP Beyond Unknown Pleasures and from projects as Whitehouse and Brighter Death Now, pioneers of a minimal, evil and visceral electronic, Atrax Morgue released his first tape In search of death which will be followed by a series of amazing cassettes in the following years.

In 1996, with the only help of his analog synthesizer Sequential Circuits Six-Trak, Marco Corbelli recorded four tracks of pure improvisation for the legendary noise label BloodLust! run by Mark Solotroff. The tracks are released in cassette with the title of Autoerotic Death and limited to 50 copies. The putrescence is palpable, and one could almost smell and taste the miasma of decay that pervades the entire work. The psychopathological sound is white, painful and horrific. Crosses terrifying rooms lit by neon lights, corridors filled with gruesome tools, machines of blood and bits of human tissue floating in jars of formalin. The hum of the synth is often repeated loops, where each track has a compact structure, following the main theme (of autoerotic death).

2019年11月15日金曜日

音楽 : The New Blockaders ‎– The Pulp Sessions


The New Blockaders ‎– The Pulp Sessions

menstrualrecordings ‎– LH117
Vinyl, LP, Album, Limited Edition, Numbered, Clear
Italy
15 Apr 2019
Electronic
Experimental, Noise

収録曲
A
The Pulp Sessions Part I
16:37
B
The Pulp Sessions Part II
17:11

会社名など
Copyright (c) – TNB
Lacquer Cut At – R.A.N.D. Muzik
クレジット
Edited By, Mixed By – Michael Gillham
Lacquer Cut By – Rand
Other [Thanks] – David Jackman
Performer [Personnel] – P.D. Rupenus, R. Rupenus

ノート
(c) TNB 1983

In 1984, TNB collaborated with David Jackman / Organum on the Pulp 7" which has been cited as one of the most influential Noise records ever. Two short excerpt from the Pulp sessions were included on the 7". The Pulp Sessions included two (approx) 20-minute outtakes from these legendary recordings and are classic examples of early TNB. The tracks have been edited / mixed by Michael Gillham (TNB / Nihilist Assault Group / Vagina Dentata Organ.) The Pulp Sessions is an essential purchase for any TNB / Noise fan.

Edition of 250 numbered (stamped) copies on clear vinyl.

音楽 : The New Blockaders ‎– The Pulp Sessions


The New Blockaders ‎– The Pulp Sessions

menstrualrecordings ‎– LH117/TP
Vinyl, LP
CD
All Media, Album, Limited Edition, Numbered, Test Pressing
Italy
15 Apr 2019
Electronic
Experimental, Noise

収録曲

The Pulp Sessions
A
The Pulp Sessions Part I

B
The Pulp Sessions Part II


The Pulp Sessions II
CD-1
The Pulp Sessions Part III

CD-2
The Pulp Sessions Part IV

ノート
In 1984, TNB collaborated with David Jackman / Organum on the Pulp 7" which has been cited as one of the most influential Noise records ever. Two short excerpt from the Pulp sessions were included on the 7". The Pulp Sessions included two (approx) 20-minute outtakes from these legendary recordings and are classic examples of early TNB. The tracks have been edited / mixed by Michael Gillham (TNB / Nihilist Assault Group / Vagina Dentata Organ.) The Pulp Sessions is an essential purchase for any TNB / Noise fan.

Hand pasted cover with artwork printed on silver paper.
Includes a CD with THE PULP SESSIONS II.
Edition of 20 numbered copies.

音楽 : The New Blockaders ‎– The Pulp Sessions II


The New Blockaders ‎– The Pulp Sessions II

menstrualrecordings ‎– LH119
CD, Album, Limited Edition
Italy
01 Aug 2019
Electronic
Experimental, Noise

収録曲
1
The Pulp Sessions Part III
16:40
2
The Pulp Sessions Part IV
16:39

会社名など
Copyright (c) – TNB
クレジット
Edited By [Editing], Mixed By [Mix] – Michael Gillham
Performer [Personnel] – P. D. Rupenus, R. Rupenus

ノート
Two short excerpts from The Pulp Sessions were included on the TNB / Organum Pulp 7" (Aeroplane Records, 1984).

The Pulp Sessions II was originally included as bonus CD with the test pressing edition of The Pulp Sessions LP.

Edition of 180 copies in digipak.

© TNB 1983

バーコードとその他の識別子
Matrix / Runout: 2100008083437 THE NEW BLOCKADERS
Mastering SID Code: IFPI LK97
Mould SID Code: IFPI 9R88

音楽 : Fumio Itabashi Trio ‎– Rise and Shine - Live at the Aketa's(ALM)


Fumio Itabashi Trio ‎– Rise and Shine - Live at the Aketa's

ALM Records ‎– AL-3004
Vinyl, LP, Album
Japan
1977
Jazz
Hard Bop

収録曲
A
Jumping Board
Written-By – Fumio Itabashi
20:15
B1
My Funny Valentine
Written-By – Richard Rodgers
15:05
B2
Rise And Shine
Written-By – Fumio Itabashi
13:21

会社名など
Manufactured By – Kojima Recordings, Inc.
Recorded At – Aketa No Mise

クレジット
Bass – Takeharu Hayakawa
Drums – Kenichi Kameyama
Piano – Fumio Itabashi

ノート
Recorded At Aketa's April 26, 1975

Ⓟ 1977
バーコードとその他の識別子
Other (Price): ¥2,500

音楽 : Evolution Ensemble Unity ‎– Concrete Voices(ALM)


Evolution Ensemble Unity ‎– Concrete Voices

EEU ‎– EEU-001, Alm Records ‎– AL-3003
Vinyl, LP
Japan
1976
Jazz
Free Jazz, Free Improvisation

収録曲
A1
Brilliant Corners
Composed By – T. Monk
6:48
A2
Drops
Composed By – M. Takagi
4:25
A3
Bone
Composed By – S. Lacy
2:33
A4
Drift
Composed By – M. Yoshida, M. Takagi, T. Kondo
8:03
A5
Stone Blues
Composed By – M. Takagi
4:37
B
Concrete Voices
Composed By – T. Kondo
24:39

会社名など
Manufactured By – Kojima Recordings, Inc.

クレジット
Bass, Percussion – Morio Yoshida
Design, Producer – EEU
Liner Notes – Aquirax Aida
Photography By – Toshio Kuwabara
Tenor Saxophone, Soprano Saxophone, Bass Clarinet, Alto Clarinet, Percussion – Mototeru Takagi
Trumpet, Horn [Alto], Percussion – Toshinori Kondo

ノート
A Side recorded live at Kalavinka on 2 November 1976.
B Side recorded live at EEU concert at Space Out on 24 September 1976.

音楽 : Koichi Matsukaze Trio Featuring Ryojiro Furusawa ‎– At The Room 427(ALM)


Koichi Matsukaze Trio Featuring Ryojiro Furusawa ‎– At The Room 427

ALM Records ‎– AL-3002
Vinyl, LP, Album
Japan
1976
Jazz
Contemporary Jazz

収録曲
A1
Acoustic Chicken
Written-By – Ryojiro Furusawa
20:02
A2
Theme Of Seikatsu Kojyo Iinkai
Written-By – Koichi Matsukaze
7:44
B1
Little Drummer
Written-By – Koichi Matsukaze
11:31
B2
Lover Man
Written-By – David, Sherman, Ramirez
10:40
B3
Theme Of Seikatsu Kojyo Iinkai
Written-By – Koichi Matsukaze
1:06

会社名など
Record Company – Kojima Recordings, Inc.
Recorded At – Chuo University

クレジット
Alto Saxophone, Tenor Saxophone – 松風鉱一
Bass – 山崎弘一
Design – 松田行正
Drums – 古沢良治郎
Photography By – 柛代充史
Recorded By – 吉田啓介

ノート
Live recorded at Chuo University Hakumonsai, 21 November 1975.
℗ 1976

音楽 : East Bionic Symphonia ‎– Recorded Live(ALM)


East Bionic Symphonia ‎– Recorded Live

ALM Records ‎– AL-3001
Vinyl, LP, Stereo
Japan
1976
Electronic, Jazz
Experimental, Free Improvisation

収録曲
A
Part 1 (7.30 P.M. ~ 7.47 P.M.)
19:23
B
Part 2 (8.15 P.M. ~ 8.43 P.M.)
28:26

会社名など
Recorded At – Bigakkō
Recorded By – Kojima Recordings, Inc.

クレジット
Cover [Print] – Kaoru Yoshida
Edited By [Tape Editor] – Takehisa Kosugi
Layout [Jackets Layout] – Tou Taki
Liner Notes – 高橋悠治
Performer – Chie Mukai, Hiroshi Shii, Kaoru Okabe, Kazuaki Hamada, Kazuo Imai, Masaharu Minegishi, Masami Tada, Tatuo Hattori, Tomonao Koshikawa, Yasushi Ozawa
Producer [監修] – 小杉武久

ノート
Recorded July 13, 1976 live at Bigakkō in Jinbōtyo (usually spelled Jimbocho), Kanda, Tokyo.

Includes one-sided B&W insert with photographs and liner notes in Japanese.

音楽 : Seikatsu Kōjyō Iinkai ‎– Seikatsu Kōjyō Iinkai(ALM)


Seikatsu Kōjyō Iinkai ‎– Seikatsu Kōjyō Iinkai

Not On Label (Seikatsu Kōjyō Iinkai Self-released) ‎– Ski No. 1, ALM Records ‎– AL-10
Vinyl, LP, Album
Japan
1975
Jazz
Free Jazz

収録曲
A
Stravizauls
Written-By – Yori Harada
21:54
B1
Kim
Written-By – Kappo
23:05
B2
Not So Long Don
Written-By – Kappo
1:59

会社名など
Record Company – Kojima Recordings, Inc.
Recorded At – Studio WE

クレジット
Alto Saxophone – Kazutoki "Kappo" Umezu
Bass – William Parker
Design, Photography By – Rainer Gross
Drums – Rashid Shinan
Engineer – Ali Abuwi
Piano, Bass Clarinet – Yoriyuki Harada
Trumpet – Ahmed Abdullah

ノート
Recorded at Studio WE, August 11th, 1975

音楽 : Kaoru Abe ‎– Mort À Crédit = なしくずしの死 (ALM)


Kaoru Abe ‎– Mort À Crédit = なしくずしの死

ALM Records ‎– AL-8, ALM Records ‎– AL-9
2 × Vinyl, LP, Reissue
Japan
1983
Jazz
Free Jazz, Free Improvisation

収録曲

AL-8
A-1
Alto Improvisation No.1

B-1
Alto Improvisation No.2

B-2
Alto Improvisation No.3


AL-9
C-1
Sopranino Improvisation No.1

C-2
Alto Improvisation No.4 Part 1

D-1
Alto Improvisation No.4 Part 2

D-2
Sopranino Improvisation No.2

会社名など
Phonographic Copyright (p) – Kojima Recordings, Inc.
Recorded At – Iruma Shimin Kaikan
Recorded At – Aoyama Tower Hall

クレジット
Alto Saxophone, Sopranino Saxophone – Kaoru Abe*
Design [Designed By] – Nobukage Torii
Photography By [Photo] – Masahiro Imai
Producer – Aquirax Aida, Hangesha, Yukio Kojima
Recorded By – Yukio Kojima

ノート
Subtitled "Saxophone Solo Improvisations". Gatefold sleeve.

B-1 and C-1 to D-2 recorded at Iruma Shimin Kaikan, October 16, 1975. A-1, B-2 recorded live at Aoyama Tower Hall, October 18, 1975 at the 「なしくずしの死」 concert.

Originally released on LP on ALM Records in 1976.

音楽 : Toshiyuki Tsuchitori, Ryuichi Sakamoto ‎– Disappointment-Hateruma (ALM)


Toshiyuki Tsuchitori, Ryuichi Sakamoto ‎– Disappointment-Hateruma

ALM Records ‎– AL-7

New Improvisational Music –
Vinyl, LP, Album
Japan
1976
Electronic, Jazz, Classical
Experimental, Free Improvisation

収録曲
A
綾 (Aya)
20:06
B1
器の中 (Utsuwa No Naka)
6:10
B2
α / Φ (Music Differencielle 1°)
13:50
B3
∫ / 𝔷 (Music Differencielle 2°)
6:10

ノート
500 copies pressed. Sound sources: drums, gong, grand piano, bells, wood blocks, bamboo clutters, EMS synthesizer, Voice, Subway, Thumb piano, etc, etc.

音楽 : 吉沢元治 ‎– 割れた鏡または化石の鳥(ALM)


吉沢元治 ‎– 割れた鏡または化石の鳥

ALM Records ‎– AL-6, 半夏社 ‎– AL-6
Vinyl, LP, Album
Japan
1975
Jazz
Free Improvisation

収録曲
A1
ワルツ・トゥ・ランチ = Waltz To Lunch (For Children)

A2
割れた鏡 = Cracking Mirror

A3
ささやき = Soft Nothings

A4
ビーンズ・ダンス = Bean's Dance

A5
オブセションNo.9 = Obsession No.9

A6
小品 = Fading Pieces

B1
化石の鳥 = The Fossil Bird

B2
しゃっくり = Hiccups

B3
クロシングス = Crossings

B4
ディスタンス = Distance

会社名など
Record Company – Kojima Recordings, Inc.
Recorded At – Karuizawa Kogen Kyokai

クレジット
Bass – 吉沢元治
Layout – Mina Komatsugawa
Liner Notes – Aida Aquirax*, 吉沢元治
Photography By [Back Cover] – Choe Kosei
Producer – Aquirax Aida, Yukio Kojima

ノート
Recorded at Kuruizawa Kogen Kyokai, July 27/28, 1975. Comes with insert of liner notes.

Title is read as "Wareta kagami mata wa kaseki no tori" and is also given on the labels in English as Cracking Mirror and/or The Fossil Bird: Bass Fragments".

A1 is dedicated to Robert Ryan, A2 to Takuro ise, A3 to Steve Lacy, A6 to 'peoples that my mother left', B1 to Barre Phillips, and B4 to Aquirax Aida.

バーコードとその他の識別子
Matrix / Runout (Side A matrix): AL-6A
Matrix / Runout (Side B matrix): AL-6B