音楽 ： MNEMONISTS (1)

Mnemonists - Horde
Label: ReR Megacorp
Catalog#: ReR MN1
Format: CD, Album, Reissue

Country: UK
Released: 1998
Genre: Electronic
Style: Experimental
Credits: Artwork By - James Dixon
Cello , Horn [Crumhorn], Tape, Computer, Sampler, Engineer, Producer - Mark Derbyshire
Double Bass, Piano - Sara Thompson
Guitar [Electric], Saxophone [Alto], Clarinet, Producer - Steve Scholbe
Piano, Clarinet, Voice, Tape, Producer - William Sharp
Viola, Sampler, Horn [Crumhorn] - Amy Derbyshire
Voice, Artwork By - Randy Yeates , Tom Katsimpalis , Torger Hougen
Notes: Remastered to 24-bits, retaining the full dynamic range of the original analog masters, and then converted to CD format using UV22.

Tracklisting:
1 Puncture-Throng (3:09)
Bass - Crystal Goldberg
2 Digesting War (3:43)
Bass [Electric] - Mark Heglund
Drums - Ken Lark
3 The Undergrowth (1:28)
4 Resurgence (2:24)
5 Crucible (2:38)
6 The Horde (5:01)
7 Limbs (3:43)
8 Torpor (3:04)
9 A Lingering History (3:50)
10 Triptych (9:21)
Drums - Ken Lark

LP Data
Mnemonists - Horde

more images Genre: Electronic
Style: Industrial, Future Jazz, Experimental
Year: 1981

Tracks included on these releases:

Puncture/Throng
Digesting War (In Two Portions)
The Undergrowth
Resurgence
Crucible
The Horde
Limbs
Torpor (The Back Of A Brain)
A Lingering History
Tryptich (Of F. Bacon)
The Posture
The Room
The Meat

The Mnemonists are part of long-standing and somewhat mysterious artistic collective based in Ft. Collins, CO. In the late '80s, the Mnenomist name was permanently attached to the visual artists in the collective, with the name Biota assigned to the musical element. In 1984, however, it seems that this distinction had yet to be made. Five musicians are in this early version of the group, supported by two occasional vocalists who also happen to be responsible for some of the visuals. Conventional instrument -- such as saxophone, clarinet, double bass, viola, and piano -- are employed, as well as shawm and crumhorn, two ancient horns used in Renaissance music. But the specialty of William Sharp, the person probably most responsible for the Mnemonist (and later Biota) sound, is processing and tape work. Almost everything recorded by the two groups is disorienting to one degree or another, with heavy use of unidentified and/or treated sounds, and quite often a muffled quality, as if coming at the listener from a great distance, or perhaps underwater. With titles like "Digesting War," "Crucible," and "Torpor," the music is fascinating but generally rather bleak, often with a strong industrial element, suggesting field recordings inside a large steel foundry or a '30s automobile assembly plant. However, surprises are a given on any Mnemonist/Biota recordings, and the last piece on the program, "Triptych," is actually based (very loosely) upon a piece by early music composer Carlo Gesualdo, featuring what sounds like a wheezy pump organ, even though no such instrument is listed in the credits. Some of the sounds on Horde are truly horrific, particularly on "Crucible" and the later parts of "Triptych," but the CD is by no means a relentless assault on the senses, as the group has an excellent sense of dynamics, and many pieces and segments have an aura of quiet