ルーマニアのコンポーザーIancu Dumitrescuの記念すべき1st音源!!オリジナルはルーマニアのElectrecordより1981年出版、自身のコンポーズ作品及びコンダクターを務めたレア音源がCorbett vs. Dempseyより初CD化。氏が設立した最強アンサンブルHyperion Ensembleが演奏を担当、まさに燻し銀な鳴りのチェロが響くアコースティック編成の楽曲、そして同国の偉人Octavian Nemescuのエレクトロニクス+アンサンブルまでを収録した充実過ぎる内容の決定版。未体験の方は是非。
It's a miracle that some records ever get made. Right in the middle of Ceaușescu's ultra-repressive dictatorship, composer Iancu Dumitrescu managed to arrange for his first LP, a compilation of radical new music by Dumitrescu and three of his Romanian colleagues, all older than him: Ocavian Nemescu, Stefan Niculescu, and Corneliu Cezar. Dumitrescu was – and remains – one of the most iconoclastic figures in contemporary music. Often referred to as a spectralist (though he distances himself from the approach taken by the French spectralists) and self-described as an adherent of "acousmatic" music (though again he situates himself at a remove from the French electroacoustic composers) and highly influenced by deep studies in phenomenology, Dumitrescu's music often focuses intensely on one sonorous object, penetrating it until it is entirely blown open. He formed Ansamblul Hyperion, a chamber group featuring adventurous young musicians, in 1976. Four years later, against all odds, in a radio studio in Bucharest, they recorded this groundbreaking compilation for Electrecord, the state record company. The program starts with one of Dumitrescu's most important works, the breathtaking, string-centric "Movemur et Sumus" (1978), translated from the Latin as "move and exist." Nemescu's "Combinatii In Cercuri" (1965) was composed for the ensemble together with an electronic component that was added to the piece in 1980. Composed in 1979, Niculescu's "Sincronie" features Dumitrescu himself on piano, as well as conducting, as he does on all the works; written for an indeterminate number of performers between 2 and 12 (here featuring 9) it utilizes fixed elements in the score together with openly improvised elements, expanding from a core vibraphone part to encompass an almost ecstatic meditation on stasis and motion. Cezar's work "Rota" (1976) combines Romanian, Balkan, and other Eastern melodic resonances with electronics (some of them startlingly video-game-like) and preparations on various instruments, lending an ear to the natural sounds of wind, waves, and seagull calls. This historically charged document, released in 1981 in Romania and available for the most part only there, has never been reissued in any form. Gorgeously remastered from the original tapes, it appears here with its original cover design.
It's a miracle that some records ever get made. Right in the middle of Ceaușescu's ultra-repressive dictatorship, composer Iancu Dumitrescu managed to arrange for his first LP, a compilation of radical new music by Dumitrescu and three of his Romanian colleagues, all older than him: Ocavian Nemescu, Stefan Niculescu, and Corneliu Cezar. Dumitrescu was – and remains – one of the most iconoclastic figures in contemporary music. Often referred to as a spectralist (though he distances himself from the approach taken by the French spectralists) and self-described as an adherent of "acousmatic" music (though again he situates himself at a remove from the French electroacoustic composers) and highly influenced by deep studies in phenomenology, Dumitrescu's music often focuses intensely on one sonorous object, penetrating it until it is entirely blown open. He formed Ansamblul Hyperion, a chamber group featuring adventurous young musicians, in 1976. Four years later, against all odds, in a radio studio in Bucharest, they recorded this groundbreaking compilation for Electrecord, the state record company. The program starts with one of Dumitrescu's most important works, the breathtaking, string-centric "Movemur et Sumus" (1978), translated from the Latin as "move and exist." Nemescu's "Combinatii In Cercuri" (1965) was composed for the ensemble together with an electronic component that was added to the piece in 1980. Composed in 1979, Niculescu's "Sincronie" features Dumitrescu himself on piano, as well as conducting, as he does on all the works; written for an indeterminate number of performers between 2 and 12 (here featuring 9) it utilizes fixed elements in the score together with openly improvised elements, expanding from a core vibraphone part to encompass an almost ecstatic meditation on stasis and motion. Cezar's work "Rota" (1976) combines Romanian, Balkan, and other Eastern melodic resonances with electronics (some of them startlingly video-game-like) and preparations on various instruments, lending an ear to the natural sounds of wind, waves, and seagull calls. This historically charged document, released in 1981 in Romania and available for the most part only there, has never been reissued in any form. Gorgeously remastered from the original tapes, it appears here with its original cover design.
Ansamblul Hyperion* Conducerea Muzicală: Iancu Dumitrescu – Ansamblul Hyperion
レーベル: | Electrecord – ST-ECE 01754 |
|---|---|
フォーマット: | レコード, LP |
国: | Romania |
リリース済み: | 1981年1月 |
ジャンル: | Electronic, Classical |
スタイル: | Contemporary, Post-Modern, Abstract, Musique Concrète |
収録曲
| A1 | Movemur Et Sumus (II + V Pentru Fernando Grillo) | 13:28 | |
| A2 | Combinații În Cercuri (IV) | 11:45 | |
| B3 | Sincronie | 9:05 | |
| B4 | Rota | 12:25 |
クレジット
- Bassoon [Fagot] – Mihai Tănăsilă (曲: A2 to B4)
- Clarinet – Aurelian-Octav Popa* (曲: A2 to B4)
- Contrabass [Contrabas] – Ștefan Thomasz (曲: A1, A2, B4)
- Engineer [Sunetul] – Vladimir Plopeanu
- Ensemble – Ansamblul „Hyperion”*
- Flute [Flaut] – Voicu Vasinca (曲: A2 to B4)
- Graphics [Grafica] – Cristina Angelescu
- Leader [Conducerea Muzicală] – Iancu Dumitrescu
- Liner Notes – Radu Stan
- Producer [Redactor] – Adriana Velincov-Dan
- Viola [Violă] – Mihai Sofonea (曲: A2 to B4)
ノート
Înregistrări 1980 / Recorded 1980
"Movemur Et Sumus" (1978) pentru violoncel, contrabas și percuție / for cello, double bass and percussion
"Combinații În Cercuri" (1965, version IV - 1980) pentru ansamblu de cameră și mediu electronic / for chamber ensemble and electronics
"Sincronie" (1979) pentru ansamblu de cameră / for chamber ensemble
"Rota" (1976) pentru ansamblu de cameră și mediu electronic / for chamber ensemble and electronics
Back cover includes liner notes in Romanian and French.
"Movemur Et Sumus" (1978) pentru violoncel, contrabas și percuție / for cello, double bass and percussion
"Combinații În Cercuri" (1965, version IV - 1980) pentru ansamblu de cameră și mediu electronic / for chamber ensemble and electronics
"Sincronie" (1979) pentru ansamblu de cameră / for chamber ensemble
"Rota" (1976) pentru ansamblu de cameră și mediu electronic / for chamber ensemble and electronics
Back cover includes liner notes in Romanian and French.
バーコードとその他の識別子
- Matrix / Runout (Side A runout - etched - variant 1): ST-M-01754-1A
- Matrix / Runout (Side A runout - etched - variant 2): ST-M-01754-1D
- Matrix / Runout (Side B runout - etched - variant 1): ST-M-01754-2B
- Matrix / Runout (Side B runout - etched - variant 2): ST-M-01754-2E
- その他: N.I.I. 433/77
- その他 (Price): Lei 28
他のバージョン（2件）
全て見る| タイトル (フォーマット) | レーベル | カタログ # | 国 | 年 | |||
|---|---|---|---|---|---|---|---|
| Ansamblul Hyperion (CD, Album, Reissue, Remastered) | Corbett vs. Dempsey | CvsD | CD115 | US | 2025 | |||
| Ansamblul Hyperion (4×File, FLAC, Reissue) | Electrecord | none | Germany | 不明 |
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