2024年2月20日火曜日

音楽　：　Les Rallizes Dénudés (裸のラリーズ, Hadaka no rariizu)







 

Les Rallizes Dénudés


Les Rallizes Dénudés
Les Rallizes Dénudés in 1974. Left to right: Mikio Nagata, Takashi Mizutani, Shunichiro Shoda, Takeshi Nakamura
Les Rallizes Dénudés in 1974. Left to right: Mikio Nagata, Takashi Mizutani, Shunichiro Shoda, Takeshi Nakamura
Background information
Also known as裸のラリーズ
OriginKyoto, Japan
Genres
Years active
  • 1967–1988
  • 1993–1996
Labels
  • Rivista
  • Temporal Drift
  • Tuff Beats
Past membersTakashi Mizutani
Takashi Kato
Takashi Tada
Moriaki Wakabayashi
Takeda Kiyohiro
Tsutomu Matsumoto
Takeshi Nakamura
Shunichiro Shoda
Hiroshi Nar
Fujio Yamaguchi
Toshirou Mimaki
Makoto Kubota
Doronco Gumo
Mikio Nagata
Noma Yukimichi
Maki Miura[3]
Websitelesrallizesdenudes-official.com

Les Rallizes Dénudés (裸のラリーズ, Hadaka no rariizu) were a Japanese experimental rock band formed in 1967 in Kyoto, Japan.

History[edit]

Les Rallizes Dénudés was formed in 1967 by a group of students in Doshisha University's Light Music Club in Kyoto, Japan, continuing to exist until 1996 to exist around the core and only persistent member, Takashi Mizutani. The band originally planned to record in a studio, but after being dissatisfied with the results, they decided to exclusively perform live shows.

Initially active between 1967 and 1988, and then again briefly between 1993 and 1996 before permanently disbanding; their style of instrumentation and overall musical sound developed greatly throughout time. Influences like Blue Cheer, Captain Beefheart, The Velvet Underground, and French chanson artists like Antoine greatly shaped the late-60's early-70's sound of the band and Mizutani's creative direction. [4] Recordings from the mid to late 70's and 80's start to show the band taking on a more distorted, repetitive, loud, and raw sound, more akin to the sounds shown on albums like White Light/White Heat. Their discography is made up of mostly of live bootlegs, soundboard archives, and a sparse selection of aborted studio recording attempts. Archive releases on independent labels such as Univive, Rivista, Phoenix, and Bamboo exist, as well as releases from former members and affiliates of the band.[5] Three records from Rivista ('77 LIVE, '67-'69 STUDIO et LIVE and MIZUTANI / Les Rallizes Dénudés respectively) released in 1991, a self-titled 7" single released as a bonus with issue number 2 of the Japanese magazine Etcetera in 1996, and a VHS compilation of recorded live performances produced by the apocryphal "Ethan Mousiké" are the only archival materials purported to be official by the estate of Takashi Mizutani.[6]

Political affiliation[edit]

Although the band itself was not overtly political, original and early members were known to participate in various political organizations and movements amidst the volatile daigaku funsō and Anpo protests of the time, with the band as a whole reportedly performing in the occupied Kyoto University auditorium while it was held by students during a protest in 1969, this event being known as the "Barricades A Go-Go concert". The band also performed at political concerts around Japan, including a Kyoto University concert on Gozan no Okuribi protesting the construction of the Sanrizuka airport. [7][8]

In 1970, after having performed with the band since 1967, original bassist Moriaki Wakabayashi assisted in the hijacking of Japan Airlines Flight 351 orchestrated by the Communist League's "Red Army Faction." [5][9] He was known to have attended several of these protests, but Takashi Mizutani's involvement in any such protests without his band mates is pure speculation. Mizutani is cited in Susumu Kurosawa's book "Psychedelia in Japan" as saying "Sometimes we hold a guitar, sometimes we hold protests, variety is good, but protest songs are a bore." [10]

Takashi Mizutani[edit]

Very little is known about the band's founder and lead singer Takashi Mizutani, aside from his former affiliation with members of the Japanese Red Army and involvement early on in theater at Doshisha University. Mizutani had a strong affection for French poetry and film, and maintained this affection throughout his life, with many of his lyrics and song structures revolving around poetry and literature.[11] Some claim he lived in Paris from 1988 to 1993 or so, but this claim is unsubstantiated.

After the hijacking of Flight 351, Mizutani became reclusive for many years, only occasionally emerging to play shows and give few interviews,[5] yet music newspapers at the time did occasionally report on locations and festivals that the Rallizes would be attending.[12][13] The last appearance of Les Rallizes Dénudés was a concert at Club Citta in Tokyo, on October 4, 1996.[14] The last public appearances of Mizutani were two live solo performances in 1997 with jazz saxophonist Arthur Doyle and drummer Sabu Toyozumi. Mizutani was reported by friends and former colleagues to have passed away in 2019.[15]

Interviews[edit]

Mizutani's most notable interview was conducted in September of 1991 by Japanese "ミュージック・マガジン" (Music Magazine) correspondent Manabu Yuasa over a fax machine. The interview lasted ten and a half hours, with Mizutani reputedly faxing Yuasa from Paris to Tokyo. During the interview, Mizutani talks about his thoughts on current music, recording technology, and experiences where he apparently met with former Jimi Hendrix Experience bassist Noel Redding in Cork, interspersing his comments with poetry. The interview was published in the November edition of Music Magazine, in 1991.[12]

Takashi Mizutani and Takeshi Nakamura both featured in an interview in Young Guitar Magazine in November of 1973.[13]

1992 Film[edit]

A live film about the band was released on VHS in 1992 by an independent filmmaker named Ethan Mousiké (who many believe to be a pseudonym of Mizutani), consisting of over 2 hours of live footage of the band.[16]

Rediscovery & reissuing[edit]

The first verifiable bootlegs of Les Rallizes Dénudés performances began to circulate in the late 1980s, notably the December's Black Children CDs, which circulated around Japan in around 1989.[17] By the late 90's, very few indie record labels like Cragale[18] began to distribute CDs and cassette tapes of Les Rallizes Dénudés performances ranging in decades.[19][20] Les Rallizes Dénudés listening parties were held in the United States as early as 1999. It is, of course, difficult to pinpoint anything exact when it comes to the tape trading community, but the rate of bootlegs picked up steam after the 1999 bootlegging and distribution of "Color Box".[21]

Japrocksampler was published in 2007 by Julian Cope, where Les Rallizes Dénudés is discussed at length. The book's contents and sources cannot be verified, but even if the information is incorrect, it greatly increased Western awareness about the band.[22]

A 2012 deep dive by the Red Bull Music Academy titled "In Search of Les Rallizes Dénudés" centered on the band, written by Grayson Haver Currin. It made use of Japrocksampler and interviews with Mizutani's contemporaries and former band mates, and although some assertions made in the article (such as Keiji Haino's dislike for Takashi Mizutani and an existing rivalry between them) are dubious at best, the article was an example of Les Rallizes Dénudés breaking further into the Western mainstream.[23]

In a 2020 interview, former member Makoto Kubota stated that he had formerly conversed with Mizutani through phone calls in which he told him that his band had become popular in America and that it could even possible for the band to play a revival concert there.[24] In October 2021, an official website was launched for the band by the record label The Last One Musique, claiming to be a collaborative effort by former band members and associates of Mizutani. It announced its intention to release official Rallizes recordings with "more alive and striking sound than the bootlegs that have been circulating over twenty years".[25] The website states on its homepage that Mizutani passed away in 2019,[26] and this is further supported by statements from Aquilha Mochiduki, a photographer associated with Les Rallizes Dénudés since 1970.[27]

In 2022, the album "The OZ Tapes" was released on the Temporal Drift record label,[28] which was remastered from the original tapes, discovered after Mizutani's passing, under the supervision of former band member Makoto Kubota. Kubota stated in an interview with The Quietus that he plans to remaster all of the albums released under the Rivista label.[24]

2023 Tribute Event[edit]

On the 28th March 2023, an event called Enter the Mirror: A Celebration of Les Rallizes Dénudés was announced, organized by Temporal Drift, Empty Bottle, and endorsed by The Last One Musique. It took place at the Bohemian National Cemetery in Chicago on the 17th June 2023 and consisted of Les Rallizes Dénudés inspired performances by Cindy Lee, Steve Gunn, Who Is The Witness?, Oui Ennui, Cafe Racer and MANDY, as well as a Les Rallizes Dénudés covers set by John Dwyer with Tom Dolas, Drew St. Ivany and Bill Roe.[29]

Etymology[edit]

The meaning of the name Les Rallizes Dénudés is debated, and there are various conflicting reports regarding the name's origin. According to former member Moriaki Wakabayashi, the word Rallizes comes from the Japanese word Rari, which means being high, and the word Dénudés (the French word for naked) representing their raw selves.[30][31] Some reports also state that the word "Rallizes" was a piece of fake French slang invented by Kyoto-based theater group Gendai Gekijo.

Discography[edit]

Official releases[edit]

Releases that have been authorized or released officially by the band.[32][6]

YearTitleLabelFormat
1991'67–'69 STUDIO et LIVERivista/Temporal DriftCD, LP, Cassette
1991MIZUTANI / Les Rallizes DénudésRivista/Temporal DriftCD, LP, Cassette
1991'77 LIVERivista/Temporal DriftCD, LP, Cassette
1996Les Rallizes DénudésEtcetera7"
2021White AwakeningTemporal DriftDigital download
2022Vertigo Otherwise My ConvictionTemporal DriftDigital download
2022The OZ TapesTemporal DriftDigital download, LP
2023Romance of the Black Pain Otherwise Fallin' Love WithTemporal DriftLP
2023CITTA' '93Temporal DriftDigital download, LP
2023BAUS ‘93Temporal DriftDigital download, LP, CD/DVD
2024The Last One〈Poésies : Les Rallizes Dénudés〉Temporal DriftDigital download, CD

Other appearances[edit]

YearTitleLabelFormat
1973OZ Days LiveOZ Records2xLP
2003Rome Wasn't Burned In A DayHead HeritageCD
2003Electric Pure Land StarsDead FlowerCD/DVD
2004夕焼け祭りDead FlowerDVD
2006An Anthology of Noise & Electronic MusicSub Rosa2xCD
2006Underground Tracks 70'sDead Flower2xCD
2008Electric AllNight Show @ Saitama Univ. 1973.11.3-4Dead Flower2xCD
2009Nihon NihilistNot on LabelCDr
2011音楽70 = Ongaku 70Hiruko RecordsLP
2015Don't Turn Off The LightsNot on LabelCassette

Bootleg releases[edit]

Significant or well-known bootlegs include:

  • Blind Baby Has Its Mother's Eyes (2003)
  • Cable Hogue Soundtrack (2007)
  • Double Heads: Legendary Live (2007)
  • Tripical Midbooster Winter 1981-82 (2009)
  • France Demo Tape (2007)
  • Great White Wonder (2006)
  • Heavier Than a Death in the Family (2002)
  • Mars Studio 1980 (2004)
  • Flightless Bird Needs Water Wings (溺れる飛べない鳥は水羽が必要, Oboreru tobenaitori wa Mizuha ga hitsuyō) (2007)
  • Volcanic Performance (2008)

References[edit]

  1. ^ Semprebon, Rolf. Les Rallizes Dénudés at AllMusic. Retrieved February 19, 2017.
  2. ^ Joanna Demers (December 11, 2015). Drone and Apocalypse: An Exhibit Catalog for the End of the World. Zero Books. p. 19. ISBN 9781782799948.
  3. ^ "doronco／灰野敬二＋三浦真樹／LAPIZ TRIO／ヨシノトランス＋川口雅巳＠国立 地球屋 2013.5.17（fri） – A Challenge To Fate". Retrieved 11 May 2018.
  4. ^ Maeda, Misha (2021-12-26). "Instagram". www.instagram.com. Retrieved 2024-02-06.
  5. ^ Jump up to:a b c Cope, Julian (2016-05-19). Japrocksampler. Bloomsbury Publishing. ISBN 978-1-4088-8067-8.
  6. ^ Jump up to:a b "Discography". Les Rallizes Dénudés (in Japanese). Retrieved 2022-08-28.
  7. ^ Smash Sanrizuka Airport!: Live at Genno Festival, 8/16/72 (Remastered 2022) by Les Rallizes Dénudés - RYM/Sonemic, retrieved 2024-02-08
  8. ^ "Tokyo Airport Showdown Is Quite Japanese". The New York Times. 1978-05-21. Retrieved 2024-02-08.
  9. ^ Andrews, William (2016). Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima. Oxford University Press. ISBN 978-1-84904-579-7.
  10. ^ Kurosawa, Susuma (2007-05-01). Psychedelia in Japan 1966-1969 (in Japanese). Japan: Shinko Music Entertainment Co. Ltd. ISBN 978-4401631506.
  11. ^ "The Last One〈Poésies : Les Rallizes Dénudés〉". Les Rallizes Dénudés. Retrieved 2024-02-06.
  12. ^ Jump up to:a b chi-midoro. "水谷孝×湯浅学ファクシミリ交信－1991". 血ブログ (in Japanese). Retrieved 2024-02-06.
  13. ^ Jump up to:a b Ubud (2011-05-30). "The Last One: 裸のラリーズ：雑誌記事「ヤング・ギター」1973年　11月号". The Last One. Retrieved 2024-02-06.
  14. ^ Les Rallizes Dénudés - 13 CDs「裸のラリーズ13枚組限定CDボックス」, retrieved 2023-01-03
  15. ^ "Statement". Les Rallizes Dénudés. 2021-10-21. Retrieved 2024-02-06.
  16. ^ Les Rallizes Dénudés - 裸のラリーズ, retrieved 2022-08-28
  17. ^ "December's Black Children (Live at Shibuya Yaneura, Tokyo 13/12/1980)". Discogs. Retrieved 2024-02-06.
  18. ^ "Discogs 裸のラリーズ – White 未発表音源 [白]". Discogs. Retrieved 2024-02-08.
  19. ^ "Les Rallizes Dénudés Color Box". Discogs. Retrieved 2024-02-06.
  20. ^ "les rallizes denudes bootlegs vol1 'heavier than a death in the family". Retrieved 2024-02-06.
  21. ^ "Les Rallizes Denudes – Color Box". Discogs. Retrieved 2024-02-08.
  22. ^ Cope, Julian (2007). Japrocksampler: how the post-war Japanese blew their minds on rock 'n' roll. London: Bloomsbury. ISBN 978-0-7475-8945-7.
  23. ^ "In Search of Les Rallizes Dénudés". daily.redbullmusicacademy.com. Retrieved 2024-02-06.
  24. ^ Jump up to:a b "The Quietus | Features | A Quietus Interview | Makoto Kubota Of Les Rallizes Dénudés Interviewed". The Quietus. Retrieved 2023-05-21.
  25. ^ "Statement". Les Rallizes Denudes. Retrieved 20 October 2021.
  26. ^ "Les Rallizes Denudes". Les Rallizes Denudes (in Japanese). Retrieved 20 October 2021.
  27. ^ "[Event] Fall and Rise of Les Rallizes Dénudés Vol.3". Les Rallizes Dénudés. Retrieved 2023-01-03.
  28. ^ "The OZ Tapes, by Les Rallizes Dénudés". Les Rallizes Dénudés. Retrieved 2023-05-21.
  29. ^ "Announcment of the Enter the Mirror event on Temporal Drift's Twitter". Twitter. Retrieved 2023-06-21.
  30. ^ "Moriaki Wakabayashi 2017 Interview Translation". legitvidya.com. Retrieved 2023-04-11.
  31. ^ Moriaki Wakabayashi Interview (2017) w/ English Subtitles, retrieved 2023-04-11
  32. ^ "裸のラリーズ --- Les Rallizes DeNudes / Discography". 裸のラリーズ - Unofficial -. Archived from the original on 2007-01-02. Retrieved 21 October 2021.

Further reading[edit]

External links[edit]

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