2019年10月4日金曜日
音楽 : John Cage / David Tudor – Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
John Cage / David Tudor – Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
Folkways Records – FT 3704
2 × Vinyl, LP
Box Set
US
1959
Electronic
Abstract, Musique Concrète, Experimental
収録曲
A
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
B
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
C
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
D
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
クレジット
Design [Cover Design] – Ronald Clyne
Performer [Music] – David Tudor
Performer [Reading] – John Cage
Photography By – David Gahr
Producer – John Cage, Moses Asch
ノート
Includes booklet.
Late in September in 1958 I was in Stockholm in a hotel. I set about writing the present lecture which I was obliged to give a week later at the Brussels Fair. I recalled a remark made years before by David Tudor that I should make a talk that was nothing but stories. The idea was appealing when he gave it to me but I had never acted on it. A few weeks before, in Darmstadt, Karlheinz Stockhausen had said, "I'll publish your Brussels talk in Die Reihe." I replied, "You'd better wait and see what it is I write." He said, "No matter what it is, I'll publish it." My intention in putting 90 stories together in an unplanned way is to suggest that all things, sounds, stories (and, by extension, beings) are related, and that this complexity is more evident when it is not over-simplified by an idea of relationship in one person's mind. Most of the stories are things that happened that stuck in my mind. Others I read in books and remembered, those for instance, from Kwang-Tse and Sri Ramakrishna. The 2nd, 15th, 16th, 46th, and 75th stories are to be found somewhere in the literature surrounding Zen. David Tudor: piano, whistles, tape machines, and amplified slinky.
David Tudor plays material from his part of the Concert for Piano and Orchestra (1957-58), using tracks from the Fontana Mix (1958-59) as noise elements where these arae notated in Concert
There are 2 different sets here. One has Blue/Silver record labels and the "INDETERMINACY' on the box front is Red. The other has Red/Black record labels and the word "INDETERMINACY" on the box lid is Grey. (cortical)
Folkways Records – FT 3704
2 × Vinyl, LP
Box Set
US
1959
Electronic
Abstract, Musique Concrète, Experimental
収録曲
A
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
B
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
C
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
D
Indeterminacy: New Aspect Of Form In Instrumental And Electronic Music
22:30
クレジット
Design [Cover Design] – Ronald Clyne
Performer [Music] – David Tudor
Performer [Reading] – John Cage
Photography By – David Gahr
Producer – John Cage, Moses Asch
ノート
Includes booklet.
Late in September in 1958 I was in Stockholm in a hotel. I set about writing the present lecture which I was obliged to give a week later at the Brussels Fair. I recalled a remark made years before by David Tudor that I should make a talk that was nothing but stories. The idea was appealing when he gave it to me but I had never acted on it. A few weeks before, in Darmstadt, Karlheinz Stockhausen had said, "I'll publish your Brussels talk in Die Reihe." I replied, "You'd better wait and see what it is I write." He said, "No matter what it is, I'll publish it." My intention in putting 90 stories together in an unplanned way is to suggest that all things, sounds, stories (and, by extension, beings) are related, and that this complexity is more evident when it is not over-simplified by an idea of relationship in one person's mind. Most of the stories are things that happened that stuck in my mind. Others I read in books and remembered, those for instance, from Kwang-Tse and Sri Ramakrishna. The 2nd, 15th, 16th, 46th, and 75th stories are to be found somewhere in the literature surrounding Zen. David Tudor: piano, whistles, tape machines, and amplified slinky.
David Tudor plays material from his part of the Concert for Piano and Orchestra (1957-58), using tracks from the Fontana Mix (1958-59) as noise elements where these arae notated in Concert
There are 2 different sets here. One has Blue/Silver record labels and the "INDETERMINACY' on the box front is Red. The other has Red/Black record labels and the word "INDETERMINACY" on the box lid is Grey. (cortical)
音楽 : John Cage With David Tudor – Variations IV
John Cage With David Tudor – Variations IV
Everest – EVEREST 3132, Everest – SDBR 3132
Vinyl, LP, Stereo
US
1966
Electronic, Non-Music
Modern Classical, Noise, Spoken Word, Experimental
収録曲
A1
Introduction
2:50
A2
Excerpts—7PM To 8PM
5:23
A3
Excerpts—8PM To 9PM
11:50
B1
Excerpts—9PM To 10PM
8:50
B2
Excerpts—10PM To 11PM
6:00
会社名など
Recorded At – Feigen/Palmer Gallery
Pressed By – Allentown Record Co. Inc.
クレジット
Composed By [Indeterminate], Performer – John Cage
Liner Notes – Joseph Byrd
Mastered By – Pete Helffrich
Performer, Electronics [Sound System] – David Tudor
ノート
Gold labels.
From a live performance at the Feigen-Palmer Gallery, Los Angeles.
バーコードとその他の識別子
Matrix / Runout (Side A runout, etched): ARC 11/28/7 SDBR 3132 A Pete Helffrich
Matrix / Runout (Side B runout, etched): ARC 11/28/7 SDBR 3132 B Pete Helffrich
John Cage With David Tudor – Variations IV
Modern Harmonic – MH-8004
Vinyl, LP, Stereo, Clear
US
2016
Copyright (c) – Modern Harmonic
Copyright (c) – Sundazed Music, Inc.
Phonographic Copyright (p) – Everest
Phonographic Copyright (p) – Essential Media Group
Licensed Through – Essential Media Group LLC
Distributed By – Sundazed Music, Inc.
クレジット
Composed By [Indeterminate], Performer – John Cage
Liner Notes – Joseph Byrd
Performer, Electronics [Sound System] – David Tudor
ノート
From a live performance at the Feigen-Palmer Gallery, Los Angeles.
Originally released as Everest 3132
Pressed on clear vinyl.
バーコードとその他の識別子
Barcode: 090771800411
2019年10月1日火曜日
2019年9月29日日曜日
音楽 : CM Von Hausswolff – Plays John Cage
CM Von Hausswolff – Plays John Cage
Povertech Industries – PAT38
Povertech: Artifact – one
Vinyl, 7"
US
1995
Electronic, Non-Music
Abstract
収録曲
A
Imaginary Landscape #5 (Spiricom Version) For Tapes And Sinus Tones Through Walkie-Talkies
B
4'33" (81")
会社名など
Recorded At – Kungl. Musikaliska Akademien
ノート
Side One:
Performed at the Royal Academy of Music in Stockholm, Sweden November 26, 1992. Commissioned by the Stockholm Electronic Music Festival. Live recording by the Swedish Broadcasting Corporation / Berndt Berndtsson. thanks to Kent Tankred and Andrew M. McKenzie.
Side Two:
Play with caution.
バーコードとその他の識別子
Matrix / Runout (Runout, Side A, etched): PAT38A R.I.P CAGE
Matrix / Runout (Runout, Side B, etched ): PAT38B 4 feet 33 inches Of Silence
音楽 : CM Von Hausswolff – Plays John Cage II
CM Von Hausswolff – Plays John Cage II
iDEAL Recordings – iDEAL126
Flexi-disc, 7", Limited Edition
Sweden
11 Jun 2015
Electronic, Non-Music
Abstract
収録曲
1
4'33" (33" + 2'40" + 1'20") For Electric Guitar (Broken Amplifier Version)
会社名など
Published By – Edition Peters
クレジット
Cover – Nullvoid
Executive-Producer [Edition Produced By] – Joachim Nordwall
Performer, Arranged By, Recorded By, Producer – Carl Michael Von Hausswolff
Written-By – John Cage
ノート
7" square flexidisc with printed insert in PVC bag.
Edition of 200 copies.
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