2026年6月14日日曜日

音楽 : Paul Panhuysen And The Galvanos – Lost For Words (Table Of The Elments)Table Of The Elements – 45 Rh

 




収録曲

1Stalin
Voice – Joseph Stalin
5:05
2Computer Printers10:04
3AiDA6:21
4Spotvogels6:21
5Long Strings4:09
6Humming
Ensemble, Humming – Maciunas Ensemble
4:46
7Coming
Recorded By [Tape Received In The 1960s] – Tuli Kupferberg
6:44
8Reading
Ensemble, Voice [Voices Reading] – Maciunas Ensemble
4:28
9Birds7:12
10Clock8:15
11Rocking
Ensemble, Electric Guitar [Electric Guitars] – Maciunas Ensemble
9:19

ノート

Recorded and edited at Het Apollohuis in 1997.

Booklet notes:
© 1997 Paul DeMarinis
© 1997 René van Peer

© ℗ 1999 Paul Panhuysen and Table Of The Elements

40-page booklet, and CD in a standard jewel case, held in an O-case.

A silver sticker on the shrinkwrap reads:
"Paul Panhuysen (b. 1934) is internationally known for his large-scale sound installations, built as gigantic stringed instruments. In 1963 he started to develop works which combined many media - images, light, projection, machines, objects, spaces, etc. - as transitory events and installations. The Maciunas Ensemble, founded in 1968, became the source of his experiences with sound and music, while his recent Long String constructions create a synthesis of various disciplines including sculpture, architecture, music, improvisation, composition and performance.

In The Galvanos, Panhuysen has drawn material from a wide variety of sound projects he has created over the past two decades and channeled them through numerically tuned, resonating wires. The original recordings (including previous compositions, as well as canary songs and a speech by Joseph Stalin) are transformed by mechanical vibrations into completely new musical pieces. The resulting re-presentation of sound offers a unique and important look at the complex interrelation of mimesis and number in music."

"For this album the installation comprises five walkman cassette players with nine galvanometers plugged in. The steel strings, all 2 meters long, have been attached to the middle of duochords that each have a different length. Their lengths (and therefore their pitch relationships) have been determined through calculations based on the number 3, resulting in two pentatonic rows: one starting from 81cm upwards, the other from 81cm downwards." - René van Peer

バーコードとその他の識別子

  • バーコード (On O-case): 6 00401 04512 1

音楽 : Carl Michael von Hausswolff

 

Carl Michael von Hausswolff

Carl Michael von Hausswolff
Carl Michael von Hausswolff standing on a darkened stage, bending over a set of electronic consoles on a table
von Hausswolff in 2008
Born1956 (age 69–70)
Linköping, Sweden
Websitecmvonhausswolff.net

Carl Michael von Hausswolff (born 1956) is a composer, visual artist, and curator based in Stockholm, Sweden. His main tools are recording devices (camera, tape deck, radar, sonar) used in an ongoing investigation of electricity, frequency, architectural space, and paranormal electronic interference. Major exhibitions include Manifesta (1996), documenta X (1997), the Johannesburg Biennial (1997), Sound Art – Sound as Media at ICC in Tokyo (2000), the Venice Biennale (2001, 2003, and 2005), and Portikus, Frankfurt (2004). Von Hausswolff received a Prix Ars Electronica award for Digital Music in 2002.

Von Hausswolff was born in Linköping. He is an expert in the work of Friedrich Jürgenson, an electronic voice phenomenon (EVP) researcher who claimed to have detected voices of the dead hidden in radio static. Von Hausswolff's own sound works are pure, intuitive studies of electricity, frequency, and tone. Collaborators include Erik Pauser, with whom he worked as Phauss (1981–1993), Leif Elggren, and John Duncan. He also collaborates with EVP researcher Michael Esposito, filmmaker Thomas Nordanstad, and with Graham Lewis (Wire) and Jean-Louis Huhta in the band OSCID.

Von Hausswolff is noted for creating sound works that "charge the air with subliminal force" using "drones, radio signals, and sonic frequencies".[1]

Von Hausswolff is co-monarch (with Elggren) of the conceptual art project The Kingdoms of Elgaland-Vargaland (KREV): all areas of no-man's land, territories between national boundaries on both land and sea, and digital and mental spaces. This nation has its own national anthem, flag, coat of arms, currency, citizens, and ministers.

Recent audio works include "800 000 Seconds in Harar" (Touch), "Matter Transfer" (iDeal), "The Wonderful World of Male Intuition" (Oral), "There Are No Crows Flying Around the Hancock Building" (Lampo), "Rats", "Maggots", and "Bugs" (all three on Laton), "Three Overpopulated Cities ..." (Sub Rosa), "A Lecture on Disturbances in Architecture" (Firework Editions), and "Ström" and "Leech" (both on Raster-Noton).

Other visual works include "Red Pool" (Cities on the Move, Bangkok, 1999), "Red Night" (SITE Santa Fe, 1999), "Red Code" (CCA Kitakyushu, 2001), "Red Empty" (Lampo/WhiteWalls, Chicago, 2003), and "Red Mersey" (Liverpool Biennial, 2004).

He is also the curator and producer of the sound-installation "freq out", shown at Moderna Museet (Stockholm), Henie-Onstad Center (Oslo), Sonambiente (Berlin), and other places.

Around the year 1986, he formed the Swedish independent label Radium 226.05 and in 1990 he formed the label Anckarström.

In 2012, Von Hausswolff was heavily criticized for allegedly using ashes of Holocaust victims from the Majdanek concentration camp in a painting.[2] As of 12 December 2012, the Martin Bryder Gallery in Lund had pulled the painting from exhibition.[3]

In 2019, von Hausswolff formed a new musical collaboration with the Icelandic musician Jónsi (Sigur Rós), which they named Dark Morph. On 10 May 2019, they released their first album, also titled Dark Morph. The project "promises to explore the ramifications of ongoing environmental collapse to the oceans and its inhabitants."[4] The album consists mainly of ambient sounds, often simulating the sounds of animals and nature, and contains very few actual melodies.

Carl Michael is the father of musician/composer Anna von Hausswolff.[5]

References

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  1. ^ LaBelle, Brian (2015). Background Noise, Second Edition: Perspectives on Sound Art. Bloomsbury. p. 330.
  2. ^ "Swedish artist uses 'ashes from Holocaust victims'". BBC News. Retrieved 18 December 2012.
  3. ^ "Swedish gallery pulls painting made of Holocaust victims' ashes". JTA. Retrieved 18 December 2012.
  4. ^ Bote, Joshua (1 May 2019). "Inspired By Environmental Crisis, Sigur Rós' Jónsi Announces New Duo Dark Morph". npr.org. Retrieved 26 June 2019.
  5. ^ Hughes, Rob (18 December 2015). "Limelight: Anna Von Hausswolf"Prog. Retrieved 30 October 2023.
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