2026年2月9日月曜日

映像 : Stan Brakhage "Anticipation of the Night"

Stan Brakhage "Anticipation of the Night" [Blu-Ray + DVD + 60 pages booklet]

Label: Re:Voir

60ページブックレット付き、Blu-Ray + DVD両フォーマットコンボ版!!多くの説明は不要、米インディペンデント映画にて最も影響が大きい存在として知られるスタン・ブラッケージ。氏の初期代表作である[夜への前ぶれ]を初入荷!!死へのイメージを強く押し出している頃の作品であり、実際に自らの遺作として作られたフィルム。特徴である完全サイレントで進行するフィルム・ペイント及びスクラッチの高速イメージ。更に昼と夜の情景を交互に反復させ人間の闇を視覚化した凄まじい内容。



“The great achievement of Anticipation of the Night is the distillation of an intense and complex interior crisis into an orchestration of sights and associa- tions which cohere in a new formal rhetoric of camera movement and montage.”
-P. Adams Sitney

“Brakhage’s work offers an eloquent and deeply affecting alternative to consumer culture in the West. He abjures predigested emotions, predictable formulas, and “pretty pictures.” His lms cannot be reduced to a simple summary or message, and each viewer’s experience of them will necessarily be somewhat different. The engaged viewer is removed from the state of mind in which to look at a scene or sight is to desire it, covet it, think you understand it, and wish to own it: instead, Brakhage asks for both much less and much more — he asks that you dance with it.”
-Fred Camper

Brakhage’s death is an irreparable loss but also an opportunity for a new begin- ning. There was no catching up with Brakhage when he was alive, but now perhaps we can begin to discover and understand the full breadth and depth of his remarkable cinematic legacy.
-Scott MacDonald

映像 : Ron Rice "The Flower Thief"

 

Ron Rice "The Flower Thief" [PAL DVD]

Label: Re:Voir

アンガス・マクリーズのブートLPにもサントラが収録された[Chumlum]オリジナルムービーが収録されています その自由なスタイルにて1960年代初頭のニューヨーク及びカリフォルニアのフィルムメーカー達に影響を与えた超重要人物のロン・ライス。ボブ・カウフマンを含むビート詩人やプロでない俳優達が出演した事で知られる氏の名作[The Flower Thief]がRe:Voirより遂にDVD化!!更にアンガス・マクリーズの激ヤバな楽曲がバッチリとハマった1964年フィルム[Chumlum]やボーナスフィルムも収録されており、もはや悶絶級のアーカイヴとなっています 55ページのブックレットが付属。



Our fifth release in a series of titles we are releasing in cooperation with The New York Film-makers' Cooperative.

'The Flower Thief', filmed and acted by New York and San Francisco "beats," is a collection of improvisations. Ron Rice, the film's creator, attempted to ignore or break all the rules of cinema craft in making this film. Its form is the picaresque novel, a genre dating from the Middle Ages in which a rogue has a series of loosely connected adventures which reveal his personality and his relations to the world around him. Don Quixote in the Renaissance, Huckleberry Finn in the nineteenth century, and the tramp of Charlie Chaplin in our own times are picaresque heroes. Ron Rice's contribution to this tradition is his flower thief, a mad, harmless homosexual. Wandering through the streets of San Francisco with his teddy bear, indifferent to authority, stealing flowers because he likes them, and experiencing the basic human emotions, he is also The Noble Savage.
-P. Adams Sitney, Film Culture

I still think that 'The Flower Thief' is one of the most important modern films, a beautiful absurd poem. And so is his new film, 'Senseless'.The bullfight in negative is a fantastic shot; and so is the sequence with the beatnicks on Acapulco beach; or the train robbery episode; or the shot of the Virgin of Guadalupe surrounded by light; or the oil wells at night. It is beautiful and wild.
-Jonas Mekas

'The Flower Thief', like all significant cinema,holds before society a mirror image of its weaknesses and its disease. The Flower Thief is an eloquent plea for natural and humble participation in life.
- Mary Batten, Film Comment

FILMS
The Mexican Footage, 1950, 8'30"
The Flower Thief, 1960, 58'
Senseless, 1962, 24'
Chumlum, 1964, 23'

bonus : Outtakes - The Queen of Sheba Meets the Atom Man, 1982, 6'
Includes a 55-pages bilingual EN/FR booklet with texts by Wheeler Winston Dixon, Barry Clark, Marry Batten & Ron Rice.

映像 :  Jennifer Reeves "When It Was Blue - Selected Works 1992-2022"

Jennifer Reeves "When It Was Blue - Selected Works 1992-2022" [Blu-ray]

Label: Re:Voir

初の映像作品集!!米インディペンデント映画界の重鎮スタン・ブラッケージと、英Incusからデヴィッド・トゥープ、 マックス・イーストレイらと共に即興録音を出しているアナベル・ニコルソンより大きな影響受け1990年から自身の映画制作を開始、メンタルヘルス、フェミニズム、環境など幅広いテーマを扱い16mmの実験映画を作り続けているジェニファー・トッド・リーヴス。一枚のフィルムにイメージの層を積み重ね強迫観念の記憶や狂気、社会の愚行の限界を押し広げる立場を貫いてきた作家であり、またエリオット・シャープやジーナ・パーキンスといった作曲家とのコラボレーション作品も多く制作。本作は1992-2022年までフィルム10作品を纏めたものであり、殆どの作品が極めて物理的な手法で構築されています。



WHEN IT WAS BLUE (2008) 58’
GIRLS DAYDREAM ABOUT HOLLYWOOD (1992) 4’
CONFIGURATION 20 (1994) 11’
THE GIRL’S NERVY (1995) 5’
WE ARE GOING HOME (1998) 10’
FEAR OF BLUSHING (2001) 5’
LANDFILL 16 (2011) 9’
STRAWBERRIES IN THE SUMMERTIME (2013) 16’
COLOR NEUTRAL (2014) 3’
PIGMENT-DISPERSION SYNDROME (2022) 6’

“No doubt the fragile stuff of film, made newly strange in an age of immaterial electronic images, encourages the contemplation of change and chance, birth and death; such notions are registered through utterly physical means by Reeves in the fractal cracks of distressed pigment that adorn some of her hand-edited frames, or the tidal flows of thick, opalescent paint, sometimes dotted with stellar bubbles of captured air, that wash across other moments.”
— Ed Halter, Artforum

“Structurally, Reeves has held a daring position pushing the limit between sanity, obsessional memories, private madness and societal follies; at the intersection between psychological disorders, cultural artifacts and the process of obscuring/enlarging one’s vision and consciousness by accumulating layers of images on one strip of film.”
— Bérénice Reynaud, Senses of Cinema