音楽 ： Evan Parker & Paul Lytton ‎– Collective Calls (Urban) (Two Microphones)

Evan Parker & Paul Lytton ‎– Collective Calls (Urban) (Two Microphones)

Incus ‎– INCUS 5
Vinyl, LP
UK
1972
Jazz
Free Jazz, Free Improvisation

収録曲
A1
Peradam
5:09
A2
Cat's Flux 2
5:45
A3
Shaker
13:00
A4
Left Of The Neo-Left
1:12
B1
Lytton Perdu
13:25
B2
Voice Fragment
0:21
B3
Some Mother Blues
8:30
B4
What's Left Of The Neo-Left
1:55

会社名など
Published By – Compatible Recording & Publishing Ltd.

クレジット
Composed By – Parker / Lytton
Percussion, Electronics [Live], Sounds, Noises – Paul Lytton
Photography By – Alan Johnston
Recorded By [Recording] – Bob Woolford
Soprano Saxophone, Tenor Saxophone, Instruments [Home Made], Tape [Cassette Recorder] – Evan Parker
Typography – Avril Hodges

ノート
Recorded London 15 - 16 April 1972.

音楽 ： MARS －Mars Archives Volume Three: N.N. End

MARS
Mars Archives Volume Three: N.N. End

LP
FEEDING TUBE RECORDS
FTR 377LP
4/26/2019

01. Mars - Puerto Rice Ghost

02. Mars - RTMT

03. Mars - Cairo

04. Mars - Fractions

05. Mars - Tunnel

06. Mars - Hairwaves

07. Mars - Outside Africa

08. Mars - N.N. End

09. Mars - Scorn

10. Mars - Monopoly

11. Mars - Immediate Stage of the Erotic

"Barring some miraculous discovery (never out of the question!), Mars Archives Volume Three: N.N. End is the final LP in our series of LPs documenting the music of New York's most amazing combo of the No Wave era, Mars. From their more-quotidian beginnings as China, whose sound was influenced by the Velvets and Television, Mars mutated and grew in a variety of nearly unchartable directions. N.N. End documents the latter, immaculate stages of the band's destruction of song forms once and for all. The A-side captures a live show at Max's Kansas City in July 1978. They were still playing some of the songs from the No NY compilation, which had not yet been released. Their sound had moved on since the recording session, however, and you can hear the songs dissolving structurally as they move along. Pretty amazing. The B-side is from a rehearsal tape recording while they prepped for their final show (at Max's in December 1978.) At this point, Mars was shredding the cocoon that had held their music. Then shredding the music itself. Vocals, guitars, rhythms all come apart in clumps, taking on lives of their own. Beyond good and evil, Mars stood alone. And then they were gone. Hope you've followed their contrail." --Byron Coley, 2019

音楽 ： MARS－Mars Archives Volume Two: 11000 Volts to Tunnel

MARS
Mars Archives Volume Two: 11000 Volts to Tunnel
LP
FEEDING TUBE RECORDS
FTR 274LP
10/14/2016

01. MARS - 3E

02. MARS - Helen Forsdale

03. MARS - Cairo

04. MARS - 11000 Volts

05. MARS - Hairwaves

06. MARS - RTMT

07. MARS - Puerto Rican Ghost

08. MARS - 11000 Volts

09. MARS - 3E

10. MARS - Cairo

11. MARS - Tunnel

12. MARS - Hairwaves

"The second amazing volume (of three), compiled by Mark Cunningham after culling every known live tape of Mars, documents the band in its first fully-matured form. Recorded at CBGB and Max's in the early months of 1978, this captures the sound of Mars around the time their first single, '3E/11000 Volts,' was released by the French Rebel label (a precursor of ZE). They're still playing their early songs, and working out the material that would be on No New York (LR 102CD/LP). Two of the tracks ('Cairo' and 'RTMT') were never released in any form back in the day, and the whole album surges along like one of the weirdest rock rides anybody has ever imagined. There are still small tendrils of the more formal approach Mars took in their earliest days, but the function of the material is on its way to becoming utterly alien. Even though I saw the band around this time, the incredible strangeness of their approach is astonishing. Words fail me. No one else has ever created anything quite like the wall of sound they managed. On the second side, as an added bonus, the audience source tape is full of hooting and hollering by people like Lydia Lunch, Bradley Field, Kristian Hoffman, and various other reprobates with whom they were sharing rehearsal space at the time. Package looks great, too. Grainy, just the way it should be. Has an insert with brief notes by Mark, a couple of pics and handwritten lyrics that read better than I'd ever imagined them to be. Essential stuff." -- Byron Coley, 2016. Edition of 500.

音楽 ： MARS－Mars Archives Volume One: China to Mars

MARS
Mars Archives Volume One: China to Mars

LP
FEEDING TUBE RECORDS
FTR 200LP
9/4/2015

01. MARS - Cry

02. MARS - No Idea

03. MARS - Can You Feel It?

04. MARS - Big Bird

05. MARS - Red

06. MARS - Look At You

07. MARS - 3E (Early Version)

08. MARS - Cats

09. MARS - Cry

10. MARS - 3E

11. MARS - Plane Separation

12. MARS - Compulsion

13. MARS - 81 Warren Street

"Following the success of the two live LPs bookending Mars's trajectory through the skies of NYC, Mark Cunningham was convinced to return to his legendary box of cassettes. Even he was surprised to discover the band's earliest shows (done under the name China) were there, amidst a tumble of other tapes. Thus, the idea was born for a trilogy of LPs tracing Mars's development from their first audition gig at CBGB through the shows following their 1980 Lust/Unlust EP. China to Mars is the first volume, and really displays for the first time how much the band's earliest music was a mutated variation on some of NYC's extant juggernauts, in particular Television and the Patti Smith Group. While their sound was clearly their own, the textures and techniques they're using to achieve them are far less alien than they'd become. Side one was recorded at China's audition night at CBGB in Feb. '77, and their follow-up show in June. It's amazing how good it sounds. And the songs are almost all unheard (apart from 'Cry,' which appeared on the 2012 Anòmia tape box). Even "3E" is nearly unrecognizable from its released version recorded the following year. The second side is from Sept. '77, once they had started calling themselves Mars. The shuddering blocks of sound for which they are known are beginning to coalesce, and Sumner's dark vocals are pushed to the fore. The music is stunning. You can hear the band on the very cusp of transforming itself into the group that recorded those incredible early sides. Wow, can't wait for the next two volumes" --Byron Coley, 2015. Edition of 800.