2012年7月6日金曜日
音楽 : Stabat Mors– Progeria
Stabat Mors– Progeria
Label:Harbinger Sound – HARBINGER 010
Format:Vinyl, LP, Limited Edition
Country:UK
Released:
Genre:Electronic
Style:Minimal
Tracklist
A1
Geburt, Aufwachsen
A2
Beendeter Anfang
A3
Lebensmitte
B1
ProzeB
B2
Ende, Tod, Verottung
B3
Begonnenes Ende
Notes
Limited to 100 copies.
2012年7月4日水曜日
Matsuo Ohno* – Astro Boy / Yamatoji / Yuragi / And The Others
Label:King Records – KICP 2636
Series:
大野松雄の音響世界 The World Of Electro-Acoustic Sound And Music – 1
Format:CD, Album
Country:Japan
Released:02 Feb 2005
Genre:
Electronic, Non-Music, Stage & Screen
Style:Soundtrack, Experimental
Tracklist
1
Astro Boy (Appears On The Screen)
0:53
New Sound Of Astro Boy
2
Zoom In - Zoom Out
0:19
3
Flame Gun
0:20
4
Landing And Landing Sound
0:14
5
Searchlight
0:16
6
Folding Wings
0:05
7
Power Dive / Zoom In
0:14
8
Power Dive / Zoom Out
0:10
9
Astro Boy Moves In Lateral Motion / Zoom In - Zoom Out
0:27
10
Astro Boy Circling The Sky
0:14
11
Astro Boy Still Circling / Zoom Out
0:14
12
Zoom Out - Zoom In
0:12
13
Zoom In - Zoom Out
0:12
14
Astro Boy Scans The Scene
0:15
15
Astro Boy Ascends
0:14
16
Astro Boy’s Amazing Radar
0:18
17
Astro Boy’s Energy Is Becoming Unstable!
0:54
18
Energy Injection (The Real One...)
0:31
19
Astro Boy’s Telescopic Neck
0:10
20
Astro Boy Gets Blown Away
0:06
21
Astro Boy Descends
0:19
22
Astro Boy’s Amazing Machine Gun
0:33
23
Astro Boy’s Amazing Computer
0:15
24
Astro Boy Is Walking
0:17
25
Astro Boy Is Running
0:18
26
Astro Boy Pads On Gently As A Cat
0:10
Electronic Sound - Astro Boy’s B.G.M. (1963 - 1966)
27
Electronic Sound - Astro Boy’s B.G.M. A
2:15
28
Electronic Sound - Astro Boy’s B.G.M. B
1:03
29
Electronic Sound - Astro Boy’s B.G.M. C
2:04
30
Electronic Sound - Astro Boy’s B.G.M. D
2:34
31
Electronic Sound - Astro Boy’s B.G.M. E
1:47
32
Electronic Sound - Astro Boy’s B.G.M. F
2:54
33
Yamatoji A
5:55
34
Sea Dream
6:29
35
Yuragi - Flucturations #5
10:18
36
Yuragi - Flucturations #2
20:15
Credits
Art Direction– Akira Sasaki
Composed By– Matsuo Ohno* (tracks: 33 to 36)
Design– Akira Sasaki
Edited By [Editing Cooperation]– Yasuto Yura
Edited By [Sound Editor]– Iwao Takahashi (tracks: 1 to 32), Katsumi Sakurai (tracks: 1 to 32), Takehisa Kosugi (tracks: 1 to 32)
Engineer– Matsuo Ohno*
Illustration– Hiroshi Manabe
Interviewee– 大野松雄*
Interviewer– 田中雄二*
Liner Notes– Jim O'Rourke, 横川理彦*
Liner Notes [Profile]– Hiromasa Horiuchi
Liner Notes [Translated By]– Masaho Furuno, Yoko Yamabe
Mastered By [Mastering Engineer]– Seiji Kaneko
Mixed By [Recording Mixer]– Mitsuru Kashiwabara (tracks: 1 to 32), Tetsuya Ohhashi (tracks: 1 to 32)
Producer [Original Vinyl Lp]– Hideki Yoshida (tracks: 1 to 32)
Product Manager [Project Manager]– Hisae Itoh (tracks: 1 to 32)
Sound Designer [Planning, Sound Organize, Sound Cooperation]– Matsuo Ohno* (tracks: 1 to 32)
Notes
1 to 32:"Astro Boy" Recorded and edited: September 6,7,1975 at Sogosha Co.,Recording Studio.
33: First appearance: Video Disc "Yamatoji" (Dentsu Inc.)1982.
34:First appearance: 3D film "Sea Dream", shown at Matsuyama-shi.(Sound was recreated for Japanese version).
35:First appearance: "Art Festival KYO. 1999.SKIN-DIVE" 1999.
36:First appearance: in collaboration with dyeing art and butoh dance, 1991, edited in short version November 2004.
2012年6月4日月曜日
音楽 : ESP-Disk' (ESP-4069)
This four CD set documents the first recordings of the iconic tenor saxophonist, prior to his well known association with John Coltrane. Beginning with two previously unreleased sessions with Ornette Coleman alumni Don Cherry and Paul Bley, followed by Pharoah’s debut date as a leader for ESP-Disk’ and concluding with the first issue ever of the complete the December 30 and 31, 1964 Sun Ra at Judson Hall concerts, Sanders only known recordings with the Arkestra the set also includes rare recorded interviews with Sanders, Cherry, Bley and Ra by ESP-Disk’ music producer Michael D. Anderson.
Personnel
Don Cherry, Paul Bley, Sun Ra, David Izenzon, Paul Motian, Jane Getz, Marshall Allen, Alan Silva, Ronnie Boykins and many more!
Track Listing
Disc One
1. Pharoah Sanders Interview - Coming To NY 3:06
2. Cocktail Piece (first var.) take 1 4:03
3. Cocktail Piece (first var.) take 2 6:00
4. Studio Engineer Announcement 0:06
5. Cherry's Dilemma 4:13
6. Studio Engineer Announcement 0:18
7. Rememberance (first var.) 5:26
8. Medley: Thelonious Monk Compositions 4:05
9. Don Cherry Interview - Ornette's Influence Pt. 1 3:19
10. Don Cherry Interview - Ornette's Influence Pt. 2 1:01
11. Paul Bley Interview - 1960s Avant Garde 2:25
12. Generous 1 take 1 (Setting Levels) 4:35
13. Generous 1 take 2 4:21
14. Walking Woman take 1 2:04
15. Walking Woman take 2 3:05
16. Ictus 4:21
17. Note: After Session Conversation 0:37
Disc Two
1. Pharoah Sanders Interview - Musician he Performed With Pt. 1 2:08
2. Bernard Stollman Interview - Meeting Pharoah Sanders 0:54
3. Seven by Seven 26:07
4. Bethera 23:31
5. Pharoah Sanders Interview - Musician he Performed With Pt. 2 4:35
Disc Three
1. Pharoah Sanders Interview - Meeting Sun Ra 1:44
2. Dawn Over Israel 10:00
3. The Shadow World 22:08
4. The Second Stop Is Jupiter 2:17
5. Discipline #9 2:27
6. We Travel The Spaceways 9:10
Disc Four
1. Sun Ra Interview - Being Neglected as an Artist 2:49
2. Gods on Safari 3:43
3. The Shadow World 6:26
4. Rocket #9 3:58
5. The Voice of Pan Pt. 1 5:23
6. Dawn Over Israel 3:42
7. Space Mates 2:42
8. The Voice of Pan Pt. 2 8:02
9. The Talking Drum 4:16
10. Conversation With Saturn 3:51
11. The Next Stop Mars 0:48
12. The Second Stop is Jupiter 2:13
13. Pathway to the Outer Known 3:36
14. Sun Ra Interview - Meeting John Coltrane 1:04
15. Pharoah Sanders Interview - John Coltrane 3:26
16. Pharoah Sanders Interview - Playing at Slug's/Max Gordon 1:05
17. Pharoah Sanders Interview - Closing Comments 2:34
音楽 : ESP-Disk' (ESP-4068)
Recorded live in 1977 at Coltrane drummer Rashied Ali’s Studio 77 – Ali’s Alley upon his triumphant return from an extended European sojourn the previously unreleased date features Wright paying tribute to his mentor Albert Ayler on his birthday with a luminary quartet including Ali, Ornette Coleman Prime Time guitarist James “Blood” Ulmer and bassist Benny Wilson. The Right Reverend Wright at his most Holy Ghost-est!.
Personnel
Frank Wright: Tenor Saxophone, Flute & Vocals
James Blood Ulmer: Guitar
Benny Wilson: Double-Bass
Rashied Ali: Drums
Track Listing
1. Blues For Albert Ayler Pt. 1
12:49
2. Blues For Albert Ayler Pt. 2
5:10
3. Blues For Albert Ayler Pt. 3
14:37
4. Blues For Albert Ayler Pt. 4
12:12
5. Blues For Albert Ayler Pt. 5
23:57
6. Blues For Albert Ayler Pt. 6
5:47
2012年6月3日日曜日
音楽 : ESP-Disk' (ESP-4066)
This previously unreleased recording features the remaining music from the legendary concert that produced Lowe’s ESP-Disk’s debut as a leader, Black Beings. This recording features Art Ensemble of Chicago saxophonist Joseph Jarman in perhaps his first New York appearance, with the future Cecil Taylor bass and drum team of William Parker and Rashid Sinan and violinist Raymond Lee Cheng (The Wizard) on his only known recording. High Energy Music in its purest form.
Personnel
Frank Lowe: Tenor Saxophone
Joseph Jarman: Soprano & Alto Saxophones
Raymond Lee Cheng (The Wizard): Violin
William Parker: Double-Bass
Rashid Sinan: Drums
Track Listing
1. The Loweski Pt. 1
6:19
2. The Loweski Pt. 2
11:54
3. The Loweski Pt. 3
4:38
4. The Loweski Pt. 4
5:20
5. The Loweski Pt. 5
9:39
Press Quotes
"...wonderful interplay between Frank's tenor and the soprano and alto sax of Joseph Jarman – both of whom get plenty of space to work together on the album-length performance. Lowe's tone has that raspy brilliance that always moves us – a sense of soul that's somewhere between Albert Ayler and Archie Shepp – and Jarman really knocks it out of the park as things get moving, hitting these frenzied sounds that are way more intense than anything we heard him record with the Art Ensemble!"
-- Dusty Groove America
2012年6月1日金曜日
音楽 : Terry Riley & Don Cherry - Studio Session, Copenhagen 1970
This unreleased studio session from September 1970, recorded in Copenhagen, pairs minimalist composer Terry Riley with avant-jazz luminary Don Cherry who work with three European musicians handling various wind instruments, percussion and bass. This bootleg contains about 39 minutes of music divided in three distinct parts. Part one is a droney piece in the key of E and heavy on soprano saxophone. Part two where Riley is heard on organ sounds like an early version of "Persian Surgery Dervishes" with jazzy wind solos. Part three however is something really interesting: Riley forms a horn section with Cherry playing slow and plaintive horn lines while another woodwind player takes a wooden flute solo, this is where Cherry's influence is the most felt. Otherwise this is not too far from what Riley did during late sixties and early seventies, but its jazz influence is slightly more pronounced, especially the prominent texture of trumpet, saxes and flutes. If In A Silent Way used minimalist flavor for coloring jazz, then here Riley and Cherry use jazz color to confirm yet another way how jazz and minimalist music could be compatible.
2012年5月31日木曜日
2012年5月30日水曜日
2012年5月28日月曜日
書籍 : 生田耕作関連
『高等魔術の教理と祭儀』(1856年)、『魔術の歴史』(1860年)に続く、1861年に成った近代オカルティズムの祖レヴィによる魔術三部作の完結篇。オカルティズムの奥義とは何か。それを知ればいかなる力が得られるのか。そもそもそのような奥義は存在するのか。「オカルト=隠す」の原義からすれば、最後までその謎は謎のまま終わるのだろうか。はたまた、隠者レヴィにとってオカルティズムが究極の革命思想であったことに鑑みれば、社会変革の何らかの啓示がもたらされるのだろうか。黒い聖典『魔術の歴史』で予告された大神秘の鍵の行方は如何に。
『高等魔術の教理と祭儀』、『魔術の歴史』に続く、レヴィ“魔術三部作”の完結篇。近代オカルティズムの祖と称されるのにふさわしく、社会変革の夢に裏打ちされたその隠秘学は、ボードレール、リラダン、マラルメ、イェイツ、ジャリ等の同時代の象徴派詩人はもとより、ブルトンを始めとするシュルレアリスト、ジョイス、ミラー等の現代の重要な作家たちにも絶大な影響を及ぼしつづけている。わが国においても、日夏耿之介、生田耕作、澁澤龍彦等の熱讃者が後を絶えない。三部作の掉尾を飾る本書において、大奥義の何たるかがようやく明かされることになるのか否か、はたして如何。
2012年5月27日日曜日
書籍 : ステファヌ・マラルメ-骰子一擲
●著者:ステファヌ・マラルメ
●訳者:秋山澄夫
●挿画:星崎孝之助
●発行者:小田久郎
●発行所:株式会社 思潮社
●発行日:1972年11月20日
・布張り外ケース
・骰子一擲(58ページ)
・イジチュール(50ページ)
・UN COUP DE DES JAMAIS N' ABOULIRA LE HASARD(30ページ)
・上記三冊を収める仕切り版
・解説書(3種)
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