音楽 ： K. K. Null – Cryonics

K. K. Null – Cryonics

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レーベル:	Table Of The Elements – F 9
シリーズ:	Guitar Series Vol. 1
フォーマット:	レコード, 7", 45 RPM, Numbered, White
国:	US
リリース済み:	1994
ジャンル:	Electronic, Rock
スタイル:	Experimental

収録曲

A1		Cryonics	4:45
B2		Winter Solstice	2:39
B3		Memes	1:58

会社名など

• 著作権© – K.K. Null
• 音源著作権℗ – K.K. Null
• マスタリング – Greg Lee Processing – L-42533

クレジット

• Design, Art Direction [Direction By] – Jon Malic

ノート

Released in a stapled fold over gloss-laminated cover.
Numbered edition of fewer than 1000 copies. The number is stamped in silver on the generic inner sleeve.

Track positions listed sequentially on inside of the cover, from 1 to 3.

Artist' name on label side A: 'Kazuyuki K. Null'.

No printed track durations.

© & ℗ K. K. Null MCMXCIV

バーコードとその他の識別子

• Matrix / Runout (Runout Side A, Etched): L-42533 FLUORINE-A
• Matrix / Runout (Runout Side B, Etched): L-42533-X FLUORINE-B

KK.Null (born Kazuyuki Kishino) is one of the top names in Japanese noise music and in a larger context, one of the great cult artists in experimental rock. Starting his career in the early 80's by performing guitar improvisations in the clubs and streets of Tokyo, he continued by collaborating with Merzbow for two years, and joining the bands YBO² and Absolut Null Punkt.

In 1987, he gained wider notoriety as the leader, guitarist and singer of the trio Zeni Geva, which he described as "progressive hardcore". Zeni Geva reached world-wide fame with their heavy and hypnotic sound, eventually releasing three Steve Albini-produced albums on Jello Biafra's Alternative Tentacles label.

After playing the guitar as his main instrument for some twenty years, Null has gradually moved towards a more electronic approach. These days he mostly states the "nullsonic" as his primary instrument. Nullsonic is something of a variation of Robert Fripp's 1970's instrument "frippertronics" - a combination of electric guitar and effects units, which elevated the effects to equal importance alongside the guitar. Null has gone even further by discarding the guitar altogether and making all the sounds with effects only.

In recent years, he has concentrated his efforts increasingly on his solo material.