2015年7月29日水曜日
2015年7月20日月曜日
2015年7月16日木曜日
音楽 ： PEKKA AIRAKSINEN / AFRODIPANKARA (1984)
北欧初期AVANTGARDE/EXPERIMENTAL MUSIC史上に燦然と輝く伝説のバンドTHE SPARMのメンバーであり、FINLAND AVANT / NOISE / ELECTRONICSのオリジネイター!
抑制の効いたビートに絡む、オリエンタルなムード漂うメロディのシンセ、プログレッシヴな展開は、アヴァンギャルド / エクスペリメンタル・リスナーはもちろん、プログレ~クラウトロック~ジャーマン・エクスペリメンタル好きも必聴!
Pekka Airaksinen is a Finnish composer of electronic music.
Airaksinen formed his first band, The Sperm, in the late 1967.
The Sperm mixed elements of avant-garde music with free jazz and psychedelic pop.
By 1970 Pekka started his own label O Records to produce and distribute Vinyl-Records of his Solo-Works such as 'One Point Music' (1972) or the Sperm-Lp 'Shh! Heinäsirkat' (1970)
or his free-jazz-dominated Project SAMSA TRIO in 1972 (together with Antero Helander & Mattijuhani Koponen)
Following The Sperm's breakup in the mid 1970s, Airaksinen turned to Buddhism but kept producing music in the years to come and integrating Roland 808 drum-machines into his music and releasing 80's classic-Lp's like 'Buddhas of Golden Light'.
Afrodpankara is produced during the same creative period.
VOD137.6 Lp AFRODIPANKARA (1985)
A1. Khadgadasvara (16.27)
A2. Pradanasura (4.07)
B1. Prabhutaratna (10.52)
B2. Padmasri (7.01)
(Disk-Union)
音楽 ： SPERM / PEKKA AIRAKSINEN / SAMSA TRIO WORKS 1968-76 (5LP BOX)
北欧初期AVANTGARDE/EXPERIMENTAL MUSIC史上に燦然と輝く伝説のバンドTHE SPARM、そしてその中心人物であるFINLAND AVANT / NOISE / ELECTRONICSのオリジネイターPEKKA AIRAKSINENのソロ音源、さらにPEKKA AIRAKSINENのフリージャズ・ユニットSAMSA TRIOの音源を収録!
北欧アヴァンギャルド / エクスペリメンタルの世界をタップリと堪能できる5LP+10"ボックス・セット!
Pekka Airaksinen is a Finnish composer of electronic music.
Airaksinen formed his first band, The Sperm, in the late 1967.
The Sperm mixed elements of avant-garde music with free jazz and psychedelic pop. Members of Sperm during the years of existence have been
Antero Helander, Ilkka Lehtinen, J.O. Mallander, Markus Heikkerö, Mattijuhani Koponen, Nikke Nikamo, Pekka Airaksinen, Peter Widén
By 1970 Pekka started his own label O Records to produce and distribute Vinyl-Records of his Solo-Works such as 'One Point Music' (1972) or the Sperm-Lp 'Shh! Heinäsirkat' (1970)
or his free-jazz-dominated Project SAMSA TRIO in 1972 (together with Antero Helander & Mattijuhani Koponen)
Pekkas and Sperms concerts featured confrontational performance art, which resulted in two members being arrested for simulating sexual intercourse and screening pornographic films.
Following The Sperm's breakup in the mid 1970s, Airaksinen turned to Buddhism but kept producing music in the years to come and integrating Roland 808 drum-machines into his music and releasing 80's classic-Lp's like 'Buddhas of Golden Light'
VOD137: SPERM / PEKKA AIRAKSINEN / SAMSA TRIO 5Lp plus 10". 1968-1976
VOD137.1 Lp1A. 3rd Erection. 1968 EP + Bonus-Tracks
A1 3rd Erection 3:12 Isä Mc Dullan guitar, PYH vocal
A2 Hero, 1:28 Isä Mc Dullan guitar, PYH vocal
A3 Pillow. 2:55 Isä Mc Dullan guitar, PYH vocal
A4 Staffstaff. 3:40 Isä Mc Dullan guitar, PYH vocal, Koponen vocal
A5 Forest laughing Organ 2:28 Isä Mc Dullan guitar, PYH vocal, Koponen vocal
A6 Selected letters(Pillow) 8:12 Isä Mc Dullan guitar, P.Y. Hiltunen vocal
A7 This dream is angel ( Hero) 6:51 Isä Mc Dullan guitar, P.Y. Hiltunen vocal
Lp1B.) Pagoda 1971-73 EP
B1 For the Children of Vietnam [15:45]
B2 For the Children of Vietnam [13:20]
VOD137.2 Lp2.) Shh! Sperm. 1970 LP
A1 Heinäsirkat I (P. Airaksinen) [16:09];
A2 Jazz jazz (A. Helander, E. Kuitunen, I. Lehtinen, P. Airaksinen) [8:49]
B1 Korvapoliklinikka Hesperia (P. Airaksinen, V. Nikamo) [6:02]
B2 Dodekafoninen talvisota (P. Airaksinen, V. Nikamo) [19:59)
VOD137.3 Lp3 A/B: Samsa Trio 1972 LP. (O Records ORLP 01)
A1 Kaislikko 14:45
A2 Kivenpoiminta 3:40
B1 Kuun alla 8:58
B2 Jää sulaa 11:57
VOD137.4 Lp4 A/B: One Point Music 1972 LP plus Prem EP (+Suite 71)
A A Little Soup for Piano and Orchestra op. 46,8
A1 Pieni sienikonsertto (1970) [8:37];
A2 mo-On-ing (1971) [5:26];
A3 Somerain - Sadetta (1968) [6:16];
Bonus Prem 1970 EP (+Suite 71) with Mats Hulden , Marjo Rita Hulden, P. Airaksinen, Mats and Pekka Airaksinen
A4 Bra Bonata 6:02
A5 Prem 2:48
B Music for the Play Sisyfos (1968):
B1 Skata [6:12],
B2 S Rock [6:26]
B3 Fos 2 [5:50].
B4 Bra (6:30)
B5 Con Prix (3:23)
VOD137.5 Lp5 A/B: Golden Age (Music from the golden era of Egypt)
A1 Nut Part 1 (1:09)
A2 Nut Part 2 (3:50)
A3 Nut (4:47)
A4 Hehu Part 1 (2:23)
A5 Hehu Part 2 (1:19)
A6 Hehut Part 1 (1:37)
A7 Hehut Part 1 (5:53)
A8 Kehr Part 1 (1:37)
A9 Kehr Part 2 (6:35)
B1 Kerhet Part 1 (1:37)
B2 Kerhet Part 2 (6:35)
B3 Afrodite (17:24)
(Disk-Union)
2015年6月29日月曜日
音楽 ： Andrew Chalk – A Light At The Edge Of The World
Andrew Chalk – A Light At The Edge Of The World
Genre:Electronic
Style:Ambient, Experimental
Year:2015
Tracklist
A Light At The Edge Of The World 40:43
Versions (2)
A Light At The Edge Of The World (CD, Album, Ltd, Sli) Faraway Press FARAWAY PRESS 025 UK 2015
A Light At The Edge Of The World (CD, Album, Ltd, Por) Faraway Press FARAWAY PRESS 025 UK 2015
Handmade portfolio edition :
Handmade slipcase sleeve with wooden spine on inner sleeve, clothbound spines, offset printed papers & debossed motifs.
Housed in a heavy card portfolio. Purple lining papers/ribbon fastening.
Mastered by Denis Blackham
2015年6月28日日曜日
2015年6月14日日曜日
生田耕作関連－マンディアルグ著『満潮』のアルフォンス・イノウエ挿絵銅版画7葉
サバト館より刊行されたマンディアルグ著『満潮』のアルフォンス・イノウエ挿絵銅版画7葉。
同じサイズの用紙に刷られた美しい銅版画。2色刷が4葉と1色刷が3葉。
サバト館刊『満潮』特装30部本にはオリジナル銅版画が2葉綴じ込まれていますが、別にこの銅版画7葉が付いたものが何部かあるようです。
当店で以前にも同じ品を扱ったことがあり、この7葉セットが他にも何組かあるものと思われます。
（古書きとら）
2015年6月13日土曜日
音楽 ： Celer – I, Anatomy
Celer – I, Anatomy
Label: Streamline – STREAMLINE 1034
Format: 2 × Vinyl, LP
Country: US
Released: 04 Sep 2012
Genre: Electronic
Style: Field Recording, Abstract, Experimental, Ambient
Artwork – Christoph Heemann
Notes
Includes the 2007 EPs "All At Once Is What Eternity Is" and "The Die That's Caste", now together as they were originally intended.
2015年5月9日土曜日
2015年5月4日月曜日
2015年4月26日日曜日
音楽 ： The Dream Syndicate with La Monte Young / Day of the Holy Mountain(1964)
Day of the Holy Mountain(1964) （Bootleg)
レア音源集デジタルリマスター・ヴァージョン
Disc 1
Day of the Holy Mountain 1
Disc 2
Day of the Holy Mountain 2A
Day of the Holy Mountain 2B
La Monte Young, Marian Zazeela
Terry Jennings, Tony Conrad
John Cale, Angus Maclise
2015年4月22日水曜日
音楽 ： ESP-5007 The Uppercut: Matthew Shipp Mat Walerian Duo: Live at Okuden
ESP 5007
The Uppercut: Matthew Shipp Mat Walerian Duo: Live at Okuden
Matthew Shipp, the supreme jazz pianist of his generation, and Mat Walerian, the finest Polish jazz woodwind player of his, have combined their talents in concert on several occasions. This album documents one such event on May 15, 2012.
Shipp hardly needs an introduction at this point thanks to a career of over a quarter century, including not only many acclaimed albums under his own name but also a long and prominent tenure in the David S. Ware Quartet and a vast array of collaborations with the likes of Spring Heel Jack, Ivo Perelman, Sabir Mateen, Darius Jones, Joe Morris, Jemeel Moondoc, and more.
Walerian is the younger of the two, and because of that and Americans' myopia about foreign jazz masters, many jazz fans are not as familiar with his work as they are with Shipp's. We think that one listen to this album should convince everyone of the imaginative depth of his musical vision and the likelihood that he will soon be counted among the avant-jazz scene's international stars. Largely self-taught and deeply immersed in Eastern philosophy, his approach to improvisation is unique and compelling.
Personnel
Matthew Shipp: piano
Mat Walerian: alto saxophone, bass clarinet, soprano clarinet, flute
William Parker: liner notes
Track Listing
01. Introduction
02. Blues for Acid Cold
03. Jungle Meditation
04. Free Bop Statement One
05. Free Bop Statement Two
06. It's Sick Out There
07. Love and the Other Species
08. Peace and Respect
09. Black Rain
10. Encore
Liner Notes by William Parker
For the past 30 years Matthew Shipp has kept his music and musical associations true to himself and the higher laws of the universe. He has done this by having the courage play uncompromising music, unafraid to bring us tears and flowers wrapped up in the blues. Not intimidated by jazz history, Matthew has spent his life learning how to feel comfortable stepping into the unknown part of the tone world.
In this new album Matthew appears with Mat Walerian, whose playing reminds me of the Japanese paintings of Sesshu, full of fine lines, images, and sounds that tell haiku-like stories, arresting and mysterious. As the music progresses from clarinets to alto sax to flute, you can hear sound and space disrobe to reveal villages with beautiful clouds over trees laced with seraphic hues and birds dancing. The musicians are never concerned about style or genre. What do I call this music? One word comes to mind: "Exquisite.”"
Throughout his musical career, Shipp has been able to accomplish a rare thing. That is to be able to find the center in the music every time he plays. This music is more concerned with poetics because it is poetics, not technique or academics, that will allow the music to go inside and change the soul of the listener. It is transcendence of music that will lead us to transcendence. I enjoyed this music on many levels; the more I listen to it, the more layers of brilliance I discover. So remember, give it repeated listening; accept it for what it is, not for what it is not.
Mat Walerian plays some of most lovely and relaxed uncompromised beauty that I have ever heard in a long time. Now some might ask, who is this saxophone player? Who has he studied with, where does he come from? I say accept him, he loves music and has risen to his apex in this duet with Matthew Shipp. The most important thing is not who he studied with, the most important thing is that he is alive on the scene. Mat Walerian is one of the special ones, and along with Matthew Shipp they have created a new music called Elusive Beauty. I invite you to enjoy it and learn how to cherish life.
Press Quotes
"[Walerian] is one of the most talented young jazz musicians on the Polish scene, if not THE most talented." – Maciej Lewenstein, Polish Jazz Recordings and Beyond
"Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion." – Mark Corroto, All About Jazz
"Walerian‘s playing is rooted in the early free-jazz, with heavy echoes of bluesy tone. His lines can be jazzy in the spirit of post-bop as well as angular and abstract, he goes for more direct approach on alto, while searching for more sonic shades on bass clarinet. He tends for modest and minimal, selecting carefully the means of his expression ... his playing (is) warm, very melodic, while not being afraid of some tone and timbre explorations. Fresh and inspiring is the contrast between the free-jazz boiling section behind him and his cool, thoughtful lines and very jazz phraseology, moving from blues, bebop, free-bop up to some not too extreme free improv.“ – (Free) Jazz Alchemist
The Uppercut: Matthew Shipp Mat Walerian Duo: Live at Okuden
Matthew Shipp, the supreme jazz pianist of his generation, and Mat Walerian, the finest Polish jazz woodwind player of his, have combined their talents in concert on several occasions. This album documents one such event on May 15, 2012.
Shipp hardly needs an introduction at this point thanks to a career of over a quarter century, including not only many acclaimed albums under his own name but also a long and prominent tenure in the David S. Ware Quartet and a vast array of collaborations with the likes of Spring Heel Jack, Ivo Perelman, Sabir Mateen, Darius Jones, Joe Morris, Jemeel Moondoc, and more.
Walerian is the younger of the two, and because of that and Americans' myopia about foreign jazz masters, many jazz fans are not as familiar with his work as they are with Shipp's. We think that one listen to this album should convince everyone of the imaginative depth of his musical vision and the likelihood that he will soon be counted among the avant-jazz scene's international stars. Largely self-taught and deeply immersed in Eastern philosophy, his approach to improvisation is unique and compelling.
Personnel
Matthew Shipp: piano
Mat Walerian: alto saxophone, bass clarinet, soprano clarinet, flute
William Parker: liner notes
Track Listing
01. Introduction
02. Blues for Acid Cold
03. Jungle Meditation
04. Free Bop Statement One
05. Free Bop Statement Two
06. It's Sick Out There
07. Love and the Other Species
08. Peace and Respect
09. Black Rain
10. Encore
Liner Notes by William Parker
For the past 30 years Matthew Shipp has kept his music and musical associations true to himself and the higher laws of the universe. He has done this by having the courage play uncompromising music, unafraid to bring us tears and flowers wrapped up in the blues. Not intimidated by jazz history, Matthew has spent his life learning how to feel comfortable stepping into the unknown part of the tone world.
In this new album Matthew appears with Mat Walerian, whose playing reminds me of the Japanese paintings of Sesshu, full of fine lines, images, and sounds that tell haiku-like stories, arresting and mysterious. As the music progresses from clarinets to alto sax to flute, you can hear sound and space disrobe to reveal villages with beautiful clouds over trees laced with seraphic hues and birds dancing. The musicians are never concerned about style or genre. What do I call this music? One word comes to mind: "Exquisite.”"
Throughout his musical career, Shipp has been able to accomplish a rare thing. That is to be able to find the center in the music every time he plays. This music is more concerned with poetics because it is poetics, not technique or academics, that will allow the music to go inside and change the soul of the listener. It is transcendence of music that will lead us to transcendence. I enjoyed this music on many levels; the more I listen to it, the more layers of brilliance I discover. So remember, give it repeated listening; accept it for what it is, not for what it is not.
Mat Walerian plays some of most lovely and relaxed uncompromised beauty that I have ever heard in a long time. Now some might ask, who is this saxophone player? Who has he studied with, where does he come from? I say accept him, he loves music and has risen to his apex in this duet with Matthew Shipp. The most important thing is not who he studied with, the most important thing is that he is alive on the scene. Mat Walerian is one of the special ones, and along with Matthew Shipp they have created a new music called Elusive Beauty. I invite you to enjoy it and learn how to cherish life.
Press Quotes
"[Walerian] is one of the most talented young jazz musicians on the Polish scene, if not THE most talented." – Maciej Lewenstein, Polish Jazz Recordings and Beyond
"Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion." – Mark Corroto, All About Jazz
"Walerian‘s playing is rooted in the early free-jazz, with heavy echoes of bluesy tone. His lines can be jazzy in the spirit of post-bop as well as angular and abstract, he goes for more direct approach on alto, while searching for more sonic shades on bass clarinet. He tends for modest and minimal, selecting carefully the means of his expression ... his playing (is) warm, very melodic, while not being afraid of some tone and timbre explorations. Fresh and inspiring is the contrast between the free-jazz boiling section behind him and his cool, thoughtful lines and very jazz phraseology, moving from blues, bebop, free-bop up to some not too extreme free improv.“ – (Free) Jazz Alchemist
2015年3月29日日曜日
音楽 ： La Monte Young （Bootleg)
La Monte Young / The Celebration of Tortois 2CDR
レア音源集デジタルリマスター・ヴァージョン。（Bootleg)
The Celebration of the Tortois (1966)
La Monte Young, Marian Zazeela
Terry Riley, Tony Conrad
Oceans (1969)
La Monte Young, Marian Zazeela
42 for Henry Flynt (1965)
Peter Winkler, Gong
566 for Henry Flynt (1960)
David Tudor, Tamtam
On Remembering a Naiad (1956）
登録:
投稿 (Atom)