2021年5月4日火曜日
音楽 ： Anthony Moore－「World Service c/w Run Right Back」（UK）
元スラップ・ハッピーのアンソニー・ムーアの、1980年のレアな7インチシングル「World Service c/w Run Right Back」UKオリジナル盤です。（1980 UK DO IT DUN 22）
1981年の同曲の7インチ（DUN 16）とはジャケット違い、A面のヴァージョン違いに加えてB面の収録曲違いと、全て異なる1982年盤です。
いずれもCDのボーナストラックにもなっておらず、いまだにこの7インチでしか聞けません。
音楽 ： Anthony Moore - OUT
【Tracks】 【Credits】
1 Stitch In Time
Acoustic Guitar, Organ, Vocals Anthony Moore
Bass Steve Thompson
Drums Barry De Souza
Electric Guitar Andy Summers
Engineer Phil McDonald
Keyboards Fi Trench
Violin - Graham Preskett
2 A Thousand Ships
Bass Steve Thompson
Drums Barry De Souza
Engineer Phil McDonald
Organ - Graham Preskett
Piano, Vocals Anthony Moore
Slide Guitar, Electric Guitar Andy Summers
3 The River
Acoustic Guitar, Vocals Anthony Moore
Bass Steve Thompson
Drums Barry De Souza
Engineer Phil McDonald
Mandolin - Graham Preskett
Slide Guitar, Electric Guitar Andy Summers
4 Please Go
Arranged By David Bedford
Bass Kevin Ayers
Drums Eddie Sparrow
Engineer John Leckie, Phil McDonald
Piano, Vocals, Electric Guitar, Acoustic Guitar, Synthesizer Anthony Moore
Strings Mountain Fjord*
5 You Tickle
Acoustic Guitar Andy Summers
Bass Steve Thompson (2)
Drums Barry De Souza
Engineer Phil McDonald
Organ - Graham Preskett
Vocals, Electric Guitar Anthony Moore
6 Lover of Mine
Bass, Keyboards, Synthesizer, Vocals, Guitar Anthony Moore
Drums Eddie Sparrow
Engineer John Leckie
7 Johnny's Dead
Acoustic Guitar - Peter Blegvad
Bass Dave Wintour
Drums Eddie Sparrow
Engineer Alan Perkins, John Leckie
Lyrics By - Peter Blegvad
Piano, Vocals, Celesta, Synthesizer Anthony Moore
Saxophone - Ruan O'Lochlainn
Vocals Amanda Parsons, The Junior Coxhill Choir
8 Dreams of His Laughter
Bass Steve Thompson
Drums Barry De Souza
Electric Guitar Andy Summers
Engineer Phil McDonald
Guitar, Vocals Anthony Moore
Violin, Mandolin Graham Preskett
9 Catch A Falling Star
Acoustic Guitar, Vocals Anthony Moore
Arranged By David Bedford
Bass Steve Thompson
Drums Barry De Souza
Electric Guitar Andy Summers
Engineer Phil McDonald
Piano - Graham Preskett
Strings Mountain Fjord
Words By, Music By Lee Pockriss, Paul Vance
10 Wrong Again
Arranged By David Bedford
Bass Kevin Ayers
Drums Eddie Sparrow
Engineer John Leckie, Phil McDonald
Piano, Acoustic Guitar, Vocals, Synthesizer Anthony Moore
Strings Mountain Fjord
11 Driving Blind
Acoustic Guitar, Organ, Vocals Anthony Moore
Bass Steve Thompson
Drums Barry De Souza
Electric Guitar Andy Summers
Engineer Phil McDonald
Piano - Graham Preskett
12 The Pilgrim
Acoustic Bass Steve Thompson
Acoustic Guitar, Organ, Vocals Anthony Moore
Drums Barry De Souza
Engineer Phil McDonald
Piano - Graham Preskett
Slide Guitar, Electric Guitar Andy Summers
【Notes】
Sleeve design by Hipgnosis
【Item Details】
Label： Drag City
Item Number： DC 792
Release Year： 2020年
Format： 限定再発アナログ・レコード
2021年5月1日土曜日
音楽 ： Anthony Moore "The Only Choice"
スラップ・ハッピーのアンソニー・ムーアがAnthony Moreと名乗っていた時期（1984年）のレアな12インチシングル「The Only Choice c/w Judy Judy / O For The Ocean」UKオリジナル初回盤。
（1984 UK PARLOPHONE 12R 6081）
A面の哀愁の名曲「The Only Choice」の美しいオーボエ・ソロはドリーム・アカデミーのケイト・セント・ジョン、他の曲ではダグマーがバック・コーラスで参加しています。
B1「Judy Judy」は、79年のAnthony More名義の1st「Flying Doesn’t Help」に収録のこちらも名曲「Judy Get Down」のセルフ・リメイクです。
A1：The Only Choice
B1：Judy Judy
B2：O For The Ocean
（1984 UK PARLOPHONE 12R 6081）
A面の哀愁の名曲「The Only Choice」の美しいオーボエ・ソロはドリーム・アカデミーのケイト・セント・ジョン、他の曲ではダグマーがバック・コーラスで参加しています。
B1「Judy Judy」は、79年のAnthony More名義の1st「Flying Doesn’t Help」に収録のこちらも名曲「Judy Get Down」のセルフ・リメイクです。
A1：The Only Choice
B1：Judy Judy
B2：O For The Ocean
Anthony Moore "The Only Choice" [CD] |
ミニマル・ミュージックの名作[Pieces From The Cloudland Ballroom]、[Secrets Of The Blue Bag]でも有名な、Slapp Happyの創設メンバーにしてHenry Cowと協力し重要なムーヴメントを起こしてきた奇才Anthony John Moore。オリジナルは84年に異なるジャケットデザインにてリリースされた[The Only Choice]に、若干の曲入れ替え曲順変更を加えたBlueprintからの編集版。ニューウェーヴ、パンク精神を軸に独自のポップセンスをしっかりと落とし込んだ先鋭アートロック。 |
音楽 ： Anthony Moore & The Missing Present Band "The Present Is Missing"
Anthony Moore & The Missing Present Band "The Present Is Missing" [LP] |
Label: A-Musik - a39v Slapp Happyの創設メンバーにして、Henry Cowと協力し重要なムーヴメントを起こしてきた奇才Anthony John Moore。71年1st [Pieces From The Cloudland Ballroom]、 72年2nd [Secrets Of The Blue Bag]、共にソロ名作として知られていますが、本作はドイツA-Musikから2016年にリリースした、ほぼTherapeutische Horgruppe Kolnとメンバーが被る実験集団The Missing Present Bandとの共作。ピアノの点描演奏、それを引き伸ばした流麗な持続音も多く使用され、The Missing Present Bandが発する違和感のある様々な音響と絶妙なバランスで絡んで行きます。氏のミニマル作&アンビエント好きに激推しの一枚です。 a-Musik is honoured to present a new album by one of our all-time favourites, Anthony Moore. We've been faszinated by his work, both with Slapp Happy and solo, since quite a long time now, and are happy to release this LP with wonderful live recordings he did with The Missing Present Band in Cologne in late 2015. "In a surround-sound melee of songs, soundscapes and electrickery, time is sonified in an affectionate tribute to Laika, Belka, Strelka and the rest of their canine comrades who gazed into the heart of our galaxy. At the close of the year on a dark night, Anthony Moore & The Missing Present Band took to the stage of the Stadtgarten Cologne. It was the 7th November, 2015. Opening with 'PianoWaves', a fine gloom filled the sonosphere as the auditorium sank beneath the waves; the audience submerged in a bathyscaphe tri(e)ste; darkness is where you see most, out beyond the horizon and innerly. This first piece (originally assembled on ancient machines in the basement of New York underground movie-maker Steve Dwoskin and featured in David Larcher's first film 'Mare's Tail') was followed by 'The List'. The text, like a diary, recounts the processes that went into the making of the piece itself; a recursive, dry recitative, but embedded in a fertile landscape of electronic plantlife. Songs emerged; 'It's Fear that makes you weightless', a homage to the early EMS synthesizers of Peter Zinovieff. Next, 'Pulmonary Breath Sounds', a breathless rendition of a training manual for doctors studying the art of auscultation; listening with stethoscopes. Then came the immersive, multichannel salute to the Russian space dogs; a barkophonie orbiting planets in the black ocean of space." (Anthony Moore, from the liner notes) |
音楽 ： Anthony Moore & Therapeutische Horgruppe Koln "Ore Talks"
Anthony Moore & Therapeutische Horgruppe Koln "Ore Talks" [2LP + 20 page booklet] |
Label: KHM Slapp Happyの創設メンバーにして、Henry Cowと協力し重要なムーヴメントを起こしてきた奇才Anthony John Moore。71年1st [Pieces From The Cloudland Ballroom]、 72年2nd [Secrets Of The Blue Bag]、共にソロ名作として知られていますが、こちらはかなり実験的なテキスト・ベースの表現を行う集団Therapeutische Horgruppe Kolnと共に制作した2017年の2LPタイトル。地中奥深くに埋められた鉱物が地表へと奇妙な信号を発するという難解な？コンセプト掲げ、Anthony Mooreがテキストを朗読、他メンバーは様々な手法でエレクトロニクスやオブジェを使い奇怪なサウンドを紡いでいくという超クールなエレクトロアコースティック。GRM系からフィールドレコーディングまでに響く大推薦の一枚。ブックレットには本作のアイデアに関するテキストを掲載。 Lavish gatefold sleeve with booklet. a double LP of essentially electronic and noise-based pieces paired with astonishing texts spoken by the legendary Anthony Moore. The concept is that objects of value, artifacts or minerals, buried deep in the ground send strange signals through the earth up to the planet's surface. they are detected by the ears and instruments of miners, explorers and archaeologists who are tuned-in to the subterranean frequencies. the album contains a large booklet explaining this idea and feauring many pages of eccentric writing about sound." Few copies available. comes in gatefold sleeve with nice booklet |
音楽 ： 小杉武久
Slowscan's latest, a stunning, remastered vinyl edition of Takehisa Kosugi's New York, August 14, 1991 - expanded to include an entire second LP of recordings made by the composer with Ted Szànto in Amsterdam during 1979 - Bristles with energy, physicality, and immediacy, representing a highwater mark from one of the most important experimental composers of the last 100 years.
* Edition of 400 copies. Remastered audio * Of all the incredible artists to have emerged from Japan’s thriving scenes of avant-garde and experimental music, it is hard to call to mind a figure as iconic, visionary, or influential as the composer and performer Takehisa Kosugi. His work represents ground zero for nearly everything that has followed in its wake. Surprisingly, despite his position in history, Kosugi’s discography remains relatively underpopulated, with the majority of its scarce offerings almost impossible to obtain. In addition to incredible sounds, this positions Slowscan’s newly remastered and expanded LP - New York, August 14, 1991 - as an incredibly important event. Not only does it present the best sounding release of these recordings to date, but it expands to a double LP, with a never before issued series of recordings - Unnamed Information (I, II, III) - created with the vastly under-appreciated composer Ted Szànto in 1979. Yet another crucial offering from Slowscan that towers with historical importance, this one is impossible to recommend enough.
Takehisa Kosugi, who sadly passed away in 2018, first emerged onto Japan’s avant-garde music scene during the 1960s as a meter of the country’s first improvisational music collective, Group Ongaku, as well as being an important contributor to the Fluxus movement. In 1969, he founded the seminal outfit, The Taj Mahal Travellers - leaving his mark on the wilder avenues of psychedelia forever - before, in 1975, embarking on his first solo album, Catch Wave, easily among the most important and influential statements in all of experimental music.
Over the late 70s and across the 80s and 90s, Kosugi produced a small number of solo releases - partially due to his focus on live performance and general ambivalence regarding the value of audio documentation - as well as an equally slim number of collaborations with seminal figures like Toshi Ichiyanagi, Michael Ranta, Steve Lacy, Yuji Takahashi, Akio Suzuki, and a handful of others. Slowscan’s newly remastered and expanded LP, New York, August 14, 1991, roughly straddles the period of his greatest output, comprising stunning lives recordings from 1991 and 1979 respectively.
The first LP in the collections captures the composer performing live in his apartment in New York, and represents one of only a handful of authorized recordings of its kind. Utilizing pre-recorded environmental sounds recorded in the city of Ferrara, in Italy, various noises, sounds from the actual performance [a plastic bottle in which a small microphone is installed for pick up voice & other sounds], electronics, and a time-delay machine and pitch shifter, the work channels Kosugi’s long-standing desire to realign and revitalize human sensibility by jolting the mind through the operations of chance and spontaneity. The result is a startlingly visionary body of sound that stretches across 2 sides, gathering intricate, environmental ambiances and captured sonic fragments, deftly manipulated and infiltrated by electronic pulses and various other interventions, toward an immersive and cohesive sonic environment, that drowns the ear in sheets of detail.
The second LP in this collection comprised a never before released recording of a live improvisation made by Kosugi and the composer, Ted Szànto, entitled Unnamed Information (I, II, III), made in Amsterdam on June 12, 1979, that features Kosugi on violin & electronics and Szànto on tapes & electronics. Bordering on an ecstatic sonic assault of the highest order, the work’s 3 movements range from incredible arrangements of electronic noise and tonality to a stunning effort of vocalising musique concrete - all constructed with an incredible sense of immediacy and physicality - making the album easily one of the most noteworthy recordings from Kosugi to have emerged thus far.
2021年4月28日水曜日
美術 ： 月街星物園：まりの・るうにい著
月街星物園 著：まりの・るうにい
LIBRAIRIE6 2014年初版 展覧会図録 ハードカバー 189×121㎜ 57ページ稲垣足穂に捧げられたパステル画の宇宙世界。常闇の宇宙と輝く星が幻想的で静かな雰囲気を構築しています。
2021年4月26日月曜日
音楽 ： Peter Brötzmann Octet – Machine Gun
BR BR 2
A Machine Gun
B1 Responsibl
B2 Music For Han Bennink
Acoustic Bass Buschi Niebergall, Peter Kowald
Baritone Saxophone, Tenor Saxophone, Producer Peter Brtzmann
Drums Han Bennink, Sven-ke Johansson
Piano Fred Van Hove
Tenor Saxophone Evan Parker, Willem Breuker
Recorded May 1968/"Lila Eule"/Bremen
会社名など
- 録音 – Lila Eule
クレジット
- Acoustic Bass – Buschi Niebergall, Peter Kowald
- Baritone Saxophone, Tenor Saxophone, Producer – Peter Brötzmann
- Drums – Han Bennink, Sven-Åke Johansson
- Engineer – Gunther Zipelius*
- Piano – Fred Van Hove
- Tenor Saxophone – Evan Parker, Willem Breuker
ノート
Recorded May 1968/"Lila Eule"/Bremen
First edition of this record, privatly released by Peter Brötzmann.
Later reissued on FMP: Machine Gun
First edition of this record, privatly released by Peter Brötzmann.
Later reissued on FMP: Machine Gun
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