音楽 ： Captain Beefheart & His Magic Band ‎– Trout Mask Replica

Captain Beefheart & His Magic Band ‎– Trout Mask Replica

Third Man Records ‎– TMR 546, Third Man Records ‎– TMR 559, Bizarre Records ‎– none
Third Man Records Vault – Package 36
2 × Vinyl, LP, Album, Limited Edition, Reissue, Remastered, Special Edition, "Fruitcake Fish-Scale" Color, 180g
Vinyl, 7", Single, Special Edition, White
US
Jun 2018
Rock, Blues
Dialogue, Field Recording, Avantgarde, Electric Blues, Psychedelic Rock, Experimental

収録曲
Trout Mask Replica (TMR-546)
A1
Frownland
1:39
A2
The Dust Blows Forward 'N The Dust Blows Back
2:04
A3
Dachau Blues
2:21
A4
Ella Guru
Effects [Flesh Horn] – Antennae Jimmy Semens
2:23
A5
Hair Pie: Bake 1
4:57
A6
Moonlight On Vermont
Bass Guitar – Gary "Magic" Marker
3:55
B1
Pachuco Cadaver
4:37
B2
Bill's Corpse
1:47
B3
Sweet Sweet Bulbs
2:17
B4
Neon Meate Dream Of A Octafish
Horn [Simran Horn], Musette – Captain Beefheart
2:25
B5
China Pig
Guitar – Doug Moon
3:56
B6
My Human Gets Me Blues
2:42
B7
Dali's Car
1:25
C1
Hair Pie: Bake 2
2:23
C2
Pena
Lead Vocals – Antennae Jimmy Semens
2:31
C3
Well
2:05
C4
When Big Joan Sets Up
5:19
C5
Fallin' Ditch
2:03
C6
Sugar 'N Spikes
2:29
C7
Ant Man Bee
Saxophone [Simultaneous Tenor & Soprano] – Captain Beefheart
3:55
D1
Orange Claw Hammer
3:35
D2
Wild Life
3:07
D3
She's Too Much For My Mirror
1:42
D4
Hobo Chang Ba
2:01
D5
The Blimp (Mousetrap Replica)
Narrator – Antennae Jimmy Semens
Voice [Intro] – Frank Zappa
2:04
D6
Steal Softly Thru Snow
2:13
D7
Old Fart At Play
1:54
D8
Veteran's Day Poppy
Bass Guitar – Gary "Magic" Marker
4:30

Pachuco Cadaver / Wild Life (TMR-559)
E
Pachuco Cadaver
4:37
F
Wild Life
3:07

会社名など
Phonographic Copyright (p) – Zappa Family Trust
Copyright (c) – Zappa Family Trust
Licensed To – Third Man Records, LLC
Published By – Beefheart Music Co.
Recorded At – Sunset Sound Recorders
Recorded At – Whitney Recording Studios
Recorded At – The Magic Band House
Mastered At – Gateway Mastering
Lacquer Cut At – Bernie Grundman Mastering
Manufactured By – Pallas USA – 28129
Manufactured By – Pallas USA – 28130
Pressed By – Third Man Pressing

クレジット
Artwork [Vinyl Art Restoration] – Michael Mesker
Bass Clarinet, Vocals, Illustration [On Insert Sheet] – The Mascara Snake
Bass Guitar, Narrator – Rockette Morton
Design [Album Design], Photography By [Cover] – Cal Schenkel
Drums – Drumbo
Engineer, Technician [Electronic Modification Of Equipment] – Dick Kunc
Lacquer Cut By – CB*
Liner Notes [Insert Sheet Poem] – Don Van Vliet
Mastered By – Bob Ludwig
Photography By [Inside & Back Cover] – Ed Caraeff
Producer – Frank Zappa
Production Manager – Mealanie Starks
Slide Guitar [Glass Finger Guitar], Flute – Zoot Horn Rollo
Slide Guitar [Steel Appendage Guitar] – Antennae Jimmy Semens
Vocals, Tenor Saxophone, Soprano Saxophone [Saxophones Played Simultaneously] – Captain Beefheart
Written-By – Captain Beefheart

ノート
Vault Package #36 contains:
Special Edition Vinyl LP
Special Edition 7"
Replica Trout Mask
Trout Mask Replica Patch
Tote Bag
Jack White Epitaph (Blue, Purple, Yellow, Orange, Red, or Gray)
Note - This package can contain one of the six different colors.

Reissue notes from the reproduced lyric sheet:
‘2018 Vinyl Art Restoration: Michael Mesker
Special thanks to Paul R. Dickinson Jr. for providing us with the original Trout Mask Replica cover photograph which we thought had been lost to time.
Production Manager: Mealanie Starks

2012 return by W.B. Note: The years in storage in Warners were not kind to Trout Mask Replica. The masters seriously suffer from oxide loss, primarily at the head of each of the four master reels. Fortunately, FZ had Dick Kunc make ‘safties.’ These actually sound better than the Originals and are in excellent condition but alas, incomplete. This edition of Trout Mask Replica is from the ZFT Vault protection copies, transferred at 96K 24B, except for Frownland and Hair Pie: Bake 2 which are from the original damaged master tapes transferred to direct digital at UMRK.
DSD workstation provided by Gus Skinas, Super Audio Center.
Vaultmeisterment & Transfers by Joes Travers, UMRK, 2012.

Mastered by Bob Ludwig, Gaterway Mastering, 2012.
Cut by Chris Bellman, Bernie Grundman Mastering, 2013.”

From the insert:
"Special Edition Vinyl LP
Out of print on vinyl for nearly ten years, this remaster was helmed by industry legend Bob Ludwig and cut by the estimable Chris Bellman at Bernie Grundman Mastering. Utilizing crystalline-quality safety masters kept in the Zappa family vault for decades by the trustworthy Joe Travers, the audio here is positively glorious. Every last skronk breathes full life into the room. Every twisted guitar figure uncurls onto paths previously unpaved. Every last bark and howl shines resolute through the vast emptiness of your mind.

Previous countless Trout Mask Replica repressings have used scans of scans of scans of the cover image, but for Vault Package #36 the original Cal Schenke cover photo has been tracked down and reproduced at its clearest - its resolution from the original release in 1969. If you've only ever seen a jpg online of fuzzy, smeared-looking CD issues from the 90's, be prepared to be wowed by the fully engaging spectrum this iconic image casts. This 2xLP is pressed on heavyweight 180-gram fruitcake fish-scale colored vinyl for that full-on frenetic feeling."

バーコードとその他の識別子
Matrix / Runout (Side A runout, hand-etched): FVZ-2013-3-A2 ZAPPA.COM TMR-546-A CB -28129- P.USA
Matrix / Runout (Side B runout, hand-etched): FVZ-2013-3-B-RE ZAPPA.COM TMR-546-B CB -28129- P.USA
Matrix / Runout (Side C runout, hand-etched): FVZ-2013-3-C2 ZAPPA.COM TMR-546-C CB -28130- P.USA
Matrix / Runout (Side D runout, hand-etched): FVZ-2013-3-D2 ZAPPA.COM TMR-546-D CB -28130- P.USA
Matrix / Runout (Side E runout, hand-etched): TMR -559-A CB
Matrix / Runout (Side F runout, hand-etched): TMR -559-B CB
Rights Society: BMI

音楽 ： Don Pullen - Milford Graves ‎– In Concert At Yale University

Don Pullen - Milford Graves ‎– In Concert At Yale University

SRP Records ‎– PG-286
Vinyl, LP, Limited Edition
US
1966
Jazz
Avant-garde Jazz, Free Improvisation

収録曲
A
P.G. I
18:44
B
P.G. II
23:00

会社名など
Copyright (c) – Pullen-Graves Music – PG-286

クレジット
Percussion – Milford Graves
Piano – Don Pullen

ノート
Very limited release with individually designed and hand-painted cover art created by one of the musicians.

バーコードとその他の識別子
Matrix / Runout (Etched in A-side runout): PG-287 LW
Matrix / Runout (Etched in B-side runout): PG-288 LW

音楽 ： ALBERT AYLER TRIO－Spiritual Unity

AYLER TRIO, ALBERT
Spiritual Unity
LP

ESP-DISK
ESPDISK 1002LP
RELEASE DATE
5/4/2009

2019 repress. LP version. 180 gram virgin vinyl. Pressed in the United States with original artwork restored. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, less regard for standard pitch, and no obligation to present a regular beat. Ayler's sound was unprecedented, much rawer than any other jazz of the time. Sometimes it was expressed in squalls of untempered sound, sometimes in outbursts of poignant spontaneous melody. Meanwhile, under and around the leader's unfettered self-expressions, bassist Gary Peacock and drummer Sunny Murray reinvented the roles of their instruments.

AYLER TRIO, ALBERT
Spiritual Unity
CD

ESP-DISK
ESPDISK 1002CD
RELEASE DATE
2/28/2005

2020 repress; expanded reissue. Spiritual Unity, recorded on July 10, 1964, is the album that made Albert Ayler and ESP-Disk' famous (or, in some people's eyes/ears, infamous). Mr. Ayler had already recorded in Europe and, in February '64, in New York, but this was the first album on which neither he nor his collaborators held back. It was also ESP's first jazz recording. Spiritual Unity presented a new improvisation paradigm: looser structure, less regard for standard pitch, and no obligation to present a regular beat. Ayler's sound was unprecedented, much rawer than any other jazz of the time. Sometimes it was expressed in squalls of untempered sound, sometimes in outbursts of poignant spontaneous melody. Meanwhile, under and around the leader's unfettered self-expressions, bassist Gary Peacock and drummer Sunny Murray reinvented the roles of their instruments. This 50th Anniversary Expanded Edition includes as a bonus the track briefly substituted for "Spirits" on an early vinyl edition. It is the same tune known as "Vibrations" on the album of that title on Arista/Freedom (aka Ghosts when issued on Debut) and as "[tune Q]2" on the Revenant box set Holy Ghost. This is the first time both "Spirits" and "Vibrations" have been on an ESP edition of Spiritual Unity.

音楽 ： Prince Lasha Quintet Featuring Sonny Simmons ‎– The Cry!

Prince Lasha Quintet Featuring Sonny Simmons ‎– The Cry!

Contemporary Records ‎– S7610
Vinyl, LP, Album, Stereo, Black Labels
US
1963
Jazz
Modal, Contemporary Jazz, Post Bop

収録曲
A1
Congo Call
5:02
A2
Bojangles
7:00
A3
Green And Gold
4:52
A4
Ghost Of The Past
4:49
B1
Red's Mood
5:04
B2
Juanita
5:32
B3
Lost Generation
5:15
B4
A. Y.
4:46

会社名など
Recorded At – Contemporary Records
Copyright (c) – Contemporary Records, Inc.
Published By – Contemporary Music

クレジット
Alto Saxophone – Sonny Simmons
Bass – Gary Peacock, Mark Proctor (tracks: A1, A3 to B2)
Composed By – Prince Lasha, Sonny Simmons
Design [Cover] – George Kershaw
Drums – Gene Stone
Flute – Prince Lasha
Photography By – Roger Marshutz
Producer, Liner Notes – Lester Koenig
Recorded By [Sound By] – Howard Holzer

ノート
This is the original first issue with (greenish) black labels.

Recorded at Contemporary Records, Los Angeles, November 21, 1962.

美術 ： 作品集 眼球譚(バタイユ) 山本六三

作品集　眼球譚(バタイユ)　山本六三

書籍 ： 生田耕作訳 眼球譚

本六三銅版画2葉特装本 生田耕作訳 眼球譚 限定 署名 函

1977年12月、サバト館より、限定60部発行のうち49番。山本六三オリジナル銅版画2葉（うち一葉にサイン記番）入の特製本

音楽 ： La Monte Young / The Just Alap Raga Ensemble 2013

La Monte Young / The Just Alap Raga Ensemble 2013

La Monte Young, Marian Zazeela, Jung Hee Choi, Naren Budhkar
1. Raga Darbari
La Monte Young, voice
Marian Zazeela, voice
Jung Hee Choi, voice, composer
Naren Budhkar, tabla

2. Tonecycle Base 30 Hz, 2:3:7
Version 09 14 2013 NYC
La Monte Young, voice
Marian Zazeela, voice
Jung Hee Choi, voice, composer
77 Sine wave frequencies

Recorded on September 7 and 14, 2013 in the MELA Dream Housei, NYC, 2013

音楽 ： various artists－Come Organisation (Box-set)

various artists
Come Organisation (Box-set)
€ 360.00
LABEL: Vinyl-On-Demand
GENRE: Electronic | FORMAT: Box Set | CATALOG N. VOD157 | YEAR. (2020)

585 copies limited edition box-set, already sold-out on pre-orders at the label. We managed to get the last copies available. Heavyweight item, price includes tracked shipping worldwide. Pre-order, shipping in late January.**

Since their launch shortly after the outset of the new millennium, few labels working within the territories of the vinyl reissue and archival release, have reached the heights charted by Vinyl On Demand. Beyond the greatest quality and care embedded within their efforts - redefining the idea of deluxe, they have elevated countless remarkable and overlooked creative gestures from the shadows of history, entirely recalibrating the legacies of music which exists outside of mainstream interest, placing the diverse actions of the underground in conversation with each other. Their catalog is among the most dazzling that can be called to mind.Of all the releases compiled by the label in the last few years, this one is by some distance their biggest coup. It almost seems impossible, but for this wonderful Come Organisation box-set they have managed to raise their own incredibly high bar again.

The Come Organisation was a record label founded in London in 1979, initially as a vehicle for the group Come. In 1978 Come had recorded their first single, Come Sunday / Shaved Slits, and were unable to find a label willing to release it. Influenced by Industrial Records (Throbbing Gristle's label) and Ralph Records (The Residents' label), William Bennett opted to self-release the single.
Come ceased to exist in 1980 (even though the I'm Jack LP was released in 1981) as the band morphed into Whitehouse. Come Organisation would become known as a label specialized in extreme electronic music, showcased by the releases of Sutcliffe Jugend and Leibstandarte SS MB in addition to Whitehouse.

Celebrating the label’s 40th Anniversary of its first release in November 1979, Vinyl On Demand is now proud to bring us the release of an ultimate deluxe retrospective set including 9x LPs in folder format with special sleeves + bonus Examples of Cannibalism 10" vinyl + a beautiful 212pp book + a truly massive poster. All of this is housed in a stunning embossed slipcase holder.
The book included in this limited edition box-set contains masses of unseen archive photos, posters, artist bios, stories, notes and all the Kata zines. Please note this is in a strictly limited edition of 585 signed copies with special certificate.

Box includes the following items:

- Come "Rampton" (LP)
- Various Artists "The Second Coming" (LP)
- William Bennett / Steve Stapleton "The 150 Murderous - Passions" (LP)
- Come "I'm Jack" (LP)
- The New Order Bradford Red Light District (LP)
- Whitehouse "Buchenwald" (LP)
- Whitehouse "New Britain" (LP)
- Various Artists "Fur Ilse Koch" (LP)
- Whitehouse "Psychopatia Sexualis" (LP)
- Whitehouse "Right To Kill" (LP)
+
- Come Organisation book in hardback cover, 212 pp
- Massive poster (about cm 60x90)
- Examples of Cannibalism (10" vinyl)
- Come Organisation T-shirt
- Come Organisation logo metal enamel badge
- numbered certificate signed by William Bennett