美術 ： 作品集 眼球譚(バタイユ) 山本六三

作品集　眼球譚(バタイユ)　山本六三

書籍 ： 生田耕作訳 眼球譚

本六三銅版画2葉特装本 生田耕作訳 眼球譚 限定 署名 函

1977年12月、サバト館より、限定60部発行のうち49番。山本六三オリジナル銅版画2葉（うち一葉にサイン記番）入の特製本

音楽 ： La Monte Young / The Just Alap Raga Ensemble 2013

La Monte Young / The Just Alap Raga Ensemble 2013

La Monte Young, Marian Zazeela, Jung Hee Choi, Naren Budhkar
1. Raga Darbari
La Monte Young, voice
Marian Zazeela, voice
Jung Hee Choi, voice, composer
Naren Budhkar, tabla

2. Tonecycle Base 30 Hz, 2:3:7
Version 09 14 2013 NYC
La Monte Young, voice
Marian Zazeela, voice
Jung Hee Choi, voice, composer
77 Sine wave frequencies

Recorded on September 7 and 14, 2013 in the MELA Dream Housei, NYC, 2013

音楽 ： various artists－Come Organisation (Box-set)

various artists
Come Organisation (Box-set)
€ 360.00
LABEL: Vinyl-On-Demand
GENRE: Electronic | FORMAT: Box Set | CATALOG N. VOD157 | YEAR. (2020)

585 copies limited edition box-set, already sold-out on pre-orders at the label. We managed to get the last copies available. Heavyweight item, price includes tracked shipping worldwide. Pre-order, shipping in late January.**

Since their launch shortly after the outset of the new millennium, few labels working within the territories of the vinyl reissue and archival release, have reached the heights charted by Vinyl On Demand. Beyond the greatest quality and care embedded within their efforts - redefining the idea of deluxe, they have elevated countless remarkable and overlooked creative gestures from the shadows of history, entirely recalibrating the legacies of music which exists outside of mainstream interest, placing the diverse actions of the underground in conversation with each other. Their catalog is among the most dazzling that can be called to mind.Of all the releases compiled by the label in the last few years, this one is by some distance their biggest coup. It almost seems impossible, but for this wonderful Come Organisation box-set they have managed to raise their own incredibly high bar again.

The Come Organisation was a record label founded in London in 1979, initially as a vehicle for the group Come. In 1978 Come had recorded their first single, Come Sunday / Shaved Slits, and were unable to find a label willing to release it. Influenced by Industrial Records (Throbbing Gristle's label) and Ralph Records (The Residents' label), William Bennett opted to self-release the single.
Come ceased to exist in 1980 (even though the I'm Jack LP was released in 1981) as the band morphed into Whitehouse. Come Organisation would become known as a label specialized in extreme electronic music, showcased by the releases of Sutcliffe Jugend and Leibstandarte SS MB in addition to Whitehouse.

Celebrating the label’s 40th Anniversary of its first release in November 1979, Vinyl On Demand is now proud to bring us the release of an ultimate deluxe retrospective set including 9x LPs in folder format with special sleeves + bonus Examples of Cannibalism 10" vinyl + a beautiful 212pp book + a truly massive poster. All of this is housed in a stunning embossed slipcase holder.
The book included in this limited edition box-set contains masses of unseen archive photos, posters, artist bios, stories, notes and all the Kata zines. Please note this is in a strictly limited edition of 585 signed copies with special certificate.

Box includes the following items:

- Come "Rampton" (LP)
- Various Artists "The Second Coming" (LP)
- William Bennett / Steve Stapleton "The 150 Murderous - Passions" (LP)
- Come "I'm Jack" (LP)
- The New Order Bradford Red Light District (LP)
- Whitehouse "Buchenwald" (LP)
- Whitehouse "New Britain" (LP)
- Various Artists "Fur Ilse Koch" (LP)
- Whitehouse "Psychopatia Sexualis" (LP)
- Whitehouse "Right To Kill" (LP)
+
- Come Organisation book in hardback cover, 212 pp
- Massive poster (about cm 60x90)
- Examples of Cannibalism (10" vinyl)
- Come Organisation T-shirt
- Come Organisation logo metal enamel badge
- numbered certificate signed by William Bennett

音楽 ： Thollem/Parker/Cline－Gowanus Sessions II(ESP-Disk')

Thollem/Parker/Cline
Gowanus Sessions II

ADVANCE ORDER: January 31, 2020 release
Gowanus Session II was seven years in the planning. Thollem, Nels Cline, and William Parker convened at Peter Karl Studios in Brooklyn on January 3rd, 2012 and recorded two complete albums. The first was Gowanus Session I, released by Porter Records in April of that year. GS II was put aside to eventually complete the five-album palindromic cycle of trio albums Nels and Thollem ambitiously set out to realize. The albums in between include Radical Empathy with Michael Wimberly (Relative Pitch), Molecular Affinity with Pauline Oliveros (Roaratorio), and Reality and Other Imaginary Places, with Michael Wimberly (ESP-Disk').
William Parker debuted on ESP-Disk' in the mid-'70s on Frank Lowe's classic album Black Beings (ESP3013), with additional material from that session released as The Loweski (ESP4066). He returned to the label this century with Mat Walerian's group Toxic (ESP5011) and in a quartet with Ivo Perelman, Matthew Shipp, and Bobby Kapp (ESP5036), while being highly prolific as a leader, notably with a series of brilliant albums on AUM Fidelity. Nels Cline has spent decades changing people's ideas about the role of the electric guitar in multiple contexts, ranging from Wilco to Anthony Braxton (think about that!) as well as many projects as a leader, earning a spot on Rolling Stone's Top 100 Guitarists list. Thollem is a perpetually traveling pianist, keyboardist, composer, improviser, singer-songwriter, activist, author and teacher. He's spent most of his adult life living on the road throughout North America and Europe. His work is ever-changing, evolving and responding to the times and his experiences, both as a soloist and in collaboration with hundreds of artists across idioms and disciplines. Thollem is known internationally as an acoustic piano player in the free jazz and post-classical worlds, as the lead vocalist for the Italian agit-punk band Tsigoti (ESP4057), and as an electronic keyboardist through a multitude of projects.

Track 1/Side A: Life in the World 18:42
Track 2/Side B: World in a Life 18:49

William Parker, bass
Nels Cline, electric guitar/effects
Thollem McDonas, piano
All compositions by Thollem McDonas, William Parker, Nels Cline

Recorded January 3, 2012 at Peter Karl Studios, Gowanus Arts Building, Brooklyn, NY
Mastering by Scott Anthony at Storybook Sound

Press Quotes:
"Glaring expressionism coupled with rip-roaring layers of acoustic-electric sound-sculpting maneuvers yield the bountiful fruit on this manifold studio date. ... The artists align their wares via a feeling out process, energized by Cline's note-bending exercises and strings scraping techniques, leading to a spiraling improvisational fest, designed with overlapping statements and intense three-way conversations. Lucid imagery remains a continuum as the trio's linear onslaughts intimate harrowing backdrops, abetted by Parker's creaky and ominously designed phrasings." - Glenn Astarita, All About Jazz

"Thollem's playing reminds me of early Cecil Taylor a la "Looking Ahead". Although it's less dissonant overall, he certainly displays a similar physical approach. Parker is both the glue holding the music together and the wedge pushing it apart while Nels Cline seems to choose his battles, alternating between pervasive texture and carefully spaced punctuations." - Matt Schulz, The Squid's Ear
Musicians: Thollem McDonas / Nels Cline / William Parker

音楽 ： Andrew Chalk－Painted Screens

Andrew Chalk 10′ LP Painted Screens
Andrew Chalk
10”/25cm LP ‘Painted Screens’
Label : An’archives
Réf : [ An’08 ]
Edition of 250 copies in tipped-on sleeves with Japanese obi, insert and postcard. Entirely handmade sleeve edition of Painted Screens – designed & assembled at Impression Lointaine.
In this album (originally released in 2014), newly remastered for this vinyledition, Andrew Chalk plays musical arrangements along with Federico Durand, Daisuke & Naoko Suzuki, Francis Plagne & Timo Van Luijk.
Music box : intimate music with a large palette of instruments ; Voices and sounds, mixed feelings and mysteries…A window opened on travelling memories, half-awakened thoughts and shared moments – dreamed and nocturnal wandering atmospheres, with undulating rays sporadically lighting a subconscious painting.

Cedar slipcase edition, handmade and silk-screened by Alan Sherry
Limited to 40 copies

音楽 ： Andrew Chalk－The River That Flows Into The Sands

The River That Flows Into The Sands
Monotypes by Andrew Chalk

Presented in a heavy board, quarter clothbound portfolio, each with an original frontispiece graphic and containing five original monotypes of each (300 X 400 mm) : printed on 240 gsm ivory litho paper, loose
mounted on archival black mounts
The monotypes are based on the graphic sleeves of the music album of the same name released by Faraway Press in 2005/2018. This collection further expands the nuances of literal and inferred landscape subjects
began thirteen years' ago in a more thoughtful and subjective association.
Each monotype is very much unique by virtue of the process and also a development of the subject, but retains a common thread of incorporeal presence to viewer and printmaker alike.

The River That Flows Into The Sands was entirely hand printed and bound into portfolios in January 2018 and is
available in an edition of 20 signed and numbered copies only.
Portfolio size is approx. 40 X 31 cms and is a substantial piece.

音楽 ： ELODIE : Le nid d'ivoire

ELODIE : Le nid d'ivoire

音楽 ： Vivenza ‎– Réalités Servomécaniques

Vivenza ‎– Réalités Servomécaniques

Electro Institut ‎– 74014
Vinyl, LP, Album
France
1985
Electronic
Industrial, Noise, Musique Concrète, Experimental

収録曲
A1
Prolétariat & Industrie
9:00
A2
Mécanismes Du Bruit
5:58
A3
Automatismes Concrets
8:37
B1
Matérialité Objective
6:00
B2
Unité Des Machines
9:02
B3
Réalités Servomécaniques
5:02

会社名など
Printed By – SNA

クレジット
Composed By [Auteurs Compositeurs] – J-Marc Vivenza

ノート
Comes with an A4 insert.

On the labels, the title of the album and track B3 are three words: "Réalités Servo Mécaniques".

バーコードとその他の識別子
Matrix / Runout (Side A): 74014 A Y.D.
Matrix / Runout (Side B): 74014 B Y.D.
Rights Society: SACEM SACD SDRM SGDL

音楽 ： Norio Sato Plays Takahashi & Kondo ‎– Plays Takahashi & Kondo

Norio Sato Plays Takahashi & Kondo ‎– Plays Takahashi & Kondo

ALM Records ‎– AL-12
Vinyl, LP
Japan
1977
Classical
Contemporary

収録曲
A1
Metatheses
Composed By – Yuji Takahashi
Guitar – Norio Sato
11:27
A2
John Dowland Returns
Composed By – Yuji Takahashi
Guitar – Norio Sato
Narrator – John Haylock
10:35
B1
Knots
Composed By – Jo Kondo
Cowbell [Seven Cowbells] – Yasunori Yamaguchi
Electric Piano – Yohko Higuchi
Guitar – Kazuhiko Ogawa, Norio Sato
11:41
B2
Sight Rhytmics
Banjo – Norio Sato
Composed By – Jo Kondo
Conductor – Ryoichi Kawai
Electric Piano – Aki Takahashi
Steel Drums – Yasunori Yamaguchi
Tuba – Ikuzo Tado
Violin – Isako Shinozaki
10:50

会社名など
Recorded At – Iruma Shimin Kaikan
Recorded At – Arakawa Kumin Kaikan

Recorded at Iruma-shimin-kaikan on May 26, 1976 (A1, A2), and at Arakawa-kumin-kaikan on March 24, 1977 (B1) and June 29. 1976 (B4).

音楽 ： BEAUSOLEIL, BOBBY－Lucifer Rising

BEAUSOLEIL, BOBBY
Lucifer Rising (Deluxe Limited Box)
LP BOX

LABEL
RUSTBLADE
CATALOG #
RBL 072BOX
GENRE
SOUNDTRACK
RELEASE DATE
11/22/2019

Limited box edition. "Limited gold vinyl, limited picture vinyl with unreleased bonus material, CD, 2 postcards, two posters, gold pendant with bag, insert with liner notes by Bobby Beausoleil. Limited 149 copies."

音楽 ： Franz Koglmann / Bill Dixon ‎– Opium For Franz

Franz Koglmann / Bill Dixon ‎– Opium For Franz

Pipe Records ‎– PR 152
Vinyl, LP, Album
Austria
1977
Electronic, Jazz
Free Jazz, Free Improvisation, Experimental

収録曲
A
For Franz
Bass – Alan Silva
Composed By, Trumpet – Bill Dixon
Cymbal – Muhammad Malli
Tenor Saxophone – Steve Horenstein
17:04
B1
Der Vogel, Opium (To Jean Cocteau)
6:38
B2
Carmilla (To Sheridan Le Fanu)
4:56
B3
Karl Und Das Löschpapier (To Konrad Bayer)
Bass – Toni Michlmayr
Computer – Gerd Geier
8:47

会社名など
Published By – Metamorphosis Music
Recorded At – Tonstudio Heinz
Recorded At – Studio Acousti

クレジット
Bass – Cesarius Alvim Botelho (tracks: B1 to B2)
Composed By – Franz Koglmann (tracks: B1 to B3)
Cover, Painting – Franz Koglmann
Design – Margit Koglmann
Drums – Aldo Romano (tracks: B1 to B2)
Engineer – Clement Ziegler* (tracks: B1 to B2), Herbert Giesser (tracks: A, B3)
Engineer [Assistant] – Jean-Bernard Ple* (tracks: B1 to B2)
Flugelhorn – Franz Koglmann (tracks: B1 to B2)
Soprano Saxophone – Steve Lacy (tracks: B1 to B2)
Trombone – Joseph Traindl (tracks: B1 to B2)
Trumpet – Franz Koglmann (tracks: A, B3)

ノート
Recorded at Studio Heinz, Vienna, November 3, 1976

Hand-painted front cover & signed (front & back), with booklet
バーコードとその他の識別子
Rights Society: BMI
Rights Society: AKM

Franz Koglmann / Bill Dixon ‎– Opium For Franz

Black-Monk ‎– BMLP-02
Vinyl, LP, Album, Limited Edition, Reissue
Austria
Mar 2019
Electronic, Jazz
Free Jazz, Free Improvisation, Experimental

収録曲
A1
For Franz
17:04
B1
Der Vogel, Opium (To Jean Cocteau)
6:38
B2
Carmilla (To Sheridan Le Fanu)
4:56
B3
Karl Und Das Löschpapier (To Konrad Bayer)
8:47

会社名など
Published By – Metamorphosis Music
Recorded At – Tonstudio Heinz
Recorded At – Studio Acousti
Manufactured By – R.A.N.D. Muzik
Distributed By – Black-Monk
Phonographic Copyright (p) – Black-Monk
Copyright (c) – Black-Monk

音楽 ： Franz Koglmann With Steve Lacy ‎– Flaps

Franz Koglmann With Steve Lacy ‎– Flaps

Pipe Records ‎– PR 151
Vinyl, LP, Album
Austria
1973
Electronic, Jazz
Free Jazz, Abstract, Experimental

収録曲
A1
Flaps (To Pee Wee Russel)
Composed By – Steve Lacy
6:15
A2
Misera Plebs, Take 1
Composed By – Muhammad Malli
3:28
A3
Misera Plebs, Take 2
Composed By – Muhammad Malli
2:43
A4
Bowery 1
Composed By – Franz Koglmann
5:38
B1
Steirish WC Nr. 2
Composed By – Franz Koglmann
4:12
B2
Flops (To Charles Chaplin)
Composed By – Steve Lacy
5:07
B3
Bowery 2
Composed By – Franz Koglmann
5:00
B4
Hommage To An Old Raincoat (To Fritz Kotrba)
Composed By – Franz Koglmann
4:52

会社名など
Recorded At – Mueller's Sound Studio 1
Produced For – Pipe Records
Recorded At – Mueller's Sound Studio 1

クレジット
Bass – Toni Michlmayr
Design, Photography By – Margit Koglmann
Drums – Muhammad Malli
Electronics – Gerd Geier
Engineer – Peter J. Mueller
Photography By – Christl Högler, Hubert Schatzl, Walter Angerer, Werner Hofer
Soprano Saxophone – Steve Lacy
Trumpet, Flugelhorn – Franz Koglmann

ノート
Recorded April 26, 1973, Mueller Sound Studio 1, Vienna.

Tracks A1, A4, B2 and B3 re-released on Opium