2019年11月26日火曜日

音楽 : Paul Haines ‎– Darn It!


Paul Haines ‎– Darn It!

American Clavé ‎– AMCL 1014/18 2
2 × CD, Album
Germany
1993
Jazz, Non-Music, Classical
Avant-garde Jazz, Spoken Word, Contemporary

収録曲
1-1
Threats That Matter
Engineer – David Stone
Music By – Paul Bley
Piano – Paul Bley
3:05
1-2
Curtsy
Keyboards, Percussion, Voice – Robert Wyatt
Music By – Robert Wyatt
Soprano Saxophone – Evan Parker
5:07
1-3
What This Was Going To Suppose To Mean
Music By – Evan Parker
Soprano Saxophone – Evan Parker
Voice – Carmen Lundy
1:51
1-4
Funnybird Song
Arranged By [Music Box] – John Oswald
Music By – Carla Bley
Producer, Engineer – John Oswald
1:44
1-5
Outside The City
Bass – Melvin Gibbs
Drums – Richard Harrington
Engineer – David Stone
Music By – Melvin Gibbs
Piano – Derek Baynes
Producer – Greg Iron-man Tate*
Voice – DK Dyson
2:22
1-6
Art In Heaven
Music By – Derek Bailey
Voice, Guitar – Derek Bailey
2:35
1-7
Rawalpindi Blues
Bass, Voice – Jack Bruce
Drums [Trap Drums] – Marvin "Smitty" Smith, Robbie Ameen*
Engineer – Mike Krowiak
Guitar – Leo Nocentelli
Music By – Carla Bley
Piano – Don Pullen
5:10
1-8
Sticks In The Mud
Bass – Jay Stringer
Drums – Marque Gilmore
Engineer – David Stone
Guitar – Jesse Henry
Music By – Gregory Tate
Percussion – Ben Nitza
Producer – Greg Iron-man Tate
Saxophone – Mike Veal
Trumpet – Lewis Barnes
Voice – Alva Rogers
5:32
1-9
There Aren't These Things Questionable All Over
Drums [Trap Drums] – Andrew Cyrille
Engineer – Mike Krowiak
Music By – John Tchicai
Tenor Saxophone – John Tchicai
4:10
1-10
Les Paramedicaux Erotiques
Alto Saxophone – Henry Threadgill
Drums – JT Lewis
Engineer – John Fausty, Pierre-Antoine Watteau, Xavier Berbudeau
Music By – Kip Hanrahan, Peter Scherer
Piano, Keyboards – Peter Scherer
Voice – Silvana Deluigi
4:18
1-11
Jubilee
Bass – Andy Gonzalez
Drums [Trap Drums] – Ignacio Berroa
Engineer – David Stone
Music By – Michel Contat
Piano – Daniel Frieberg
Tenor Saxophone – David Sanchez
Voice – Michel Contat
5:15
1-12
On The Way To Elsewhere And Here
Bass – Steve Swallow
Dobro – Gary Lucas
Drums [Trap Drums] – Robbie Ameen
Engineer – Jon Fausty
Music By – Mary Margaret O'Hara
Voice – Mary Margaret O'Hara
3:33
1-13
Inexplicably
Drums – Borneo Drummers
Engineer – Mike Krowiak, Yale Evelev
Music By – Borneo Drummers, John Tchicai
Soprano Saxophone – John Tchicai
1:26
1-14
Poem For Gretchen Ruth
Bass – David Hofstra
Drums – Bobby Previtte
Engineer – Jon Fausty
Music By – George Cartwright
Piano – Wayne Horvitz
Voice – Alex Chilton
0:46
2-1
Just When I Thought
Engineer – Michel Contat, Paul Haines
Voice – Michel Contat
0:08
2-2
This Dedication
Bass – Andy Gonzalez
Drums [Trap Drums] – Marvin "Smitty" Smith
Engineer – Mike Krowiak
Music By – John Tchicai
Tenor Saxophone – John Tchicai
0:50
2-3
Threats That Count
Engineer – David Stone
Music By – Paul Bley
Piano – Paul Bley
4:01
2-4
What This Was Going To Suppose To Mean
Music By – Evan Parker
Soprano Saxophone – Evan Parker
Voice – Carmen Lundy
2:17
2-5
Breakfast
Bass, Organ, Piano – Steve Swallow
Drums [Trap Drums] – Robbie Ameen
Engineer – Jon Fausty
Music By – Steve Swallow
Piano – DD Jackson
Voice – Mary Margaret O'Hara
3:36
2-6
Snow Variations On Darn It!
Engineer – Michael Snow
Music By – Michael Snow
Piano – Michael Snow
4:06
2-7
Darn It!
Bass – David Hofstra
Bass, Voice – Fernando Saunders
Drums [Trap Drums] – Bobby Previtte
Engineer – Jon Fausty
Guitar – Alex Chilton
Music By – Kip Hanrahan
Piano – Wayne Hurvitz
Synthesizer [DX-7] – Peter Scherer
Tenor Saxophone – George Cartwright
0:59
2-8
Route Doubt
Guitar, Voice – Derek Bailey
Music By – Derek Bailey
1:08
2-9
Ask Me If You Know
Bass – Andy Gonzalez
Drums – Marvin "Smitty" Smith
Engineer – Mike Krowiak
Music By – John Tchicai
Tenor Saxophone, Voice – John Tchicai
4:15
2-10
Those Sweet Blue Olives Of Bombay
Drums [Trap Drums] – Andrew Cyrille
Engineer – Mike Krowiak
Music By – John Tchicai
Tenor Saxophone – John Tchicai
4:14
2-11
Hello
Engineer – Mike Krowiak, Yale Evelev
Music By, Voice, Sounds [Ambience] – Northern Burma
Saxophone – John Tchicai
Voice – Michel Contat
2:17
2-12
Mrs. Dressup
Alto Saxophone – Carlos Ward
Bass – Melvin Gibbs
Drums, Sampler – Richard Harrington
Engineer – David Stone
Guitar – Leo Nocentelli
Music By – Melvin Gibbs
Producer – Melvin Gibbs
Voice – DK Dyson
2:26
2-13
Third World Two Medley: She Was Showing Me / Boint Liver
Electric Bass – Fernando Saunders
Engineer – Jon Fausty, Mike Krowiak
Guitar [Guitars] – Gary Lucas
Music By – Gary Lucas
Voice – Mary Margaret O'Hara
2:32
2-14
Breakfast (Late)
Bass – David Hofstra
Drums [Trap Drums] – Bobby Previtte
Engineer – Jon Fausty
Music By – George Cartwright
Piano – Wayne Hurvitz
Tenor Saxophone – George Cartwright
Voice, Guitar – Alex Chilton
1:06
2-15
The Please Fasten Your Seatbelt Sign
Alto Saxophone – John Oswald
Bass – Al Mattes
Drums – Jack Vorvis
Engineer – Paul Hodge
Music By – CCMC
Piano – Michael Snow
Sampler [Keyboards] – John Kamevaar
Voice – Paul Dutton
2:30
2-16
Testing Testing
Accordion, Drums [Trap Drums] – Maryanne Lifchek
Engineer – Jon Fausty
Guitar, Bass – Tim Wright
Music By – Tim Wright
Voice – Avery Haines, Tim Haines
3:02
2-17
Darn It! Reprise (Down In Back!)
Engineer – Jon Fausty
Music By – Kip Hanrahan, Roswell Rudd
Trombone – Roswell Rudd
1:09
2-18
Threats That Can't Read
Engineer – David Stone
Music By – Paul Bley
Piano – Paul Bley
4:52
2-19
C'Etait Dans La Nuit
Engineer – Jon Fausty
Music By – Roswell Rudd
Trombone, Voice – Roswell Rudd
Voice – Paul Haines
4:55

クレジット
Design, Photography By – Michael Snow
Lyrics By – Paul Haines
Mastered By – Greg Calbi
Producer [Project And Recording Guidance] – Kip Hanrahan
Recorded By [Assistant] – Jeff Lippay, John Azelvandre, Shawna Stobie, Suzy Dyer
Typography [Computer], Layout – Julie Ebel

ノート
Includes 2 leporello booklets with lyrics and credits.

Durations ripped from CDs; not given on release.

バーコードとその他の識別子
Barcode: 4011687101429
Rights Society: GEMA

Paul Haines (poet)

This article is about the Canadian poet and jazz lyricist. For the Australian fiction writer see Paul Haines (fiction writer).
Paul Haines (1933 – January 21, 2003) was a poet and jazz lyricist. Born in Vassar, Michigan, Haines eventually settled in Canada after spending time in Europe, India, and New York City; he had a long stint as a French teacher at Fenelon Falls Secondary School, in Ontario, Canada.
Haines's best-known work is Escalator over the Hill, a collaboration with Carla Bley.
Haines's daughter Emily Haines is a songwriter and musician with Metric, Broken Social Scene, and Emily Haines & The Soft Skeleton. Another daughter, Avery Haines, is a Canadian television journalist and television show host.

Contents
1
Bibliography
1.1
Poetry
1.2
Lyrics
1.3
Other writing about Paul Haines
1.4
Videography
2
External links

Bibliography
Poetry
Third World Two (1981)
Secret Carnival Workers (2007)

Lyrics
Smalltown Agonist / Little Pony Soldier with Carla Bley)
Escalator Over the Hill (with Carla Bley, 1971)
Smalltown Agonist / Little Pony Soldier (with Carla Bley, 1971)
Tropic Appetites (with Carla Bley, 1974)
Darn It! Poems by Paul Haines, Musics by Many (1994)
A Beautiful Western Saddle (with Curlew, 1993)
Trace (with Roof, 1997)
The Memphis Years (with Curlew, 2000)
Which Side Are You On (with 4Walls)
American Clave Anthology

Other writing about Paul Haines
*Sub Rosa* [Peterborough, Ontario, Canada], vol. 5 No. 1, Spring 1995 issue devoted entirely to "Paul Haines: Poetry/ Video/ Jazz", by Tom Sekowski, Stuart Broomer, Roswell Rudd and Michel Contat. Edited by Daniel Kernohan.
"Paul Haines" by Andrew Jones, *Jazziz*, November 1995
"Paul Haines / Now Can You Tell Me: An Article by Stuart Broomer: Words and Music: A Beautiful Western Saddle", *Coda Magazine*, July/August 1995
"Paul Haines - The Musical Psychic", by Tom Sekowski. *Exclaim!* [Canada], March 1995
"Paul Haines - Man with a Future Vision", by Tom Sekowski, The Newspaper [Toronto, Canada], 11/23/94an."

Videography
Jubilee (1992, 21 mins)
Our Rudd's Golden Curtain (1992, 19 mins)
Learning to Cope with Hope (1992, 3 mins)
An All-Ethnic Electric Program (1992 transfer from 1966 16mm., 25 mins)
Curlew: Paul Haines Set to Music (1989, 44 mins)
Rice Scented in our Absence (1983, 33 mins)
Third World Two (1981, 50mins)--50 poems (French and English) read or sung by an all-star cast, with original music by Carla Bley, Derek Bailey, Steve Swallow and Sheila Jordan."
Understanding an Interruption; 16 Musics (1981, 60 mins)--Paul Bley, Rudd-Lacy, Albert Ayler, Mike Mantler, Gary Burton, Evan Parker, Derek Bailey, Larry Dubin-CCMC, Carla Bley, Monica Zetterland, Stuart Broomer, and Kip Hanrahan.
An Evening of Poetry & Jazz, November 25, 1995, Market Hall, Peterborough: Michael Snow & Jack Vorvis performed a set of free improvisation and then Paul Haines presented his videos. The show sold out. It was produced by Daniel Kernohan in cooperation with Artspace and the Kawartha Jazz Society. Haines produced a number of audio cassette "mystery tapes", mostly drawn from his personal recording collection. These were not commercially issued but only passed around to friends and associates.

External links
Paul Haines biography at Coach House Books

音楽 : Various ‎– Für Ilse Koch


Various ‎– Für Ilse Koch

Come Organisation ‎– WDC 881021
Vinyl, LP, Compilation
UK
May 1982
Electronic
Industrial, Experimental, Musique Concrète, Power Electronics

収録曲
A1
–
Imperial Japan
Under The Victory Banner

A2
–
Musique Concret
Exit

A3
–
Come
Come Sunday 2

A4
–
Aleister Crowley
Nature Of The Beast

A5
–
Nurse With Wound
Fashioned To A Device Behind A Tree

A6
–
Consumer Electronics
Lebensraum

B1
–
Leibstandarte SS MB
Plutoniumetrio

B2
–
Charles Manson
Cease To Exist

B3
–
Etat Brut
Necro

B4
–
Wiking DDV*
Nordik Perversion

B5
–
Whitehouse
Mindphaser (Live)

B6
–
Whitehouse
Anal American (Live)

B7
–
Heinrich Himmler
Europe Lives

クレジット
Presenter – Come Organisation

ノート
Black vinyl edition, also released on red vinyl. A blue color variation is listed in one of the Come Org. Kata issues, but it was never pressed.

Front sleeve note: 'Come Organisation Present Für Ilse Koch'
(annotation: Ilse Koch was the wife of Karl Otto Koch, SS chief commander of the concentration camp Buchenwald.)

Has "COME ORGANISATION PRESENT FÜR ILSE KOCH" and "COME ORG WDC 881021 printed on spine.

A1 is from an un-named japanese military record.
A4 features the voice of Aleister Crowley and some uncredited spinet music in the background.
A5 title of the Nurse With Wound track, "Fashioned To A Device Behind A Tree", is a collaged phrase heard on the LP Orchid Spangiafora - Flee Past's Ape Elf. The haunting voice samples "Nein Papa, ich will nicht Papa" were taken from Kollektiv Rote Rübe & Ton Steine Scherben - Paranoia (uncredited).
A6 is listed the wrong way: Artist "Lebensraum", title "Consumer Electronics".
B1 is music from Maurizio Bianchi mixed with other uncredited sounds.
B2 is a collage of Charles Manson singing, as well as The Manson Family and uncredited music in the background.
B4 is credited to Wiking DDV, but is infact Club Moral with their live track "Oorlog (Autonomia)", taken from Club Moral - Mit Neuen Waffen.
B7 is a collage of Heinrich Himmler speaking, some uncredited synth and percussion accompanying an undisclosed nazi military song.
The record ends with some uncredited synth sequence that runs into the end groove.

バーコードとその他の識別子
Matrix / Runout (Side A - etched): WDC 88-1021-A1
Matrix / Runout (Side B - etched): WDC 88-1021-B1 FÜR ILSE

2019年11月25日月曜日

音楽 : Odyssey ‎– California / Jethro (ESP-Disk')


Odyssey ‎– California / Jethro

ESP Disk ‎– esp-ody-1, ESP Disk ‎– esp-ody-2
Vinyl, 7", 45 RPM, Single, Promo
US
Rock
Psychedelic Rock

収録曲
A
California
4:05
B
Jethro
2:00

クレジット
Performer [Uncredited] – Christopher Malcolm
Producer – Alan Grant
Written-By – C. Malcolm
Written-By [Uncredited], Performer [Uncredited] – Randy Malcolm

ノート
White label promo with "air play copy" text on labels.

Circa 1968.

Different catalog numbers per side.

音楽 : Tales from the Skinny Apartment(ESP-Disk')


Tales from the Skinny Apartment

ESP5032

Painted Faces is the long (strange/trip) running voyage of weirdo David Drucker, began in Florida in 2009 and decamped to NYC in 2011. It has sometimes been a loose band in the past with a revolving lineup of outsiders and interlopers (known as The Freak Band), but is usually a solo endeavor, and the bulk of the recordings have been done as such. PF has always been a home recording solo project, one-man-band style heavy on psychOdelic/outsider folk/noise/experimental vibes. He started self releasing CD-Rs in the early days and quickly jumped to tapes on a variety of labels including Already Dead, Lava Church, J&C, Null Zone, Tall Tapes. A "legendary" CD compilation on Gulcher Records and an LP from Already Dead and Almost Halloween Time in Italy brings us to the here and now. Tales from the Skinny Apartment is somewhere around the 20th or so Painted Faces release...he has long lost count.
Drucker runs/curates gigs (and records at) the Skinny Apartment, his dwelling place in Ridgewood Queens, which some folks have called the "realest DIY zone in NYC." He also rips in Dead River Company, Big Hiatus, Shecky, Canyon River Blues, and countless other unknown subterranean improv zoner outfits. "Ripping" involves keeping it freaky and weird and ripping sets wherever/whenever, i.e. always being down to perform, whether in a kitchen or a packed ballroom....no diva bullshit, just plugging in (or going sans electricity) and playing...always giving it your all...Ridgewood Rippers are the crew of artists that populate Ridgewood and the loose "scene" around the Skinny Apartment...much of it is in jest, a self-inflated mythology of nonsense which is pervasive in all rock and roll "scene" histories. As a student of rock/pop history, Drucker is fascinated by the loose associations that connect folks from various zones together...i.e. Miles Davis and The Grateful Dead...it's all the same though, the labels and genre distinctions are completely arbitrary. We're all in this together, now more than ever...to be a "ripper" is simply to "rip"...no nonsense!
Painted Faces has toured all over the USA and Canada numerous times, spreading the ripper gospels, and is gearing up for the second European tour with fellow ripper Anura. He is known for falling apart on "stage," with performances heavy on humor, horror, stoned digressions, and cathartic bouts of therapy, part performance art/part standup comedy, eradicating the lines between performer, performance, and audience one show at a time.
Tracklist
1. Chicks That Are into Beefheart (and Jandek) 3:24
2. Florida Bat Salad 1:05
3. Nightmare on Drucker Street 4:37
4. I Took Too Much Acid in 7th Grade 4:22
5. Island of Tragedy 3:04
6. Follow Me Down on Instagram 1:58
7. Seafood Special 3:59
8. My Mom Was a Hebrew School Teacher 4:14
9. Massachussetts Is a Magical Place 4:21
10. The Ridgewood Ripper 5:18
11. I Don't Want to Listen to Your Tape (Cellar Dweller) 8:23
Total time 44:35

All Music Written & Recorded by David Drucker at The Skinny Apartment in Ridgewood, Queens, 2017
Featuring Mike Green (Mezzanine Swimmers) on guitars on "I Took Too Much Acid in 7th Grade"
Cop Funeral on electronics on "Seafood Special"
Chris “Mr Transylvania” Shields on background vocals on "Massachussetts Is a Magical Place"
Eva “Nighttime” Goodman on violin & backing vocals on "The Ridgewood Ripper"

音楽 : Whitehouse ‎– Total Sex


Whitehouse ‎– Total Sex

Come Organisation ‎– WDC 881005
Vinyl, LP, Limited Edition
UK
Nov 1980
Electronic
Industrial, Power Electronics

収録曲
A1
Total Sex

A2
Phaseday

A3
Dominate You

B1
Politics

B2
Roller Coaster

B3
Ultrasadism

会社名など
Recorded At – IPS Studio

クレジット
Effects, Engineer – Peter McKay
Mastered By – George Peckham
Producer, Written-By – Whitehouse
Synthesizer – Paul Reuter
Vocals, Synthesizer – William Bennett

ノート
Recorded at IPS studios, August 1980.

First edition on Black vinyl limited to 800 copies.
Total edition of 1000 copies on black vinyl per William Bennett
- initial sleeve had extracts of 120 Days of Sodom.
- monster sleeve and other handmade sleeves used after subsequent censorship
- black vinyl
- white centre labels with tracklisting in black writing

Second edition on green vinyl limited to 400.
Total edition of 500 - 800 copies on green vinyl per William Bennett.
- black cover with info sheet stuck on the front
- translucent dark green vinyl
- Cara labels (Come Org labels with Spanish writing)

音楽 : Various ‎– The Second Coming


Various ‎– The Second Coming

Come Organisation ‎– WDC 881006

Vinyl, LP, Compilation, Red, First Edition
UK
Jan 1981
Electronic
Industrial

収録曲
A1
–
Nurse With Wound
Untitled
Featuring – Jim Thirlwell*
14:21
A2
–
Come
In Country
3:00
B1
–
Whitehouse
Shitfun 2
6:06
B2
–
The Sodality
Coprophilia
4:02

会社名など
Manufactured By – Aerco Processing – Æ 1338

クレジット
Lacquer Cut By – Porky

ノート
1500 copies on Red vinyl.
Red vinyl with printed "Second Coming labels".
Large xerox glued on front cover with small type written sticker that reads "come org RED VINYL".
Back cover has come organisation address printed in white.
It includes a large track list insert.

バーコードとその他の識別子
Matrix / Runout (Runout area A-side, stamped): WDC 88 1006 A Æ 1338 "A Porky Prime Cut" (hand etched)
Matrix / Runout (Runout area B-side, hand-etched): WDC 88 1006 B-1 Æ 1338 Porky

2019年11月24日日曜日

音楽 : Globe Unity Special ‎– Into The Valley Vol. 2


Globe Unity Special ‎– Into The Valley Vol. 2

FMP ‎– FMP 0270
Vinyl, LP, Album
Germany
1976
Jazz
Free Jazz, Free Improvisation, Avant-garde Jazz

収録曲
A
Into The Valley
Written-By – Evan Parker
15:30
B
Of Dogs, Dreams, And Death
Written-By – Evan Parker
22:25

会社名など
Recorded At – Workshop Freie Musik

クレジット
Bass – Peter Kowald
Cover – Tomas Schmit
Design, Photography By – Paul Lovens
Percussion, Saw – Paul Lovens
Piano – Alex Schlippenbach
Recorded By, Producer – Jost Gebers
Soprano Saxophone – Steve Lacy
Soprano Saxophone, Tenor Saxophone, Saw – Evan Parker
Tenor Saxophone – Gerd Dudek
Trombone – Albert Mangelsdorff, Paul Rutherford
Trumpet – Kenny Wheeler
Typography [Lettering] – Peter Brötzmann

ノート
Recorded live during the Workshop Freie Musik, Berlin, March 31, 1975

バーコードとその他の識別子
Rights Society: GEMA

音楽 : Globe Unity Special ‎– Evidence Vol.1


Globe Unity Special ‎– Evidence Vol.1

FMP ‎– FMP 0220
Vinyl, LP, Album
Germany
1976
Jazz
Free Jazz

収録曲
A
Rumbling (To Joe Louis)
Composed By – Steve Lacy
Strings – Paul Lovens
16:08
B1
Alexanders Marschbefehl
Composed By – Misha Mengelberg
Tuba – Peter Kowald
8:37
B2
Evidence
Arranged By – Alex Schlippenbach
Composed By – Thelonious Monk
6:00

会社名など
Recorded At – Workshop Freie Musik

クレジット
Bass – Peter Kowald
Percussion – Paul Lovens
Piano – Alex Schlippenbach
Recorded By – Jost Gebers
Soprano Saxophone – Steve Lacy
Soprano Saxophone, Tenor Saxophone – Evan Parker
Tenor Saxophone – Gerd Dudek
Trombone – Albert Mangelsdorff, Paul Rutherford
Trumpet – Kenny Wheeler

ノート
Recorded live during the "Workshop Freie Musik", March 31, 1975 in Berlin.

Same as other version but with white back (not red).
Behaimstrasse address.